Rasperry Pi 5 Showcase (Short Render)

[@marcrinai]

Raphael, you're INCREDIBLE. You're a huge source of inspiration and the reason why I try to push my 3d skills further. Can't put into words how much I admire your work.

[@SilverwingVFX]

Awww, thanks so much for your nice words! That's awesome to read. Comments like this are the fuel that keeps me going. Thank you so much for the motivation!

[@mattrittman]

Holy cow. Just absolutely insane realism man. Excellent job.

[@SilverwingVFX]

Oh man, thank you so much for your super nice comment. Much appreciated 🤓

[@CharacterCrisisTV]

Wow. That lighting is amazing! We need a tutorial on this Silverwing! Cmon brother! Hook us mere mortals up!

[@SilverwingVFX]

Ha ha ha thank you. Great that you like the lighting 🙏 I have planned a series about the PCB. Maybe I can extend it into also making this scene 🤔

[@CharacterCrisisTV]

@@SilverwingVFX That would be a godsend. Could catapult those of us who been looking to achieve this level of realism. Thank you man!

[@hihihing7302]

I'm amazed by the incredible visuals! And the natural camera movement blew my mind

[@SilverwingVFX]

Thank you. The camera movement actually is a trick. I filmed a real world scene, that is very similar to this and then 3D tracked the movement to synthesize the camera 😇

[@plusminus20]

Amazing! There's no words to say!!!!

[@SilverwingVFX]

I thank you very much. Glad to see you impressed 🙏🙌

[@polygonpen]

Incredible as always!!

[@SilverwingVFX]

Ohhh, always a huge honor seeing you here. Thank you so much for your comment and the compliment 🙏🙌😊

[@joemoak]

Incredible render but your renders always are. I wasn’t ready for the sound design! Next level…

[@SilverwingVFX]

Ha, super nice seeing your here. And thank you for your kind words. Super glad you liked it. And yeah. The sound design was just a recording of my room ambience as well and rubbing around the microphones mixed together. Not really complex, but super effective as it seems 🙌

[@amisheetrit2119]

Absolutely realistic! Love that animation!!

[@SilverwingVFX]

Thank you so much ami. The secret here is, that it's actually a camera track. So I filmed a very similar setup for real and then 3D tracked the camera data 😄

[@pixelasm]

Love the chromatic aberation on the edges of the glas :D wonder why it is not visible in the clay render. As this should have been an "in camera" effect right? Indeed the #raspberry pi looks super realistic.

[@SilverwingVFX]

Thank you so much for your great comment and your nice words. You have keen eyes. The reason why the glass in the "Clay" version does not have chromatic aberration is because I turned it off in order to get shorter render-times. Since the chromatic aberration of the glass had a huge impact on it.

[@pixelasm]

@@SilverwingVFX thanks for taking the time to shed some more light on this very specific topic :)

[@Just3DThings]

Never fails to surprise me with the attention to detail.. Also why am I surprised its you!

[@ForgingMind]

Amazing work sir! You keep pushing the boundaries of human creativity and the strive for realism...

[@SilverwingVFX]

Ohhh thank you so much. I will do my best and at least try 😄🙌

[@rodrigosagrero5841]

🔥🔥 as always Raphael you're so good, great inspiration for all

[@SilverwingVFX]

Man, thank you very much for your great compliment 🥰 That's so nice to hear!

[@1polygonewithme]

Just epic wow love everything about it 😃👍🏾

[@SilverwingVFX]

Ohhh lovely seeing you here. Appreciate your nice comment. Thank you 🙏

[@abibama]

banger video tbh. The handheld motion as well as post processing effects had me thinking this is real at first glance

[@SilverwingVFX]

Ha, thank you. Much appreciated. Yeah that of course was the intend. I thank you very much for your compliment 🙌

[@HassanAhmed-dm6by]

Hyper realistic!!

[@SilverwingVFX]

Thank you so much 🙏🙌😊

[@whitekraw]

Such a great work!

[@SilverwingVFX]

Thank you sooo much 🌟

[@irfankaya_]

Incredible job as always!

[@SilverwingVFX]

Thank you soooo much 🙌😊

[@hamorisz]

wow! 😯

[@SilverwingVFX]

🙏🙌😊

[@FLXD]

Marvelous work, Raphael!

[@SilverwingVFX]

Hey, thanks a lot 🙏🙌

[@NelluFly]

You're Awesome as always!!!

[@SilverwingVFX]

Thanks so much 🙌

[@KaboomVFX]

Awesome ❤

[@SilverwingVFX]

Thanks a lot 🙌

[@stilfuchs8031]

Chefs Kiss

[@SilverwingVFX]

Dankeeee 🙏🙌😄

[@TheMrLeoniasty]

Awesome! I love your work

[@SilverwingVFX]

Thank you very much 🤗

[@SalymGuer]

what the actual hell, man this is sooooooo sicl

[@SilverwingVFX]

Thanks so much. Great to hear you like it 🙏🙌

[@RodrigoOrtega82]

Masterpiece!!!

