prelude to a kiss - REHARM | jazz piano college | open voicings

Two reharmonization 'hacks' are explored in this video
Here's the lead sheet:bit.ly/3fFB3WW
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Tension formulas:
goo.gl/Qc578f
Min, Maj, Dom. 7th Tensions :
goo.gl/0o7G1O
Other tensions: goo.gl/8I5I50
pdf file explaining open voicings standard formulas:
goo.gl/qDWjDY
Many videos about jazz and classical piano can be found in my PLAYLISTS : bit.ly/3dkbaK2 - find the topics that interest you . JAZZ PIANO COLLEGE

[@Ontherightpath_2024]

This is gold. Best Piano channel on KZbin. straight to the point, no stupid stories or egocentric talk. pure education.

[@HS-fk6hb]

You can't disagree with this, just straight facts!

[@alanzelicoff3421]

One more exceptionally insightful lesson. There is much here to be used in countless other tunes. It is hard to overstate how thoughtful you are Mr. Winston.

[@harrypalmer3481]

Another great lesson Mr. Winston, thank you.

[@krisplayspiano]

one of my favorite videos from you; an absolute whirlwind of the concepts you've been teaching us, amazing to see them all put to use. Thank you so much

[@mrfudd13]

Wonderful lesson, kinda makes my head hurt. ; - } That piano sounds so, so good!

[@TonyWinston]

Thanks! Mr. Fudd. It is a maze of chords for sure

[@olwencarolan5490]

Really great ! Thank you 🙏🏻

[@rubigineux]

Great lesson. These Shearing style voicings are gorgeous.

[@ThomasHope73]

Great teaching style! 👍

[@brendaboykin3281]

Thanx, Maestro. 🌹🌹🌹

[@CatioChic3catsJazz]

Thank you Tony. Any chance you could also walk us thru the rootless voicings?

[@TonyWinston]

Sure!, I'll do a follow up..

[@winddealer1]

Thank you Tony, great session. I must have missed it. Is there a link to the Berklee College Chord Chart?

[@TonyWinston]

Thanks, I just posted the links in the description. Here they are Tension formulas: goo.gl/Qc578f Min, Maj, Dom. 7th Tensions : goo.gl/0o7G1O Other tensions: goo.gl/8I5I50 pdf file explaining open voicings standard formulas: goo.gl/qDWjDY

[@eternalrainbow-cj3iu]

maybe the "Move" works here? Or too much? Fmaj7 Bbmaj7 Am7 C7#11 B7? i admit it seems overdone but still....I am not so familiair with this Roayl Tine I am with The Title in practce anyway

[@mark-ze4en]

how can I get that formula sheet for my own reference Tom?

[@TonyWinston]

Look in the description!

[@eternalrainbow-cj3iu]

hi Tony I played yesterday for my 1st Teacher and showed him some of the 4th vocings on Autumn Leaves I used chrom ascending 4ths LH and m711scale tetratonic penta omitting the 5th going from cm711 RH to F# m711 he came upnwith some interesting solution I showed him what I learned from you to play CFBb LH TO C# F# B for Cm7 F7 he suggested to go down and then play after BEA Bb EbAb for the Am7b5 D7 I asked him if ADG CFBb Eb Ab Db F#BE to GCF FBbEb (F# B E ) GCF ending A 1 could you maybe play your version I am now crazily curious I will sponsor you as soon as possible I have to pay of my Kawai piano first....of course I am interested in both imporv as 2 handed voicings the hole package....

[@TonyWinston]

Thanks ER, I was looking for your comment about using the move in Prelude to a kiss, but now I can't find it. The move works but the example you gave is not quite the move, more like three-quarters of the move. F, B flat, a, then would expect a D7 not a C7 but of course the C7 leads you to the B7. Of all the possible chord changes in this measure I like yours the best.