Masterclass nº1 David Kadouch - no.16 - Barenboim on Beethoven

Playlist: • Barenboim on Beethoven...
David Kadouch - Sonata No. 16, first movement.
Saleem Abboud Ashkar - Sonata No. 21 "Waldstein", first movement.
Lang Lang - Sonata No 23 "Appassionata" , first movement.
Shai Wosner - Sonata No. 17 "Tempest", first movement.
Alessio Bax - Sonata No. 29 "Hammerklavier", fourth movement.
Jonathan Biss - Sonata No. 30, third movement.

[@albanvic]

The genius of Barenboim imparts his genius to the next generation. That is what is important here...Totally mesmeric...

[@karenistalking5774]

This young fellow, David Kadouch, is a true artist. I gotta hear more from him. Absolutely over the top wonderful.

[@Highinsight7]

YES! he is!

[@otonanoC]

This is amazing. This whole video is a jewel of youtube.

[@GgozilL]

진짜요?

[@chutdigadut]

Incredibly insightful! There is so much natural resonance and contrast that comes directly from what is written on the score. I often make the mistake of becoming too "inventive" too soon and "bending" the text as Barenboim mentioned before truly exploring the vast range of character that can come from just the harmonic, rhythmic and dynamic structures alone. Before I begin having thoughts to go against what is written I must truly understand the extremities of what can be done with the written score first. This will help me to understand my intentions and how to express them without "rewriting" the music. This way, my interpretations can achieve both the necessary authentic feel of the piece as well as whatever desired character I aim to portray. The intentions of the composer are equally as important as the performer, and they must be understood to the fullest. Thank you for posting this amazing masterclass!

[@basstian]

Well put, and I agree a hundred per cent.

[@SAXloungeEF]

I thought the performer should fully understand and then serve the composer and his composition?! It's ALL about what the composer want's to tell us, about HIS story, isn't it???

[@cesarabrahamcastanedavalen3788]

"There is a moment when liberty becomes in anarchy", well said Maestro Barenboim.

[@mistermornevanderberg]

If you go for master classes,always expect some criticism. There will be no master class ever where the teacher will just - after the performance - say "wow, that was perfect"

[@maxhampl5881]

Mister Morne Van der Berg krystian zimerman on schumann fantasiestücke:)

[@ludix711]

I plan to make it happen. Though it may be very difficult.

[@Soulastro12]

Max Hampl is that one where they played it perfect? Can I have a link to the video?

[@dieaxeldesguten3688]

kzbin.info/www/bejne/d32nq6uLaZplnaM

[@sdfasdfa1]

@@dieaxeldesguten3688 Thank you for referencing this video....absolutely stunning Masterclass by Zimermann

[@danielshade710]

This is worth its weight in gold Steinways. It’s a master class in all art, frankly.

[@MegaHamilto]

Pensé que sólo iba a verlo unos 10 minutos, y sin darme cuenta ya habían pasado 40 minutos

[@ruperttmls7985]

Yo vengo llegando, que bueno que me adviertes, pondre mi alarma para no quedarme de mas jajaja

[@estelleneethling12]

How wonderful to hear and see this!!! The master and the brilliant young pianist... ❤

[@houmous942]

I love his accent when he speaks English. It doesn't sound French at all, it's very pleasing to the ear.

[@Lucia-kk4kn]

See above.

[@lunitamusica3212]

his english dosen't sound french because Barenboim is not french!

[@houmous942]

Obviously I was talking about his student :)

[@ARGENTINE3]

El nació en argentina Buenos Aires, 15 de noviembre de 1942

[@houmous942]

@@ARGENTINE3 Now that’s some quid pro quo :) Me estaba refiriendo al chaval, quien a pesar de ser francés tiene un acento muy bonito cuando habla inglés.

[@kilmer70]

juste genial Brenboim! il donne a Kadouch toutes les clefs! a lui de les utiliser. Superbe master class!

[@31PianoGal]

I thought I was a master of the piano but watching this Master Class w/ Barenboim makes me feel like a small child of the piano.

[@ignaciaforteza7731]

I agree wholeheartedly, a real jewel, touchingly beautiful!!! Thank you.

[@cesaraugustozambranorodrig8473]

Siempre he admirado el riguroso orden del Maestro,dentro de esa imaginación infinita.

