Рет қаралды 671,483
#darbarfestival | Jyoti Hegde is one of only a handful who has mastered the rudra veena. Here she uses this rare instrument to superbly renders the comparatively rare Raag Poorvi.
Learn more about the music:
Jyoti Hegde is among the world’s leading rudra veena players. Sitar was her first love, and she studied the instrument under Bindhu Madhav Pathak, starting training at the comparatively late age of 12. But on hearing her guru play the veena she became instantly drawn to its slow, low tones, and asked to learn.
Her guru refused, telling her that women could not play it. After some persistence he offered to give her a trial lesson, but deliberately set her up on an old, difficult to play veena in the hope that she would be dissuaded. But she took to it with talent and determination, practicing hard enough that Bindhu soon asked her father to buy her a better quality instrument. But even from there the path to mastery was not straightforward - her mother urged her to give up, protesting that the veena’s playing position could damage the uterus.
Jyoti was undeterred (and now has a 29-year old son), going on to learn more of dhrupad’s patient grammar from Indudhar Nirodi and esteemed master Asad Ali Khan. Her acclaimed style largely adheres to Asad’s Khandarbani Gharana, but is also influenced by her continuing expertise in the sitar. She sees her music a form of nāda yoga, based on the ancient Sanskrit premise that all creation consists of nāda, or sound vibrations.
Poorvi is a sunset raga, which to many listeners evokes a serious, mystical mood. It originated in Eastern India, evolving from Raag Purvagauda by around the 16th century. It is the fundamental raag of Poorvi thaat [base scale], but is is somewhat rare today, with the structurally similar Raag Puriya Dhanashree often being preferred. Poorvi most importantly differs from Puriya Dhanashree in that it can take both a shuddha and a tivra [natural and raised] Ma. It takes the swaras SrGmPdNS, forming an angular shape which mixes wide and narrow tonal intervals. Ga and Ni are respectively the vadi and samvadi [king and queen notes], and Sa and Pa are often avoided in ascending lines, giving the scale a characteristic vacancy.
Recorded at Darbar on 20 Sep 2014 at London’s Southbank Centre:
-Jyoti Hegde (rudra veena)
-Surdarshan Chana (jori)
-Debipriya Sircar (tanpura)
WATCH HUNDREDS OF FULL-LENGTH VIDEOS on our premium subscription service. You can also get the Darbar App which will let you download content and watch later, this is great for when you are offline or travelling. Please join us and support Indian classical music and artists. Start your free trial at - bit.ly/3urynms
Here are some links to our most-watched full-length videos. Click the below links and start your free trial to start watching immediately.
- Ustad Shahid Parvez Khan & Ojas Adhiya (69 minutes) - bit.ly/3urSTUf
- Aruna Sairam full concert (108 minutes) - bit.ly/3vPcAW2
- Percussion Masters concert featuring Satyajit Talwalkar, Sukhwinder Singh Pinky, Sai Giridhar & Giridhar Udupa (108 minutes) - bit.ly/3xNix7X
- Churning The Ocean documentary film on the Dhrupad maestro Ustad Bahauddin Dagar (66 minutes) - bit.ly/3h9aKv6
- Pandit Venkatesh Kumar full concert (93 minutes) - bit.ly/3vILwHW
The best thing is that you can experience this amazing music with your family any time from the comfort of your own home. It provides you with the warmth of a live concert experience and gives you access to some of the finest performances by the world’s best musicians playing their favourite ragas.
We are passionate about Indian classical music and have the largest online archive of videos - we want everyone to experience the bliss of Indian classical music. This is one of those things that can’t be put into words, this is something that must be experienced. Even if you decide to leave after this trial, that is perfectly fine.
In closing, the best part of your membership is that you can feel 100% confident that you are supporting Indian classical music and musicians through a registered non-profit organisation.
Click bit.ly/3urynms to start your free no-obligation 3-day trial immediately. You are only one click away - transport yourself into the largest online archive of Indian classical music 😊
Darbar believes in the power of Indian classical arts to stir, thrill and inspire. Through shared experiences and digital connectivity we ensure that one of the world’s finest art forms reaches the widest possible audience. Founded in 2006, we deliver premium quality live events, music education, broadcasts and online engagement through promoting artistic innovation and creative technology. We are also committed to providing a platform for new talent from India and the UK.
All Rights Reserved ©2019 Darbar Arts Culture Heritage Trust