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Ranga has many firsts to its credit. But the way they have helped put the Indian fountain pen-turning industry on the global map is something that must be acknowledged. Today, the spread that Ranga has - in terms of models, materials used and, sheer craftsmanship is mindboggling and one could go on forever if one were to get into the specifics.
It was therefore such a pleasure to see Ranga take part in the Chennai Pen Show. The first few hours, I must confess, were spent with me ogling at the eye candies and by the time I could get my bearings back the counter had become so crowded that we could not do the story. So, I requested that they come in early the following day for the story. They were kind enough to oblige and here is what transpired.
Ranga showcased some of their perennial favorites like the Bamboo pen, their ebonite masterpieces, and the acrylic pieces that are increasingly becoming bestsellers around the world. However, not resting on their laurels (as a fifty-five-year-old behemoth, they easily can), they are continuing to experiment with new materials and models, which we think is another one of those traits that separates the winners from the also-rans.
Another thing that I learned during the course of the conversation is the fact that the Ranga patriarch is colour blind. Imagine that! Creating some of the most colourful pieces that take our collective breath away, while you, yourself, cannot see them. I have heard so many people talking about the miraculous power of the fountain pen enabling users to overcome seemingly insurmountable odds. Well, can there be a better example?
There can hardly be another entity that either has Ranga’s ability or its consistency so far as turning fountain pens that fascinate. It will also not be an exaggeration to state that it is perhaps Ranga that has the highest brand recall among Indian fountain pen makers in the discerning markets of Europe and America. And here is a twister: Ranga, for those of you who may not be aware, was and continues to make some of the best ebonite feeds in the country. And as for the ebonite rods that they continue to create, make them one of the very few practitioners of the art that has almost died out in the country.