Realizing Figured Bass - Inside the Mind of Bach

  Рет қаралды 8,001

Music Matters

Music Matters

Күн бұрын

Пікірлер: 71
@MusicMattersGB
@MusicMattersGB 2 жыл бұрын
Learn Music Online - Check out our courses here! www.mmcourses.co.uk/courses
@lawrencetaylor4101
@lawrencetaylor4101 Жыл бұрын
I'm watching this again for a review, and to tell you about the Rule of the Octave. You demonstrated it, and I found out about Partementi and I find myself back to the beginning in my musical training. I've been playing piano for almost a year, and was frustrated that I didn't have a melody in my head. That might be because I have Aural Aphantasia. That is a handicap for a musician, but I've overcome more serious handicaps in my professional life and done quite well. I am spending time harmonizing the tonic, third and fifth, and singing. I have a horrible voice, but I have a pitch monitoring software and it shows I'm close enough that I'm getting the idea. I did an amateur figured analysis of Bach Do Majeure Prélude and played it with a deeper understanding. My version isn't a real figured bass since I should only have the bass note. I would like to thank you for demonstrating music matters in such a thorough style.
@MusicMattersGB
@MusicMattersGB Жыл бұрын
A pleasure. Much more at www.mmcourses.co.uk
@afonsodeportugal
@afonsodeportugal 2 жыл бұрын
This was amazing! You fully explained figured bass, which normally takes an entire college lecture to understand, in less than 10 mins! 😮 Excellent work!
@MusicMattersGB
@MusicMattersGB 2 жыл бұрын
A pleasure. Much more at www.mmcourses.co.uk including details of our online courses and of our exciting Maestros programme. If you value this channel and would like to help us continue to share and develop the content please consider supporting us as a level 1 Maestro by clicking here kzbin.info/door/8yI8P7Zi3yYTsypera-IQgjoin Alternatively you can express your support for the channel by clicking on the Super Thanks button beneath any of our videos. Thank you.
@m.walther6434
@m.walther6434 2 жыл бұрын
Great lesson, as ever, thank you very much. From another music teacher, Dr. John Mortensen, who is teaching classical improvisation, also on KZbin, I'v learnd that, given a bass line, one has to apply the Rule of the Octave to get the harmonisation, i.e the figured bass. I'll try.
@MusicMattersGB
@MusicMattersGB 2 жыл бұрын
Figured Bass is certainly worth exploring
@geriatricyclist1950
@geriatricyclist1950 2 жыл бұрын
When I did some music units as part of my BA (as well as AMEB theory exams) back in the late 90s whilst I appreciated the overall idea of figured bass the fine detail eluded me. I now have it. Thanks muchly really good.
@MusicMattersGB
@MusicMattersGB 2 жыл бұрын
That’s great.
@martinlang5139
@martinlang5139 10 ай бұрын
Thank you very much Gareth for this excellent tutorial on figured bass 🎉 Of course I also watched your other videos on the topic. Repeatedly. You have amazing teaching skills, and I like your concept and style.
@MusicMattersGB
@MusicMattersGB 10 ай бұрын
That’s most kind.
@MusicMattersGB
@MusicMattersGB 10 ай бұрын
That’s most kind.
@Chuukwudi
@Chuukwudi Жыл бұрын
I watched your previous video dedicated specifically to the figured bass but I understood figured bass better from this video.
@MusicMattersGB
@MusicMattersGB Жыл бұрын
Excellent
@jayducharme
@jayducharme 2 жыл бұрын
The first I ever heard of figured bass was on your channel a few years ago, and it mystified me. This certainly helped clear things up for me. But I'll need a lot of practice to get comfortable with it. I can see how it makes a lot of sense as a shorthand for composers.
@MusicMattersGB
@MusicMattersGB 2 жыл бұрын
Keep going with it. It’s a very good way of thinking through things.
