Raag Darbari Kanada | Ustad Irshad Khan | Music of India

#raagdarbari #ustadirshadkhan #musicofindia
A fine exponent of both the sitar and the surbahar, Ustad Irshad Khan hails from the illustrious Etawah (‘Imdadkhani’) gharana. Apart from creating a legacy in sitar and surbahar, Ustad Khan’s ancestors also gave shape to the modern sitar, customising the design and mastering gayaki ang (vocal style).
Partnering with him on the rhythms is Sukhwinder Singh ‘Pinky’ who adds vigour to the soul of this concert. Singh’s open-handed, sensual playing coalesces with Ustad Khan’s sitar in leaping, prancing bouts and whirls into storms of thundering solos that burst with radiance and high energy.
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Learn more about the music:
From a solemn mood, Khan swiftly shifts to one of heady romance with his sitar taking playfully to a radiant, joyful composition in medium tempo (madhyalay) Teental. The speed builds up to a fast one (drut) and yet faster (ati drut) where he plays a powerful jhalla or crescendo - the highly energetic segment with a strong rhythmic accompaniment where the main string is strummed rapidly with the chikari, an onomatopoeic word denoting the top-most string on the surbahar, strummed to maintain pulse and add to its polyphonic sound.
Ustad Khan demonstrates his concluding miniature with a short vocal presentation and follows with his sitar. A folksy tune from northern India, the first sentence of which centres around Raag Khamaj and then plays out into shades of other ragas, Khan tapers the energies beautifully from serious and heavy-set to romantic and finally to a playful, light-hearted melody.
Singh’s broad-based approach in this concert opens with a robust accompaniment of probing, dense bols attuned to the frosty, numbing strains of Darbari Kanada. The thicker textures shape-shift in joyful discontinuities to nimble, chirpy delineation of complex improvisations to suit the romantic behaviour of Bihag. The final folk piece leads to a heart-warming, extraordinary trade of crisp energies with Ustad Khan’s sitar.
About The Artist:
Musicians
Ustad Irshad Khan (surbahar)
Sukhwinder Singh ‘Pinky’ (jori)
Debipriya Das (tanpura)
Recorded at Darbar Festiva 2008
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[@tristanvadimterranova8053]

Ustad Irshad Khan has a very unique touch of his own on the Surbahar. Thank you for sharing this musical moment.

[@RamprapannaBhattacharya_Sitar]

The most phenomenal

[@krishnamayasd]

Very peaceful and calm!❤

[@vichitram7037]

Waah! Kya suro.n mein doob kar bajaate hain ! Ruhaniyat nazar aati hai unki sur saadhna mein! Kamaal ki prastuti! Mann prasann ho gaya, dekhkar aur sunn kar! Bahut aashirvaad aur shubh kaamnaein! Shukriya iss khubsurat upload ke liye ! 👍💐🙏

[@babybird2002p]

Damn the control, bringing out the various feelings without words 😮

[@aniruddhasitar]

Incredible , probably the finest left hand work, which is very difficult in Surbahar, i admire his command on the Surbahar Such a Gem

[@ramdularsingh1435]

Wonderful !!!....

[@soumallyabanerjee221]

Kyaa Baat ustadji

[@Mdimanaarman2022-tu7zu]

Heavenful

[@pblockley]

Wah! Wah! Very dynamic and majestic Dharbari😊

[@dinithprabhasara5794]

♥️♥️♥️♥️

[@user-cu6lj7dg9q]

beautiful raag and the true holder of the instrument surbahar. thank you darbar and Ustad Irshad Khan to present it😃

[@darbarfestival]

Thanks for liking

[@ravinburj3272]

🙏🤲🙏

[@arunangshumukherjee1803]

Nice

[@darbarfestival]

Thanks

[@SeraphimLeo]

4:30 what is the yellow stain seen there? Anyone know? Does it have any significance?

[@arunangshumukherjee1803]

Mob number