Ragas and the time of the Day | Prahar 5 | Raga Kedar | Ustd Shahid Pervez

[@nehalmehta8146]

One of the best recordings of Kedar by Ustad ji. He no longer plays like this nowadays. This tonal quality also sounds little different than the one in present time.

[@rsrsdutta1012]

EXCELLENT

[@heikkinylund8617]

Anyone who does Kedâr has got something right.

[@heikkinylund8617]

- This is Bihâg: P m G! - No, it's Kedâr: P m P G M.

[@mohanudiavar]

Ustadji has messed up at places

[@shouqie844]

It would be helpful if these places could be identified by minutes and seconds.

[@Adwait88ify]

Mohan Udiavar i think it's baseless comment

[@AnanthNat]

Useless comment.

[@rajgamersfun2833]

@@Adwait88ify I think they meant when ustadji uses the komal ni (nishad) at times. However, there is many conflicting statements regarding where it used or not. I think it depends on the gharana, personally the komal nishad adds softness to a rag that is meant to be playful.