Prelude and Fugue in e-minor BWV 548 - played by Sebastian Heindl

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Johann Sebastian Bach
Praeludium et Fuga in e-moll BWV 548
00:00 - Praeludium
06:05 - Fuga
Sebastian Heindl at the Eule organ of Leipzig Conservatory
Note of the performer:
"This interpretation of BWV 548 could be described as a timeless syncretic adaption and does not claim authenticity in any particular historic style or school. It furthermore tries to discover all possible musical moods and colors originating from this incredibly profound piece of music itself in combination with the performance instrument and the knowledge of various traditions - both baroque and symphonic ones."
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[@youtube_user]

This guy is so amazing, precise and creative. Not in 100 years I will reach his level of proficiency.

[@c-historia]

Dieses Musikvideo ist sehr schön, du spielst die Orgel immer wirklich gut

[@organbuilder272]

A revisit - This is an amazing performance. His technical perfect and innovative registration brings new light to this piece. A wonderful performance by a gifted young man. This boy is going to set new standards for organ recitals the world over. This boy will popularize organ music as no one has since Virgil Fox and E. Power Biggs.

[@lizard1954]

Splendid performance. Thank You.

[@charlesdavis7087]

Congratulations on both you and your teachers. Well done. You're a lot like a champagne bubble. There's only one direction you can go, namely, straight to the top. Bravo.

[@georgeleermakers7467]

He is the Top.

[@Inventio13]

Wow, what a stunning performance. You separate out the little themes in the praeludium. You can hear the “cuckoo” motif passing from one manual to the next. The ‘Wedge’ is one of my favourite fugues, and you’ve done it great justice. You separated the voices and added clarity to the individual lines. Your registrations are almost orchestral. Your left foot pedalwork, whilst you are adjusting the dynamics, is amazing. All from memory. Well done!

[@jimleon7894]

Amazing and beautiful!

[@ralfschaedlich1970]

Absolut toll gespielt! Das Werk kenne ich inn- und auswendig. Aber die Fuge habe ich so in der Differenzierung der Registrierung noch nie gehört. Gefällt mir sehr gut.👍😊

[@joostvanrossum486]

Astonishing!!!

[@karlbahlmann9772]

Eine gelungene Darbietung. So lässig gespielt und aussem Kopp! Toll. Danke dem Meister.

[@stephanusgraficus3000]

"aussem Kopp" ;-) ;-)

[@karlbahlmann9772]

@@stephanusgraficus3000 Aus dem Kopf

[@orb3796]

Incredibly thoughtful performance. Perhaps my favourite version of BWV 548. Pure insanity.

[@JESUSNavascues-ls8xz]

Sublime y brillante actuación de Heindl aquí. Absoluto dominio del teclado, del pedalier y de la expresión del órgano. Perfecto intérprete de esta obra de Bach. Sebastian Heindl gran organista alemán y señor del rey de los instrumentos musicales: el organo de tubos.

[@robertozugnoni6631]

Favoloso. Grande . Bellissimo..

[@theresarodak8865]

Phenomenal performance!!

[@charlesdavis7087]

Your phrasing in the pedals was emasculate and I loved your registrations.

[@frereM]

I'm hoping you intended to write "immaculate". :)

[@wuillymay8815]

Beautiful 🙌 hands

[@karlbahlmann9772]

👏♥️⭐️⭐️⭐️👍

[@keesdenheijer7283]

Rule #1 Never ever record a pipe organ with automatic gain control.

[@jeanfi76]

Geat performance, and with the the trill at the pedal :-) . (acoustic is rather dry, pity)

[@andrezkamotu]

Bautzen Eule organ?

[@polyrhythmia]

So this is a tracker organ?

[@lechuzanegra3460]

Mehr Show als Kunst. Das ständige Register- und Manualgewechsle ist überflüssig, zerlegt dieses grandiose Werk in fragwürdige Einzelteile und raubt ihm damit jegliche Grösse und Struktur. Technische Perfektion? Ja, echt Weltklasse. Meinen aufrichtigen Glückwunsch! Aber Musik ist mehr als das.

[@jackwhite5255]

Musik ist mehr ? Aber was eigentlich, liebe Iechuza negra ? Sind Sie sicher dass Bach wurde ebenso meinen ?

[@michelabboud2495]

Bioutifull but not too fast not much grave

[@woodmanpierre9742]

OH, WIE SCHÖN DEINE SOCKEN SIND