[@josephmathmusic]

My father is a dentist, my mother is my mother :)

[@steverichardson7971]

I died at this lmao

[@simonprecheurllarena]

Hahaha I died too

[@GgozilL]

앜ㅋ

[@nasersaif8839]

Fantastic 🌚

[@debussychopin2766]

And my mother is a non-dentist

[@christinestill5002]

I've watched Maestro Barenboim for many years, Master Classes, forming his orchestra of musicians from the Middle East, conducting orchestras all over the world, recording his Five Minutes on musical terms, and on & on. He will be 80 this summer. Some orchestra members are accusing him of "being a bully". There are a number of Orchestra Practice sessions you can watch on YT. Demanding yes but bullying? Some day they will brag about working w/ Maestro Barenboim!

[@mariawimmer4541]

Yes, you are right.I had the much beloved possibility to attend Barenboims rehearsals for over 30 years. There was never such a situation for which he was accused.

[@izabellamardo1074]

Belíssima aula. Amei e fico muito feliz por ser em espanhol,pois assim compreender o que ensina muito obrigada.

[@vivaldi1954]

Barenboim is amazing! This kid needs 3 years with him and a metronome. Tempo rubato, abused by so many as witnessed here.

[@gusdc3000]

17:15 cuando le discutís al profesor en un final y no sale como esperabas.

[@PierreLucSex]

Losing oneself to the love of something is a harsh task. Beautiful relationship here. And great lesson. Not being pianist myself I can understand some layers yet. Félicitations de Nice

[@dalesmith4609]

Must be very strange for both the teacher and student to have a lesson in front of an audience and on the air.

[@sealedwings6788]

a lot of pressure on the student!

[@mattiafioravanti8475]

Indeed. And it was a very tough lesson on Kadouch. Barenboim was nice and correct; but this was a heavy lesson for him

[@gustavorivera4903]

Dale Smith, the master wouldn’t put himself in that position if he would feel that way. He would be him , with or without audience.

[@MrTann2010]

Master classes are usually held in front of audiences

[@davidaronson9475]

Watch all the way to the end to see Barenboim playing the piece. THANK YOU!

[@JulianoMolteni]

Perfection does not exist. Anyone can play with his sentimental and interpretation..if not. There are Always the same..😐😐😐

[@cansomeonehelpmeout]

"Because I like it"

[@renanludy]

"that's not enough"

[@steverichardson7971]

“I’m sorry in my score I’m sure it wasn’t” xd

[@fernandotorrescateriano2260]

La forma organicista como percibe el sonido; el símil con la vida humana y el proceso de generación/corrupción; la alternancia de contrarios y el nacimiento de cada uno en el otro (silencio-sonido-silencio) y la lectura siempre, siempre dialógica que tiene respecto a las piezas, una dialéctica entre las partes y las secciones......es Barenboim un filósofo que ve la vida en la música y la expresión de la realidad y el mundo en cada pieza.

[@UNMARENMEDIO]

Genial Beethoven, genial Baremboim, genial la sonata, y todo lo demás, sobra.

[@carmenaballi]

Fantástica clase. Gracias.

[@jesusmateuubach7928]

😮 Que sutilezas, que detalles, que todo...maravilloso! 😊

[@eduardopoblete8839]

Eduardo Poblete de Chile, un monstruo de la interpretación, sólo superado por el maestro Arrau...Baremboim, gran maestro un coloso...

[@rxdxvxnxtx6331]

q hablai weón autoreferente

[@victorradial1179]

@@rxdxvxnxtx6331 Qué wea jajaja

[@HJ-yg4lc]

"Because I like it" - David Kadouch

[@Filipinoability]

Bravo ... I found a very very good one!!!!

[@scottweaverphotovideo]

I'm watching this again. Kadouch does not bring the music to continuous halts, as Baremboim argues. It's a near perfect performance, full of his wonderful enthusiasm and insights. I think Beethoven would have loved it.

[@Ollivier10x56]

Al fin esta subtitulado. Gracias ¡¡¡

[@danlemwil6816]

This is such a fun piece by Beethoven! So... wanna have some fun? Try this: after the low chords concluding the first movement, start from the beginning and stop after the theme's first scale ending on the single g. That new ending actually kinda works!...

[@gustavopometti6187]

Es Forte!!! David , es Forteee!! De donde sacaste la partitura 🤦🏿‍♂️ jajajaja.. Es un capo!!!

[@ChristinePlantiko]

You are my favorit, David❤

[@xalukard]

Wow.. maestro, bravo

[@ghirardellichocolate201]

Now some being more talented than the others was a matter of my favorite things that some have realized. Such as anti amnesia.

[@simonprecheurllarena]

My mother is my mother

[@Fred.jpeg_]

You can really tell the difference when you put maestro and student side by side.

[@SAXloungeEF]

Mr. Kadouche, if you do not forget about yourself you won't enter anywhere.

