Pantula Rama 02 dhurmArgachara ranjani

[@goddantiomkarnath244]

What melody, bhava and diction! It is time Telugu rasikas stopped looking upto Madras for overrated musicians (honourable exceptions apart), and started listening to our homegrown veterans and upcomming youngsters.

[@chakravarthivrangarajan9616]

Divine is the music ,Divine is the person performing. It should unite ALL living things to experience Para Brahamam.

[@sakuntalaramaswamy7915]

Most Beautiful and Blissful Rendering. !! So very Enchanting To listen. !! Enjoyed the Bliss of the Recital so vert Much. !! Super Violin accompaniment gave the recital so much of Grace, Beauty and Bhava. !! Thanks a Lot for sharing. !!👌👌👌❤❤❤

[@rajeswarisimhadri9679]

Very melodious and divine music.swaraprastharam in special place, Sreekara Thyagarajavinutha. Excellent rendition by the whole team.Pranams to all.God bless you all forever.Namadthe.

[@vallursivaraman4201]

Sublime. Outstanding & splendid. What an alapana by jewel of Andha. Blissful.

[@kothandaramanv3447]

❤❤ Aha ! Excellent 🙏 👌

[@vedapushpa9803]

This song NEEDS to be sung out to all the Government Officers starting from the President and Prime minister to the panchayat president. The one and only yardstick of MORAL accountability.

[@vedapushpa9803]

Oh you the wayward Public Authority I can't possibly rever you as any knight or king!!

[@vsridhar5551]

A+ standard artiste. Salutations to such Quality rendering. Very nice accompaniment.

[@indranigodavarthi2783]

రమ గారు and శ్రీ మూర్తి గారు 🙏🙏🙏🙏🙏🙏🙏🙏👍👍👍👍👍👍👌👌👌👌👌👌👌👌👌 Ultimate combination 👏👏👏👏👏👏💐💐💐💐💐💐💐💐, no words can express their harmony which lies beyond the levels of made for each other

[@GururajBN]

Superb performance. Ranjani is an especially good raga to listen to. The ease with which she sings is like the ducks taking to waters.

[@srikalarengarajan3119]

Absolutely Divine. And Swaram at Srikara thyaaga was unique🙏

[@kothandaramanv3447]

Excellent Madam ❤

[@jaisuryabayyaram316]

Nice rendition . Sung so soulfully that it enthralling.

[@sampathkumar3368]

Superb superb superb. Devine. Rich talent.

[@mysuruvasudevacharya]