[@SilverwingVFX]

🥰 Thank you 🙏

[@emmanuelchacon8900]

That's incredible! (Emoji just to keep the Silverwing tradition🔍)

[@SilverwingVFX]

Thank you so much Emmanuel. Extra points for adding a very fitting emoticon 🏅

[@MaxPospelkov]

Super Cool!!!

[@SilverwingVFX]

Thank you very much 🙏

[@Clemyfourtwenty]

thats so cool how Octane can make a Magnifying Glass

[@SilverwingVFX]

Thank you very much. I fond it also really cool. I measured my real magnifying glass trying to get the 3D representation as close as possible. And indeed it worked. Though with the right material properties, almost every renderer would be able to do that 🔍

[@0zaidi]

wow! I love the camera motion and the focus hunting, the anisotropy on metals, and the whole organized randomness in the scene, I also have a question haha (never run out of those) did you use a different pass and add extra chromatic aberration in the magnifying lens or you did with via dispersion in material? the easiest and most accurate would be using dispersion, but maybe you enhanced that in post? because I can only imagine the render time if it's baked in, is the R on the keycap for Render or Real? haha maybe Raspberry 🥧

[@SilverwingVFX]

Ha ha thank you for your great comment once more. Fantastic to hear you like it. You seem to have watched it quite closely! To answer your question, the chromatic aberration on the lens is rendered. I set it up like the real one I have here. And it has quite a bit of CA maybe even a tad more then mine in the video 😇 The R on the keycap is for interpretation. There is also a very straight forward answer why there would be a R. But to be honest I love your inputs better 😁

[@0zaidi]

@@SilverwingVFX haha you're welcome and yes watched it many times, it's inspiring, I figured you'd go that route haha, i thought R is for Raphael, but my mind went he would probably sneak an SLV on the board somewhere, which can also be a reference to old harddisk setup and how the tech evolved since, but seriously man you came in with a banger like always, and congratulations on the 80lvl feature 🌟

[@Sleezy.Design]

Why did you cover everything with white spraypaint? I don't get it.... Just kidding, excellent work! Looks hyperrealistic 🤩 love your work!

[@SilverwingVFX]

Ha ha ha, good one 😁 Great to hear that you like it 🥰

[@one_googol_away]

I can't get enough of it, do u post this on Behance

[@SilverwingVFX]

Ohhh, thank you, that's a nice compliment. I am doing it a little different this time. The plan is to make a couple more renders and in the end gather it all on Behance as a collective project. It might take some time still 😇

[@gv0zdysh0k]

Hi, Raphael! This is an extraordinary visualization, love that dirt on the edge of the magnifying glass!))) I know you as a great challenger and an outstanding professional, so I have a question, that is enough complicated I hope))) how to make a cubemap for the interior in octane?

[@SilverwingVFX]

Hey hey, thank you so much for your kind words. I really appreciate it. And yeah, it's the small things that makes it come alive. About your question: If you create a C4D camera, and create an octane camera tag on it, instead of leaving it at the default "Thin Lens" camera. You can set it to "Panoramic" There in the Panoramic settings you can set it from "Spherical" to all sorts of cube maps! Hope that even was your question and it helps 🙌 Cheers and an awesome start into the weekend to you 😎

[@gv0zdysh0k]

@@SilverwingVFX Thank you, Raphael! I guess that it's not exactly what I mean) This kind of cubemaps (not hdri), that I'm talking about, are mostly used in game engines due to the more strict requirements for the models. Usually, this is a specific way to set up the normals, material, or shader. For example, a huge building with lots of stages - these cube maps are used to make interiors look believable from any angle, they are like...following the camera. I wish I could send you a link to any project. Anyways thank you so much for your excellent tutorials and care about your community! Have a great weekend too!

[@SilverwingVFX]

​@@gv0zdysh0k Thank you very much for your reply and for clarifying. Ahhhh, now I know what you mean 🙌🙌 I know those as Parallax, Room or Window-Box Shader. There are OSL scripts tat create those for Redshift. And I think someone also had ported that to Houdini Octane: oiolli.gumroad.com/l/parallaxShader I started to make my own parallax shader from scratch at some point during my active Opal development. I somewhat made it work but then dropped it, because it was not along what I initially set out to do 😇 Maybe you can make this Houdini Octane Osl Shader work for you in C4D. Cheers and an ongoing good weekend to you! Raphael

[@gv0zdysh0k]

@@SilverwingVFX Thank you so much, Raphael! This is definitely what I've been searching for, but in cinema. I'll attempt to adapt it to cinema, although I have some fair doubts about my competence in this area)))

[@lucaspellicer]

How did you get the camera movement looking so real?? I assume you recorded something and then use that video as a reference, right?

[@SilverwingVFX]

Thank you very much. I have to say you are an excellent inspector 🥇 I have made this exact setup in real life. Also as reference for the positioning and lighting. So I filmed it with my cellphone and then took the video in to C4D and tracked it there 🙌

[@samoxinvik]

🔎📟🎬📽📺

[@SilverwingVFX]

Ha ha ha, love this. Very well done 🙌

[@taobky7957]

大佬可以开课了 我愿意为此付费

[@SilverwingVFX]

98 / 5,000 非常感谢您的好评。 我计划以后开设一个教程。无需付费。