Peghead Nation's Monroe-Style Mandolin Course with Mike Compton

In this Peghead Nation course, Mike Compton teaches traditional bluegrass-style mandolin as exemplified by the father of bluegrass, Bill Monroe, with original transcribed solos and tips on reproducing Monroe’s sound, rhythm, and feel.
For more info and to sign up, please visit www.pegheadnation.com/string-...
Mike Compton is a Grammy- and IBMA award-winning artist and a passionate teacher and advocate for the mandolin. Mandolin Magazine calls him "a certified mandolin icon."
Born in Meridian, Mississippi, Compton grew up hearing old-time country music and took up the mandolin as a teenager, drawn to the powerful mix of old-time fiddle stylings, blues influences, and pure creativity embodied in Bill Monroe's playing. By the mid-1980s, he was a founding member of the Nashville Bluegrass Band, which quickly became one of the most prominent and admired in bluegrass.
He recorded a half-dozen albums and toured extensively with the legendary John Hartford in the Hartford String Band. Working with producer T-Bone Burnett, Compton performed as a Soggy Bottom Boy on the Grammy-winning soundtrack to 2001's O Brother, Where Art Thou? and on the subsequent Grammy-winning Down From the Mountain soundtrack and tours.
Today, Compton performs and records widely both solo and in ensembles with guitarist/songwriter/banjo player Joe Newberry, Jumpsteady Boys (which includes Peghead Nation Old-Time Fiddle instructor Bruce Molsky), Helen Highwater String Band, and many others. He is an in-demand instructor and runs the popular Monroe Mandolin Camp in addition to teaching at high-profile workshops around the country.
Wearing his signature pressed blue overalls, Compton stuns not by tricks or artifice, but through his singing, his ability to engage a crowd, and through decades of honing his technique into the unique, one-of-a-kind Compton signature mandolin sound.
www.MikeCompton.net

[@mandoist]

Not sure... but I think "Lucky Lady" is on Monroe's "Body & Soul" album? In any case, it's a great 2-chord tune to introduce yourself to Monroe's right-hand style... and at a time in his life when his playing was really evolving to that flowing (sliding) style Mike mentions. A great foundation if you can get this tune down.

[@WildwoodvalleyBoy]

...closes out with Methodist Preacher !