Ravel Ma Mere L'oye - Celibidache

Celibidache conducts Orchestra della Svizzera italiana 1975

[@tequiness061]

Mágico. Cuando te acostumbras a los tempos de Celibidache, ya todo lo demás te parece acelerado y estresante.

[@danielromo3040]

No hay más Ravel o Debussy que el de Celibidache para mí.

[@saobanza5314]

Concordo plenamente.

[@ryohagitani892]

Great performance! The conductor's baton is very exact. His changing of tempo at the end of each piece is very persuasive. The audience become quieter and quieter as the music goes on. Plus the camera work is good.

[@mianovember7995]

I can't get enough of this recording, especially seeing the orchestra in their civies. Hearing this piece in person is definitely a bucket lister!

[@elabill9385]

Cudo, człowieka i cudo muzyk. Razem zawsze.🌿🎼🎵🎹🎻🎺🎹🎸🎶🔔📯

[@onofrioscriba]

He can express the spacing between sound and silence.

[@joseureeiras]

Sublime, maravilloso. Se escucha todo, claridad, detalles, musicalidad. El más grande Celibidache. ¡Qué triste que la música y su resultado se analicen solo desde el tempo! En fin... la ignorancia es muy atrevida.

[@gerardbegni2806]

Excellent interpretation.

[@fernandajavierafernandez5]

Gracias!, eterno deleite !!

[@BillDeef]

The deliberate slowness of the "oriental" parts of this piece was a great idea.

[@yawenliu6648]

you meant the empress of the pagodas part starting 7:10 ish? I would think it is a piece of oriental music as well if i didn't know, very nice melody!

[@Cartuba]

Wunderbar!

[@MG-fh4ed]

Stirring, riveting, a miracle.

[@alexandratrifler2667]

Magique.

[@Fan-Tomas]

ale mistrz Ravel byłby szczęśliwy

[@adrianparaschiv2008]

Magicianul Sergiu Celibidache!

[@SantiagoQuinto]

Grande

[@cescorosa61]

A real gem

[@bernardverner4743]

Soucieux des couleurs Celibidache favorise chaque note afin que ''le sens'' de cette partition soit bien perçu...et il y arrive prodigieusement bien et les musiciens avec lui. Ravel est comblé.

[@andywalmart]

LOVING THE CASUAL ATTIRE...WAS THIS A YOUNG PERSONS CONCERT PERHAPS??

[@carloarno8131]

❤

[@KingJorman]

James Mason plays great violin! 14:47

[@KREN12623]

❤️👌❤️

[@MatteoColombini108]

Magister magistrorum nunc et semper

[@denisgriffin5749]

As good as it can be

[@onofrioscriba]

His sharpened sensibility makes us gaze in wonderment, but he forces orchestra members so that it lacks spontaneity which is dispensable for such kind of music for children. Instead of liberation it rules here correction, restriction and compulsion.

[@elmikloosterhuis7584]

as regards contents...

[@auroraalexandrescu5285]

Maestre te sărut dulce acolo in mormânt

[@andreaguarino8207]

The end is too fast.

[@sylvaincombier5270]

Drole : Mahler1817 demande si il y a un micro. Qui lui dit que c est sur KZbin ?

[@henrifarge2877]

Où est le gong dans laideronnette impératrice des pagodes?

[@r.i.p.volodya]

What is the occasion? Why so informal?

[@alexeyizmirliev64]

Que significa pesante, pibe? Con una Orquesta asi modesta?

[@confusedpsyduck714]

17:30 o_o

[@aranyawaasii]

all this pretentious crap about 'this is not how you play Ravel' He's charismatic, he's idiosyncratic. he searches for beauty & has an aesthetic that tries to emphasise that great music, at it's best, transcends time itself. Love it or hate it, it provokes a desire to explore, to engage, to have an opinion. It envigorates & diversifies the Classical tradition, & our desire to engage with it, be it for or against his vantage point. Music, of all stripes, could use a few more people like that, as opposed to cookie cutter approval seeking sycophants, forming an ever decreasing circle of pointlessly virtuosic ossified arse-licking dullardry.

[@geuros]

Well said

[@aranyawaasii]

@@geuros thank you. was nice to come back & be reminded of this one ...

[@geuros]

@@aranyawaasii my pleasure

[@Mahler1817]

Why so loud the cymbal roll at the end??? They put him a microphone? Horrible!!

[@1987ulise]

NICE, BUT FOR FOR A MODERN VERSION OF THIS MASTERPIECE, WITH A BETTER SOUND, I RECOMMEND THE SINFONIORCHESTER VERSION, DIRECTED BY JULIEN KUERTI,

[@GIOVANNONE66]

Deludente

[@onofrioscriba]

Principally I dislike his too much controlling conducting invading into the originally free space of spontaneity of orchestra members. But just his Debussy it works in this case, the sharp delicacy, dim quietness and passing through transparency; in other words perfect controlling is wonderful.

[@mangiafrani]

Soft passages are too loud.

[@Francescomedardo]

It's a compressed recording, that's why...

[@ojon090784]

Extremadamente PESANTE para el escucha... No me imagino para los Músicos en ese día :/

[@saobanza5314]

Mostre-nos como é capaz de fazer melhor, please!

[@paulybarr]

This is an example of how NOT to play Ravel- especially this piece.Compare 18.30 foll with 15.30 foll in the Dutoit/ Miyazaki version. Nothing more needs to be said.

[@stephenhall3515]

Totally agree. This is a slack plod-fest by an overrated conductor. The Dutoit you mention is the best I have heard -- and that's over Munch and Martinon!

[@JoelLeBras]

Music, a matter of length ? What about money ? Do you really thinks there's a way to play Ravel and a way not ? Are you joking ?

[@JoelLeBras]

@@stephenhall3515 Celi is obviously an UNDERrated conductor. Nobody knows him but a little gang of fans and he was not very appreciated by musicians themselves. Enjoying his interpretations needs too much patience, understanding and cosmic feeling for most of humans. But I love Dutoit, he is great.

[@melbapatti]

Damn, this is awful. I HATE it. IMO, his ego was way out of proportion to his modest talent. People can extol him as a genius if they wish. He was no genius. P.S. What he does to Gundula Janowitz and Richard Strauss in Strauss’ Vier letzte Lieder is criminal. It’s a dragging plod-fest in excelsis. Do not f__k around with Ma Mere l’Oye or Vier letzte Lieder. They’ll annihilate you. .

[@saobanza5314]

Quem exerce o seu direito à crítica deve mostrar como é capaz de fazer melhor ...