Parsifal - Karfreitagszauber - John Tomlinson & Poul Elming - Richard Wagner . (multi-subs)

[@tonyclifton265]

I listen to this every year on Good Friday. blessed easter, y'all.

[@flemmingdalsgaard3231]

The scene with the baptism of Kundry is in its own way a love scene. And love is what we must feel for her in this moment. Tomlinson has a very maskulin voice. We can imagine how a formidable soldier Gurnemanz must have been in his youth!

[@ragadolls]

John Tomlinson. Simply the greatest Wagnerian bass, ever!

[@stillstanding6031]

I agree, he's terrific. No strain; pure sonics.

[@wurstgitarre]

He is great, yes, but I guess you maybe have ever heard of Matti Salminen or Josef Greindl for example...? ;)

[@kasparovschen]

Salminen?

[@krohnhardt]

Tomlinson is great as Gurnemanz.

[@patriciaruiz4352]

GRACIAS !!! SIENTO QUE UN PEDAZO DEL CIELO ME HA SIDO ENTREGADO......

[@maelughran6981]

There IS only one John Tomlinson.....

[@nickgresham6480]

Beautiful

[@Medietos]

Thank you very much, beautiful.

[@nigelverney9608]

My pleasure, Scrumptious.

[@kallelundahl5784]

Wunderbar

[@mariaghirlandaibaldi4268]

IMPRESIONANTE , ESCUCHAR ESTO POR LA RADIO MONTECASTRO

[@stillstanding6031]

There are many fine conductors of Wagner, (Kna, Levine, Solti, etc.) but I think, hands down, my fave is Barenboim. He really "gets" Wagner consitantly.

[@stevenspringthorpeii5372]

I adore Barenboim.

[@wagner18131]

Well no accounting for taste. Beautiful all the same.

[@luisangels8325]

gracias por traducirlo, es maravilloso ;)

[@nikodemus7777]

Was mich stört ist die in Blau getauchte Bühne. Das will nicht recht passen. Wenn man den "Karfreitagszauber" hört, sieht man irgendwie die Farbe Grün vor sich; ähnlich wie man mit der Musik des Lohengrin die Farbe Blau assoziiert. Ich denke, dass man als Regisseur diesem Farbenhören Rechnung tragen sollte und dem nicht entgegen inszenieren darf...

[@Quotenwagnerianer]

Faszinierend. Ich habe letztes Jahr an einer Lohengrininszenierung mitgewirkt und tatsächlich war Lohengrin's Farbe... Blau.

[@FranciscoFerrerGaliana1930]

UNA DELICIA DE VOCES

[@danawinsor1380]

" . . . captures Gunemanz's misreading of every situation." ???

[@jeremytaeza77]

Based on the thumbnail, I thought it was a star wars musical with Obi-Wan, Padme, and Anakin haha

[@CvS2016]

My favorite is Alexander Kipnis, at least on recordings.

[@bobbyzenter7326]

Where'd you park the KAR?

[@nigelverney9608]

"In der Gralsburg" more Parsifal with multi-subs kzbin.info/www/bejne/jni5fJyPmMqmgZY .

[@ransomcoates546]

Tomlinson always had a certain natural ‘gravitas’ that must have been directed out of him in this production. He looks like a confused hobbit. (Like Thomas Stewart, his top voice was always problematic.)

[@AndrewRudin]

"How fair the meadows seem today." WHAT meadows??? Lovely music and singing, but why does the production completely ignore what the text is describing? Phooey on Harry Kupfer.

[@chensonggao9997]

Not sir john’s best

[@lydandyan]

Bring back James Levine and some real Karfreitagszauber!

[@anon-rf5sx]

Yes, he sings about Good Friday spells. Where are they? Can you see it? I do not. This is why there's no point in going to the opera to be scammed by an Eurotrash stage director. Much better to just listen at home, and my imagination does the job better than him.

[@bobbyzenter7326]

It was hiding in the toilet

[@wagner18131]

Too slow

[@nigelverney9608]

Really? Barenboim seems to be taking it quite quickly to me.

[@rogerpropes7129]

Nigel Verney Good, get it over with!

[@terryregnar]

+Roger Propes hah :)

[@bobbyzenter7326]

Too fast.