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這是《清明上河圖》全景動畫,由于是超宽屏分辨率,在屏幕上显得很狭长,可以投影到大屏幕上,每一個局部細節都惟妙惟肖,真實還原北宋汴京城的繁華勝景。
《清明上河图》的作者是宋徽宗朝任朝翰林画院画史张择端,也有一说作者不止张择端一人;董其昌《容台集》说:“乃南宋人追忆故京之盛,而寓清明繁盛之景,传世者不一,以张择端所作为佳。”“绍兴初,故老闲坐,必谈京师风物,听之感慨有流涕者,故其时西北耆旧,谈宣政故事者,为人所重。”甚至有人提出观点说是南宋人怀念昔日强盛时期而作。宋徽宗酷爱此画,用“瘦金体”在图上题写“清明上河图”五字。
《清明上河图》历十年画成,最早由北宋宫廷收藏,后为宋神宗向皇后族人所藏。靖康之祸后流入金国。1186 年,金朝张著、张公药、郦权、王磵、张世积等人先后得此画,识画睹画思故国,分别题跋于图后。后历经辗转,为南宋贾似道所得。元朝时期再度进宫,被收入秘府。为官匠装池者以赝本偷换出宫。售予某贵官,中途又为保管人偷售给杭州陈彦廉。至正年间又被调包,流落民间。
明朝初期,由大理寺卿朱文徽、大学士徐溥收藏。1451 年,李东阳在图后两次题写长跋,详记画面内容和在明代中朝流传始末;弘治以后,固归华盖殿大学土徐溥所有。徐溥临终前赠予李东阳,嘉靖三年(1524年)图归兵部尚书陆完,陆完死后,其夫人将《清明上河图》缝入枕中,后被娘家外甥王某曾临摩此画[2]。陆完之子将《清明上河图》卖至昆山顾鼎臣家。后来落到宰相严嵩、严世蕃父子手上,明人田艺蘅《留青日札》载严嵩为得《清明上河图》,以1,200百金从苏州陆氏处购得,“馋得其赝本,卒破数十家”。严嵩倒台,图被没收,第三次纳入宫廷。经明代皇室收藏,后来太监冯保偷出,在画上加了题跋,之后真本又不知去向。
清朝时由陆费墀保存,在上面矜印题跋。后由湖广总督毕沅收藏,毕沅死后,《清明上河图》第四次进宫,深藏紫禁城迎春阁内。嘉庆帝命人将其收录于《石渠宝笈·三编》一书之中。此后,《清明上河图》一直在清宫珍藏。虽经历1860年英法联军入侵和1900年八国联军入侵北京二难,但均未受损。
1924年曾被溥仪和两幅仿作一起带至东北,但溥仪也不知何者为真品。1932年,溥仪在日本人扶植下,建立伪满洲国,于是这幅名画又被带到长春,存在伪皇宫东院图书楼中。1945年被收入东北博物馆(今辽宁省博物馆)当成赝品处理,直至1950年冬天才由杨仁恺等人从库房的赝品堆里鉴定出真迹,后藏于北京故宫。文化大革命中,李作鹏曾利用权势将《清明上河图》强行从北京故宫“借”出,据为己有。林彪倒台后,《清明上河图》才又重见天日,如今依旧收藏于北京故宫。
Along the River During the Qingming Festival, also known by its Chinese name as the Qingming Shanghe Tu, is a painting by the Song dynasty artist Zhang Zeduan (1085-1145). It captures the daily life of people and the landscape of the capital, Bianjing (present-day Kaifeng) during the Northern Song. The theme is often said to celebrate the festive spirit and worldly commotion at the Qingming Festival, rather than the holiday's ceremonial aspects, such as tomb sweeping and prayers. Successive scenes reveal the lifestyle of all levels of the society from rich to poor as well as different economic activities in rural areas and the city, and offer glimpses of period clothing and architecture.[1] The painting is considered to be the most renowned work among all Chinese paintings, and it has been called "China's Mona Lisa."
As an artistic creation, the piece has been revered and court artists of subsequent dynasties made re-interpretive versions, each following the overall composition and the theme of the original but differing in details and technique.[6] Over the centuries, the Qingming scroll was collected and kept among numerous private owners, before it eventually returned to public ownership. The painting was a particular favorite of Puyi, the Last Emperor, who took the Song dynasty original with him when he left Beijing. It was re-purchased in 1945 and kept at the Palace Museum in the Forbidden City. The Song dynasty original and the Qing versions, in the Beijing and Taipei Palace Museums respectively, are regarded as national treasures and are exhibited only for brief periods every few years.
From: wikipedia