Portrait Painting Tutorial | Classical Methods (Glazing & Underpainting)

[@erictaunton2183]

Enjoyed watching you paint it great

[@janetsydoruk4723]

This was so instructive and I thank you so much. I’d love to try what you did. Again many thanks.

[@MrJazzy54]

Hey Yupari! I'm very excited about your videos! No fancy hype or misplaced music. All the way to the craft - the painting! I write from Denmark and really think you are doing a dam good job and that you are an extremely talented artist. I love the way you build up the painting and how exactly you can illustrate a face with very few lines. Thank you so much for sharing your expertise. I'm a big fan!!

[@YupariArtist]

Thank you so much for your kind words! That means a lot to me! Happy Painting 😊

[@dianalondono5599]

i just love this. His commentary is super valuable and how he explains the process is enlightening. Cant wait to apply it!

[@ryanembry9875]

love the variety of your models; younger, older, male, female, lighter skinned, darker skinned, keeps things fresh and interesting.

[@johannebeerbaum1546]

I much prefer your idea of monochromatic underpainting than the pre mixing 10 color shades before starting on an underpainting. I will try this gladly.

[@gregorythomas4366]

Awesome teacher bro

[@LeeAnnM]

I think this was one of your most compelling pieces yet; you managed to combine both of the alla prima & glazing techniques perfectly. You’re one of the best on YT. Love it!!

[@ricoval49]

The most informative art instructional videos anywhere on the internet!Appreciate you my man! 👍🏽

[@WaSiLLy63]

Oh, my! I took notes! Again! :) I loved everything about this classical approach which greatly attracts me! The various cool or warm colors and where and why they were placed is still a bit mysterious to me. I did discover one particular area (shadows) that are created by using the complementary color. And, using cool and warm colors depends on light source and such. Appreciate your mentioning the balance between heart and mind and not have either one overpower what you paint. Your time is precious and you give large portions of it to us. Thank you, Yupari. This painting is a beauty! :)

[@estrellacoracini]

ME GUSTA MUCHO TUS EXPLICACIONES, ERES EL MEJOR PROFESOR !! DIOS BENDIGA TU VOCACION POR EL ARTE Y DE ENSENAR.

[@anneramey3670]

Please get well soon get over your cold and I pray that it's only a cold and not this horrible Coronavirus because I love to watch you work you are amazing amazing Portrait Painter

[@anneramey3670]

I was just would have liked to have seen list of the alizarin crimson and a little bit of orange tones in in the skin tones

[@rjuriklodhbrok546]

Man you are a blessing, can’t thank you enough for these videos, such a great teacher!

[@onlyluminary4914]

I love your channel. Thank you for sharing your knowledge on a free platform; it really shows how much you care about this medium and your drive to educate us all. Many thanks!

[@normanmerrill1241]

Really helpful…thanks

[@frankbarone630]

this is one of the best videos on portrait that i watched. i like that instructor is talking like a normal person and not doing any hyper, over the top stuff. Quick question though - in this video, till what point do you use oderless mineral to dilute the paint and from which point do you start using galkyd medium? it might help if you show when you dip your brush into the medium or oderless spirit. thank you for sharing your knowledge with us for free. it is very commendable effort.

[@ruthgonzalez8041]

Excellent demo. Clear, understandable, and well done. Lots of good info. Thanks Ruthoriginalart

[@gracebrittain3186]

I apreciate you so much as a young artist.

[@zuzu_1]

Wow incredible I’m a self taught painter but I never really do underpaintings and this just made me realize how important it is to do one !!! Your work is absolutely beautiful!! Thank you for teaching me something

[@TheHelas66]

Thanks for the information you share in this tutorial, love it

[@cbolivar3518]

Amazing as always!!!!!

[@YotaStyle]

You are the best! Thank you for sharing your classical approach and also your clear instruction with us! I truly appreciate each and every video! I am learning so much from you. Ponayota

[@robbiej2070]

Great work, thanks for all the commentary and great information - cheers

[@realartdrum]

Thank you for sharing such enjoyable knowledge and wisdom!!!!! I very much appreciate your work and time you share with the world....May you continue to be prosperous in all that you do!

[@angology]

This is fantastic! Thank you so much for your tutorial! Very helpful! 💗🙌

[@vebelostotsky]

Yupari, thank you very much. I just bought water soluble oil paint. I have found a lot of interesting and helpful things in your tutorial. Thank you again!

[@ashishjhala5830]

Great Art Work

[@MoniquevandeWal]

Thank you so very much for this tutorial!

[@janetsydoruk4723]

Thank you so much. I wasn’t sure if my comments got included.

[@theartofjosephadams1970]

Great tutorial

[@officialbrooklynmichelle]

Can you just dilate the under paint w a bit of water too instead?

[@fothismatrixrespect9805]

Really great information , really admire your work and explaination. Love and regards from india

[@lubnahelly5269]

Thank u I have learned a lot from u

[@bobjuniel8683]

There is no description box below on iPad or iPhone, and I guess all tablets and mobile devices. Inserted text boxes or information pages that we can freeze frame, screen save or copy would solve this problem in future videos. An excellent demonstration thank you.

[@stephbw3751]

Thank you very much, I love your demonstrations !!! Keep on going ... how many brushes do you use for your painting and do you mark them according to the values ?

[@jalopy2222]

Fantastic video! I've been really struggling with my art lately, but this is inspiring me to just go for it and have fun and try out some of your techniques! Love your content. Would you ever think about doing a video on posing your models and how to photograph them? Also do you used printed photos or digital? Thanks!

[@key925]

Would this be possible with acrylics as well?

[@ryanembry9875]

yupari, your tutorials are the best! question : do you prefer galkyd over liquin, if so, why?

[@draxunderdawave9406]

Dear my Teacher , please teach us about more glazing portrait. Thank you so much!

[@lilyraimey3499]

I like your accent.

[@mariavalentinapiergianni2190]

Anche se è molto fedele il ritratto ma l’espressione degli occhi è diversa anche l’incarnato è diverso è più ocra olivastro, anche il dettaglio del naso è più raffinato alla punta dovrebbe essere.

[@iancaldeian]

Words of wisdom - why not improve what has been done before. Don't try to be like everyone else.

[@johannebeerbaum1546]

Your glazing is not what I have learned, nor is it the same from what I have read, but is as effective with much less anxiety. The only thing, probably a individual thing, I wish you had added some of the golden glow found in her face.

[@henrybedingfeld2699]

Can't hear a thing! Microphone obviously bust AGAIN!!!