[@patinho5589]

The faces are a way of dealing with fear. A kind of mask. Ego construct.. to try and block out the fear. But it fks up music making yes.

[@maestroadam]

Agreed

[@AmyAmy-er8bp]

Faces are for feelings. When you play with an open mouth, you also sing to yourself. In any case, practice over five hours a day, prepare for concerts, play for the audience and acquire an utter discipline to not screw up anything. Takes a lot of effort. Hands can't shakes, fingers can't shake, can't lose the rhythm and get too emotional. But at the end, combination of everything makes it all worth the effort. Perfection is everything.

[@fryderyckchopin484]

They remind me of Liszt and me

[@el_raqa]

Aaahh internet!

[@marto877]

oh Chopin, im a big fan of you, love your nocturnes, bye 💁🏻‍♂️

[@alhfgsp]

Something that happens often with young musicians is they get so exited that they loose regularity between similar expressions. With maturity comes self control. (And BTW these pianists were all very good so I'm not knocking anyone here 👍)

[@maximilianosottile]

Gracias gracias gracias .... subí todas.graciassss

[@marcovillalobos9059]

27:50

[@cansomeonehelpmeout]

Because I like it!

[@alis1637]

what is the DYNAMIC???

[@user-sc3jq4jg3k]

聴いてます❗

[@gianlucasenes2264]

Anybody criticizing the faces can actuañly play any instrument, beside farting here in comment section?

[@pneron2032]

Can you spell?

[@lunitamusica3212]

This is... english🤤?

[@arcosisinar2593]

Un regalo!!!!!

[@blanquis1824]

En una entrevista Barenboim dijo que los gustos eran subjetivos y no tenían una verdad por lo que los críticos se equivocan. Sin embargo; creí que era una mala respuesta ya que un crítico argumenta el por qué. Es precisamente lo que hace él mismo a partir del minuto 27:50. Los gustos son acertados mientras tengan un argumento sólido y verificable.

[@pepeloco65]

Thenewjazz no creo que sea una cuestión de gustos, como ponerle carne molida a una tortilla de papas... hay que prestarle atención

[@blanquis1824]

pepeloco65 tu comparación es fuera de contexto. Claramente aquí se habla de gusto. El alumno dice lo toco así porque me GUSTA y Barenboim lo acepta, pero su argumento no es valido mientras que el de Barenboim le demuestra que sí lo es. Es cuestión de gusto o acaso existe una verdad absoluta?. Si yo pinto un paisaje digo que es la verdad o mi verdad?...será un gusto propio por pintar los paisajes de esa manera y todos me creerán si mi argumento es mejor que el de los demás.

[@mariaspringer356]

Whish I could play!!!!

[@CarlosAcevedoMX]

Creo que el chico no estaba acostumbrado a la crítica de un maestro.

[@WorldChampion22]

The argentine Mozart 👏❤️

[@Lucia-kk4kn]

@15:22 David! Jajjajaja 100. % argentinian, 1000%villa crespo

[@yoelcapoful]

É Daví, es forte.

[@lunitamusica3212]

Barenboim habla seis idiomas con total naturalidad. Pronuncia el nombre David en francés porque el chico es francés. Se llama David Kadouch, no "Déivid Kéidoush".

[@acwatercolors]

Excellent! Salutations de Nice :)

[@humanbeing4945]

I dont know why but I like David

[@ladrydemarco]

I was confused I wanted to watch MasterChef

[@TheTearsOfAutumnDrea]

jajajajaajajajajaj

[@amandahernandezyanez8921]

¡No seas malo... Me hiciste reír mucho 😂😂!

[@aidamusi9669]

He really feels it. Simply fantastic.

[@ladrydemarco]

kzbin.info/www/bejne/gKu0f2R8gNBmrdE

[@ensaladadepapaya8511]

XDXDXD

[@estebanfranco6529]

Gracias por el videos

[@bradleymolina4466]

Enseñándole a Lang Lang… interesante clase…

[@blancapereira571]

Excelente....

[@josephmathmusic]

Chapeau !

[@jjsbgm]

genial la relación Baremboim - Kadouch. Me recuerda a Elina Leiva de Gonzalez.

[@sociocrat263]

1:01 What is that amazing piece?

[@juansebastian768]

Hammerklavier, Beethoven’s toughest sonata

[@jackiepike1466]

Sonata opus 54 no. 2 in G Major (Sonata no. 16)

[@ludix711]

@@jackiepike1466 No..He was speaking about another piece..Beethoven's Hammerklavier mvt 4

[@ludix711]

@@juansebastian768 Yes, it is a very difficult piece..But as Barenboim said..Beethovens music pushes yourself to the extreme. Beethoven's works can be soo difficult. Maybe not Liszt difficult..But very difficult.....That is why you must play his works carefully and try to feel what Beethoven was feeling at that stage in his life. A troubled man he was..Me and him have so much in common but...His music is beyond this world.

