Patrick Bartley’s KILLIN’ solo over “Little Willie Leaps” | Solo Transcription (Eb)

I think a lot of the material in Vol 52 of Emmet’s Place is awesome, this tune being one of them. It’s melodic but very technical, has amazing use of traditional bop and swing lines but has many modern elements mixed in.
Only problem is this compared to After You’ve Gone is night and day. Still an amazing solo all around and all of vol. 52 is worth checking out.
Original live set: • Live From Emmet's Plac...
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[@Niamhmusicmusic]

obsessed with this rn

[@ballzuru5983]

@@Niamhmusicmusic the stuff he played on this set was so good vro check out everything on vol 52 (whichever volume After you’ve gone was on)

[@bobdukan2778]

After You've Gone is amazing in terms of story and building - but this one also just describes Patrick in such a traversal way in that he explores a bunch of language pre-established by player's he obviously loves (Adderly, Hodges, etc) while also explore super modern harmonies that he could only have thought of. Thanks for sharing!

[@tonymartin6199]

swingin

[@fresamouse]

Incredible job!

[@wforwadeed]

melodic warrior 🚒🔥

[@AndrewJanusson]

More likely written by Bird and stolen by Miles.

[@paolorossi9571]

Ormai il jazz è diventato una gara a chi fa più note quasi sempre troppe e spesso inutili. Cliché e pattern sentiti e risentiti buttati dentro ossessivamente per sopperire alla mancanza di idee, fantasia e creatività che poco hanno a che fare con l'arte