Pan and Automate Reverb for AMAZING Transition | Logic Pro X

[@Plexusfanpage]

Why haven’t you kept posting Your form of teaching is so simple and straightforward The best I’ve found so far is you Dude this page has great potential

[@_jbustillo]

That Synth piece in the beginning reminds me of something I’d hear in Scarface

[@djxia1]

Very cool idea. Will be sure to try this. As always keep up the good work...Logic gang gang gang.

[@mythicalnoise5785]

Cool! I’m glad you’re liking the idea and going to try in your songs!

[@djxia1]

@@mythicalnoise5785 oh for sure...it’s just as cool 😎 as bussing a delay into a reverb or visa Vera.

[@candeedbeets2947]

Speaking of controlling frequencies we gotta get you a mousepad! Teasing brother your vids are awesome🙏

[@TheMrSamrock]

amazing

[@hf3.0]

Cool technique, going to try this out, thx!

[@mythicalnoise5785]

Cool! Glad you’re gonna try it! What will you use it on?

[@hf3.0]

@@mythicalnoise5785 Thanks for asking. i’ve been writing a lot lately so It could end up being utilized in any one of a number of things or maybe in something yet to written, many options. I should also thank you for another tutorial you did here on May 31 that I’ll be utilizing many times over and that is side-chaining the delay and reverb on the vox, fantastic, I had been wondering how to accomplish that, thanks again! Naturally high and low pass filters will be engaged to avoid any extra mud;) On an entirely different note, kindly consider the following for a future tutorial: how to maintain dynamics while simultaneously keeping levels high enough to be competitive on the various streaming platforms. Thanks!