Quartal Harmony ★ major, minor and dominant chords ★ Jazz Piano College

[@joeb4349]

Great video, Tony.

[@ajfrench806]

Looking forward to practicing this in all keys. Sounds great and looks fun. Thank you so much!!! For sharing this and all you do!!

[@mastervivi490]

i love these videos on jazz chords. thanks!

[@brendaboykin3281]

Thanx, Maestro Tony. Always something useful. 🙌

[@reinhardheiderich1879]

Trank youTony. Grüße aus Deutschland von Reinhard. Schade dass ich ein so sympathischen Pianisten leider nur über KZbin erreichen kann👍

[@TonyWinston]

Danke Reinhard, ich wünschte ich könnte Deutsch sprechen. Was möchten Sie hören?

[@theodorekorbos2804]

Thank you so much Doc Tony for the lead sheet !!

[@jaymusic438]

Thank you sir

[@Solomon.Y_Music]

Awesome tnx for the great video lesson sir...

[@camuy4142]

Amazing!

[@reinhardheiderich1879]

Hi. Tony you have a wonderful voice. My wish, pleas play`s with your Trio.Thank you Tony.

[@alanzelicoff3421]

Mr. Winston: Sorry to be dull, but I am puzzled and have little idea of the logic in what you are doing (although it sounds terrific). Let's take an explicit example to illustrate my confusion: G-major (I have ZERO idea of what you are doing with minors, let alone dominants but I'll be patient). Questions: 1. What -- EXACTLY please -- constitutes a quartal voicing for G-major and why do the specific notes make sense? 2. In the video after you play the first quartal G-major (from left to right: F#, B, E, A), you then go down one whole step (E, A, D, G). But then you sort of go down a half step (D, G, B F#) commenting "you need a fifth in there somewhere", and then to (B, E, A, D). Why? Why is this the progression for G-major? 3. And what would be next? I am trying to figure out the rule (or logic) behind closing the notes for a major voicing. Maybe you can then explain the rule/logic for minor voicings. Thank you again.

[@TonyWinston]

I've got a lot more coming on this topic. Stay tuned and I'll make this clear in the videos coming soon. The first two chords are basically G 6/9 chords

[@rogerpercival5486]

Shouldn’t it be f# b e a C# .?

[@rogerpercival5486]

He is using two fingers n quarrels instead of. 5

[@8888beethoven]

I enjoyed this video, thank you! #pianocoach

[@pedromariano2100]

Hey..Tony...I Very like your technique. Your sound..is sofisticate.. What your state?..in USA? I like This..is Very interessant

[@imalamboman12]

Hey Tony, could you do a video on the Ahmad Jamal tune "Saturday Morning"? Thanks as always

[@KenTeel]

Why do these guys think that they are teachers?