@materdeimusicd.buckley2974
@materdeimusicd.buckley2974 2 жыл бұрын
There is a figured bass music book I found useful for practice. Sorry can't remember name now. Something like figured bass realisation. It takes practice like everything else. I must get back to it. A while since I did. Many thanks for the prompt video. ( Getting back after years of raising children). Your videos are encouraging me. Still don't have much time, but it's great to get back to thinking, and admiring Bach endlessly.
@MusicMattersGB
@MusicMattersGB 2 жыл бұрын
That’s great. Go for it!
@ilninfeo
@ilninfeo 2 жыл бұрын
Excellent! Thank you, dear Gareth!
@MusicMattersGB
@MusicMattersGB 2 жыл бұрын
A pleasure.
@lawrencetaylor4101
@lawrencetaylor4101 Жыл бұрын
Merci beacuoup. Last week I had no idea what a figured bass was, and now I've got a basic understanding that I will study this until it's in my fingers. Can I just say that you are a great teacher?
@MusicMattersGB
@MusicMattersGB Жыл бұрын
You’re most kind. Much more on this in our advanced theory course at www.mmcourses.co.uk
@DavidL1980
@DavidL1980 Жыл бұрын
Thank you so much for this video, I learnt so much!
@MusicMattersGB
@MusicMattersGB Жыл бұрын
A pleasure. Much more at www.mmcourses.co.uk
@davidwhite2949
@davidwhite2949 2 жыл бұрын
I’ve noticed figured bass can be a good starting point for writing a cantata. By adding passing tones and ornaments
@MusicMattersGB
@MusicMattersGB 2 жыл бұрын
Absolutely
@abagatelle
@abagatelle 2 жыл бұрын
If you add the numbers for triads, they go up by step: 5+3=8, 6+3=9, 6+4=10. Conversely, 7ths go down by step: 7+5+3=15, 6+5+3=14, 6+4+3=13, 6+5+2=12. Is this significant or just an interesting quirk?
@abagatelle
@abagatelle 2 жыл бұрын
Oops, last one is 6+4+2=12
@MusicMattersGB
@MusicMattersGB 2 жыл бұрын
Interesting. I’ve never thought of it like that before
@MusicMattersGB
@MusicMattersGB 2 жыл бұрын
😀
@riverstun
@riverstun 2 жыл бұрын
This is something I've been meaning to get into more. Bach thought in terms of figured bass, so that's what his method of composition was based on. It's not just a different notation system, therefore, its a different compositional system. To "get inside the mind of Bach", one has to think in terms of figured basses, not in terms of Roman Numerals (although they are easier to think in terms of). What exactly this means, I'm not quite sure. Does it mean that Bach followed Partimenti and the Rule of the Octave? I wish I could take just 4 classes in beginning composing with Bach. How did he work? Did he take a soprano line, then use Fuxian counterpoint to develop a bass, and then fill in the parts above the bass using the rule of the octave? Then adding in passing tones, suspensions etc? To write as prolifically as he did, I'm sure there was a strong mechanical component to it. Figured bass plays a strong role in this, I'm pretty sure, but I havent worked out exactly how yet. I guess the question is did he (a) work out the harmony and then calculate the figures needed as shorthand for the chords he had worked out, or (b) did he have a mental memory for the right figures to place at any point in the music and only work out the note placings after?; that is, did he essentially just scribble a bass line under the given chorale tune and then add in the figures pretty mechanically, like "Oh, second note usually gets a 6" or "Cadence goes 5, 42, 5" (or whatever). If this latter, then you just gotta memorize figure sequences (like the rule of the octave).
@MusicMattersGB
@MusicMattersGB 2 жыл бұрын
Bach had stacks of technique and he must have taken different approaches depending on what he was writing eg harmonising a Chorale is a different process from writing a fugue. His technique was so honed that he was able to think from chords to melodic lines in a fully integrated way.
@materdeimusicd.buckley2974
@materdeimusicd.buckley2974 2 жыл бұрын
@@MusicMattersGB absolutely. Bach was the ultimate genius. He demonstrates huge creative mathematics in his music. Interesting facts, he was an organ builder, and had an ability to tell the acoustic quirks of any room. This was very useful in a time when there were no mike's etc. Worth admiring and learning from.