Superb by Vidushi Pantuala Rama garu ! Durmarga chara Raga Ranjani, 59 Dharmavati janya Thyagaraja Krithi Rupaka Talam Aa: S R2 G2 M2 D2 S Av: S N3 D2 M2 G2 S R2 S Tyagaraja expresses his inability to serve the ignoble and evil men for his needs, when a benefactor like Rama the emodiment of dharma is there for him. P durmArga charAdhamulanu dora neevana jAlarA || I will not praise the ignoble and mean men to win their favour. AP dharamAtmaka dhana dhAnyamu daivamu neevai yunDa || I have a righteous and benevolent God to bestow wealth and happiness. C paluku bOTini sabha lOna patita mAnavula kosagE khalula nechchaTa pogaDa Sree kara tyAgarAja vinuta || I will not use my talent to sing the praise of degraded sinners, Oh Lord of Tyagaraja. Gist :- Not for me to call him master, Not the villain of evil ways! Wealth and grain come after, A touch of Your upright grace. Speech, ne'er shall I barter, Where fiends hold court. Nor nod to another's sale, O Lord of wealth and vale! This is not a commonly heard song; nor is it involved in musical or lyrical detail. But, the thoughts Tyagaraja expresses in it, tell us a lot about his path in life and why he composed such music and such poetry. Cf. with the famous "Nidhi Chala sukhama" song we saw earlier, where he denounces wealth. Here, he is critical of serving the base for pecuniary benefit and considers this a taint upon the learning of men. Speech personified as here, refers to Sarasvati and to learning. Such revulsion for wealth was common among men of learning of his time. Learning was considered an aid to illumination and the Highest and not as a path to wealth. While Tyagaraja was perhaps the most austere of the Trinity, none of them served the great kings of the time as court musicians nor sought extensive royal patronage. Such renunciation among the pious and scholarly is peculiar to his culture. In the west, we find a starkly different case. Many of the great masters of the classical music there, did not fight shy of wealth and some did acquire it. Mozart, a figure comparable to Tyagaraja in the West, predated him by only a few decades. Much is known about his various patrons and his considerable fees for composition. It has been of some interest whether he died a pauper or not. The Pythagorean notion of finding the sublime in music had long been dead in his time. Unlike in the west, learning itself was and is considered sacred in his culture and profiting from learning is considered sinful. Tyagaraja's brother who too lived in their ancestral house was said to be highly covetous and eventually, fell out with him. Tyagaraja's devotion to Rama was his sole avocation in life. To his brother's chagrin, Tyagaraja considered wealth as precluding his quest for Rama. So, we hear of the episode alluded to in the earlier song, in which his idol of Rama was lost and found. Such abhorrence of wealth and comforts as pollutants is an ancient and consistent teaching in Hinduism. It is held that they cannot be sought and attained without the debasement of the individual self. Raga Ranjani Janyam of 59th mela Dharmavati. Aro: S R2 G2 M2 D2 S Av: S N3 D2 M2 G2 S R2 G2 S This ragam is an asymmetric scale and is classified as an audava-audava ragam There are so many Some of the more common ones are: ranjani manOranjani cittaranjani karnaranjani SrIranjani mEgharanjani janaranjani Sivaranjani chAyaranjani mAraranjani Less common ones include: jeevaranjani madhuranjani mAturanjani nAdaranjani sukharanjani illAranjani bhOgaranjani rAjaranjani niranjani tAmasuranjani tridaSiranjani bhuvanaranjani caitakaranjani saikataranjani dEvaranjani dhAmaranjani pratAparanjani prakAraranjani tAlaranjani viyOranjani rasikaranjani maruvaranjani rAmaranjani rEkharanjani

[@kpajay]

Thank you for sharing your comment - exhaustive and very nicely articulated, especially the meaning and gist.

[@mysuruvasudevacharya]

@@kpajay ji Thank you My Pleasure

[@raghuramang2592]

Thanks a lot, though belated, for the detailed notes giving the meaning, the background, and also the various ranjani ragams.

[@mysuruvasudevacharya]

@@raghuramang2592 ji My Pleasure 🙏🏼

[@medepallisubrahmanyam1956]

Extrodinary voice superb singing no words to explain

[@rajinisrinivasan6730]

Aalapanai itself superb !!!! God Bless ! 🙏🙏

[@krishnamohanraokoppula323]

Excellent Ranjani

[@galaxy87-8]

Amazing 🙏

[@umashankari554]

Excellent madam

[@RaghavaRama-kk6kn]

7:03

[@snadupalli]

superb madam Absolute Divine

[@bhargavigullapalli8437]

Beautiful singing.very soothing

[@sangeetha6545]

Very melodious voice. Very good singing.

[@balasubramanianl.v.7005]

Good rendition.

[@aluruuma67]

Superb singing...

[@ushakrishnaswamy8860]

Very divine singing.

[@susarla1]

Divine singing

[@Mukund415]

fabulous - rich talent - God bless!

[@srinivasanrramamurthi9285]

Good rendition

[@bhargavigullapalli8437]

Very nice singing.melodious.

[@vydekisatagopan3533]

Ranjani very nice and good

[@sreekumarpai6665]

Superb

[@shobharathna3473]

Very rich voice

[@rajinisrinivasan6730]

Who is the violinist ?

[@raghavendrapariti654]

msn murthy is the violinst

[@rajinisrinivasan6730]

Raghavendra Pariti thank you Mr Pariti

[@hariharaniyer8083]

Superb crystal clarity in alapana..my favourite Raaga

[@beethoven6185]

Her husband

[@mkrangachar]

Awesome.

[@rathnaav]

Excellent

[@umeshbn]

👍

[@raghavadamodar1998]

7:02

[@skanchana2002]

Excellent

[@susarla1]

Excellent