[@jackiepike1466]

oh! and this one is opus 31, no.1 - still learning the opus numbers... Yes, the Hammerklavier...thank you

[@rocardoven]

un trovador, divino

[@mariaspringer356]

But I listen! He teach me too! I listen!

[@irenesanchezbazan447]

What does he have on the left face side? i like very much the masterclass, video and interviews. Good work David!

[@yenitolaba]

Vamos Argentina!!

[@andreaguarino8207]

I don't like him as human being but Barenboim is a genius. The guy shouldn't mske all these faces

[@totti2964]

27:50 una joya

[@user-ur1vm3vg5f]

2:02

[@winterklavier]

27:45 ~ 32:30

[@nerilcatte0931]

I speak English and not Spanish. Why am I keep trying to read the Spanish subtitles

[@nathysilvio]

Bottom line: stop doing stupid faces and buy a metronome

[@jonashasageremtkjrjensen]

He really looks ridiculious. Love this comment.

[@TerapiaCarrillo]

true hehehe

[@FoivosApostolou]

hahaha

[@vivaldi1954]

LOL!!!

[@PierreLucSex]

You're being petty.

[@pipofenix2557]

¡¡Daniel Barenboim (MADE IN ARGENTINA), al igual que Martha Argerich.!!

[@themightyquinn94]

Beautiful staccato

[@zomb7138]

4:41 his face afterwards lmao

[@SAXloungeEF]

Ah, ahora lo dice el mismo. Me tengo que olvidar a mi mismo. ¡Pues olvidate! 😘

[@stoffelida]

@davidkadouch ❤😊❤

[@ghirardellichocolate201]

The rest was longer hands. A child chooses someone finally whose hands are just as long.

[@ghirardellichocolate201]

So hard work will always pay off. The rest was the explanation. That's where Russia went wrong.

[@TerapiaCarrillo]

Resume: Playing piano is hard as fuck hehehee

[@peterkovacs9951]

Yapapam

[@juanfedericocriado8229]

28:03 porque me gusta

[@pedromoura5608]

Lang Lang foi aluno dele?

[@erikgardetemps9708]

foi

[@josephmathmusic]

I think it is a minor ninth and not a diminished ninth :p

[@maximilianosottile]

kzbin.info/www/bejne/qJnGd3ugeauirsk algo aprendio....por lo menos hace menos caras pero alguna se le escapa

[@AlbertEinstein-sb4ce]

God...

[@jdavidojeda]

wow, apenas me entero que Barenboim es argentino...

[@Apoz]

I'd have done it differently.

[@AmyAmy-er8bp]

2:45, larats right? iIiIiI. for example

[@huibaowang1525]

来赞一个👍

[@enzocypriani5055]

Yapapapam

[@charlesfernandez201]

6:14

[@rawshou136]

Lang Lang Nr. 2 lol

[@ivoportillo_]

Es como ver Whiplash

[@SAXloungeEF]

Hasta tiéne problemas de oir carefully y acceptar el maestro 😢

[@debussychopin2766]

I would believe Henle over Schirmer, cmon.

[@11301430]

fn langlang jumpscare

[@SAXloungeEF]

The problem is they are pushed far too early into the big SHOW-business.

[@siemonblidener652]

why is Kadouch even taking this masterclass if he seems to be utterly annoyed by any advice Barenboim gives him?

[@cesarabrahamcastanedavalen3788]

lack of maturity: teenagers trying to play adulthood.

[@kevinzhang3313]

@@cesarabrahamcastanedavalen3788 And where were you at his age? Higher than his skill as a pianist having the opportunity for a Baremboim masterclass? Were you perfectly matured as a teenager? Did you exist as an adult at the moment of birth? Humans aren't perfect, they can be thick-minded amidst many other flaws.

[@joachimsaxer4812]

I am sure this situation is not easy to cope with, especially when you are 21. And maybe it matters more what he thinks about Barenboim's advice one month (or year) after this pretty hurtful experience than what he feels on the spot.

[@AmyAmy-er8bp]

You can always question someone's style of playing. There is nothing wrong in it. They are sharing approaches.

[@siemonblidener652]

@@AmyAmy-er8bp if you take a masterclass with someone who has decades of experience more than you, you're not 'sharing approaches'