Procedural Wavetable Synthesis - Max/MSP Tutorial

[@lorenzosala9289]

Incredible tutorial! This was my "real" introduction to gen~ and codebox and it was super clear, thank you so much!

[@djdoedsbo]

Super useful. well done!

[@freeelectron8261]

Excellent work!

[@teemumastovaara]

Clear and thorough tutorial, thank you so much! Very interesting that it works through jit, makes it possible to do visuals that are extremely connected to the sound! A lot to delve into...

[@gtb_sfx]

Super usefull and very well explained !

[@AndrewGordonBellPerc]

Amazing, as always!

[@lukaszswist2321]

so much to learn, thanks!

[@eldarsadykov]

Very very nice! Thanks!

[@sebairsteinmusicexperience4157]

Thanks you for the codebox solution 😊

[@ferkohyeah]

amazing, thanks very much!

[@gaetanofiorin-official]

Amazing, thanks!

[@tcrist56]

Excellent!

[@mannibimmel09]

funky) thx a lot!

[@borges69]

What it seems interesting to me is that the random waveforms created here produce tones similar to FM synths. Actually, they have nothing to do with each other, but I guess the complex waveforms produced by FM synths must produce similar complex waves. More precisely, the human ear, or rather the brain, is getting a similar perception. Or I came to such a conclusion because I automatically compared it in between subtraction, additive and FM synth :-), and the winner is FM :-)

[@joshuahijs]

because the buffer is being shaped with a cosine wave in jit.gen, it’s basically turning the output into a sine wave modulated by the noise from the jit.bfg - which is more-or-less how fm works! that’s why they sound so similar

[@cooksoni.a]

Thats cool as fuck