@toptrump1499
@toptrump1499 2 жыл бұрын
Thank you Gareth!
@MusicMattersGB
@MusicMattersGB 2 жыл бұрын
A pleasure. Much more at www.mmcourses.co.uk including details of our online courses and of our exciting Maestros programme. If you value this channel and would like to help us continue to share and develop the content please consider supporting us as a level 1 Maestro by clicking here kzbin.info/door/8yI8P7Zi3yYTsypera-IQgjoin Alternatively you can express your support for the channel by clicking on the Super Thanks button beneath any of our videos. Thank you.
@worldmusictheory
@worldmusictheory 2 жыл бұрын
Amazing video as always Gareth, quick question I've always wanted to know, who is your favourite composer?
@MusicMattersGB
@MusicMattersGB 2 жыл бұрын
JS Bach, without a doubt.
@waffleman-
@waffleman- 2 жыл бұрын
My favourite series
@MusicMattersGB
@MusicMattersGB 2 жыл бұрын
That’s most kind
@Dave-nm8uk
@Dave-nm8uk 2 жыл бұрын
Excellent. Only one comment about the music. If played by a keyboard player with LH/RH "as normal", then the four part harmonisation in bar 2 gives quite a stretch in the LH for the last two beats. Of course the RH could help out. That could be an extra thing for keyboard players to trip up over. Maybe players really do get to be able to do this kind of thing "on the hoof", just as jazz players can play directly from chord symbols. The numbers are a bit hard to see [bit fuzzy] in the video - so is there a chance of a link to a clear image available - perhaps put down below where links often go? Thanks for this one.
@MusicMattersGB
@MusicMattersGB 2 жыл бұрын
Quite often keyboard players will realise figured bass 3 notes in the RH 1 note in the LH but one can be totally flexible, even with the number of parts
@garidnatsag4760
@garidnatsag4760 Жыл бұрын
Thanks
@MusicMattersGB
@MusicMattersGB Жыл бұрын
A pleasure. Much more at www.mmcourses.co.uk
@jackdeago3639
@jackdeago3639 2 жыл бұрын
Thank you so much
@MusicMattersGB
@MusicMattersGB 2 жыл бұрын
A pleasure. Much more at www.mmcourses.co.uk including details of our online courses and of our exciting Maestros programme. If you value this channel and would like to help us continue to share and develop the content please consider supporting us as a level 1 Maestro by clicking here kzbin.info/door/8yI8P7Zi3yYTsypera-IQgjoin Alternatively you can express your support for the channel by clicking on the Super Thanks button beneath any of our videos. Thank you.
@emilyrln
@emilyrln 2 жыл бұрын
This seems needlessly convoluted, but I'm sure that's only because I haven't studied it and have my own shorthand for musical notation (that other people would likely find convoluted!) 😂 Fascinating video!
@MusicMattersGB
@MusicMattersGB 2 жыл бұрын
It’s actually very logical once you’ve got your head around the principle. Amazing system
@profounddamas
@profounddamas 2 жыл бұрын
One thing that amazes me about writing music is that no one (at least to my knowledge) made an attempt to write music using only the treble clef (or just one clef whatever that is) with indications of octaves written above the stave. To me they made it terribly complex what could be so simple. I'm sure this would improve piano learning a lot for apprentices. It's much simpler when you read only one language instead of two (treble plus bass clefs) at the same time. Simply write the octave you want above the stave from the bar you want onward. And of course you are free to use ledger lines but only so much. Reminds me complex numbers. They are not complex they are just plane coordinates, sure they must have some rules for arithmetic operations but what's complex about them?
@MusicMattersGB
@MusicMattersGB 2 жыл бұрын
The trouble is that would leave you without harmony.
@riverstun
@riverstun 2 жыл бұрын
@@MusicMattersGB Also, would confuse singer voice ranges
@MusicMattersGB
@MusicMattersGB 2 жыл бұрын
😀
@profounddamas
@profounddamas 2 жыл бұрын
@@MusicMattersGB No the notes for both left hand and right hand are still there. One treble clef for the left hand and one treble clef for the right hand. So no harmony loss. I'm sorry if I didn't explain myself correct since I'm not a native english speaker. In fact I'm not the first one to complain about that, it came to my mind I saw a video from a violinist youtube channel calling pianists poor men because we would have to read on sight two different clefs at the same time.
@profounddamas
@profounddamas 2 жыл бұрын
@@riverstun I'm taking about piano/organ only since you need left and right hands. So one treble clef for the left hand and one treble clef for the right hand. Simple because it's just one language. You just have to identify the octaves with some markings above the stave. I wish I could use one of those music writing softwares to show the concept but I would have to learn a complex program that wasn't meant to work like that anyway.
@Trash-Beats
@Trash-Beats 2 жыл бұрын
Young man you looking younger younger each video? I’m 63, I’m guessing you in your 40s, thanks for all u do
@MusicMattersGB
@MusicMattersGB 2 жыл бұрын
Ha ha. I’m flattered but actually I’m 62!
@Trash-Beats
@Trash-Beats 2 жыл бұрын
@@MusicMattersGB unbelievable Sir, what’s your secret on looking young
@MusicMattersGB
@MusicMattersGB 2 жыл бұрын
😀😀Keep smiling
@Trash-Beats
@Trash-Beats 2 жыл бұрын
@@MusicMattersGB 🙏
@MusicMattersGB
@MusicMattersGB 2 жыл бұрын
😀
@TheShink
@TheShink 2 жыл бұрын
You stated baroque players think from the bass upwards 135, yet all the theory is top down 53 63 64 🙈
@MusicMattersGB
@MusicMattersGB 2 жыл бұрын
I’m not saying that players think from the bass upwards but the composers. The figured bass theory works from the bottom up.
@riverstun
@riverstun 2 жыл бұрын
A lot of older music is basically variations on a bass line - Pachelbel's Canon, the Goldberg bass, and so on. Like Gounod's Ave Maria, they then stuck a soprano on top that went OK with the bass. Today, we have soprano singers, and they hunt around for a bass note to go with their soprano tune.
@MusicMattersGB
@MusicMattersGB 2 жыл бұрын
😀
@materdeimusicd.buckley2974
@materdeimusicd.buckley2974 2 жыл бұрын
All comes originally from turning plain chant music into cantus firmus. It's worth looking at the development of harmony in medieval times to help understand how this bass up thinking came about. Basically, singers started improvising over plainchant. This was later notated, and improved. Notre Dame school of polyphony. Information available online.
@MusicMattersGB
@MusicMattersGB 2 жыл бұрын
That’s certainly essential background then of course the Renaissance played a huge part in the next part of the development
@johnhawkinshawkins1284
@johnhawkinshawkins1284 2 жыл бұрын
my brain hurts. MIDI please
@MusicMattersGB
@MusicMattersGB 2 жыл бұрын
😀
Why Learn Figured Bass? - Music Theory
28:52
Music Matters
Рет қаралды 9 М.
Une nouvelle voiture pour Noël 🥹
00:28
Nicocapone
Рет қаралды 9 МЛН
Support each other🤝
00:31
ISSEI / いっせい
Рет қаралды 81 МЛН
Правильный подход к детям
00:18
Beatrise
Рет қаралды 11 МЛН
A Basic Introduction to Figured Bass
19:06
Brian Kehlenbach
Рет қаралды 5 М.
How to Play Basso Continuo: The 15 Things Every Beginner Needs to Know
19:14
Alice M. Chuaqui Baldwin, harpsichordist
Рет қаралды 33 М.
Why Cadences are Crucial for How Music Feels
12:04
Ryan Leach
Рет қаралды 138 М.
62. Use this Trick for Remembering Figured Bass Symbols!
5:20
5minutemusictheory
Рет қаралды 7 М.
Lesson 6:  What is Figured Bass?
24:45
Seth Monahan
Рет қаралды 46 М.
Using Sequence when Composing Music - Music Composition
16:46
Music Matters
Рет қаралды 23 М.