Recording A Band In A Recording Studio... But there's a catch

[@RecordingStudioLoser]

Go check out Josh Powell On Spotify! Get the files on Patreon! www.patreon.com/Recordingstudioloser

[@LautenAudio]

This was so awesome, Jeremy. Thanks so much for doing it!

[@TheBassMountain]

This was SO much fun! Thanks for having us in, Jeremy. You’re a wizard 🧙‍♀️

[@AdamSliger]

Clicked because I love Lauten's mics, was surprised to see Josh on here! Saw him live a couple years back, love his music!! Small world!

[@BrianLoudenslager]

This is awesome! Great band too!

[@Ted_Swayinghill]

ive been taking the snare mic to my gigs. every sound tech has loved it so far!

[@fear-j7i]

more videos like this !!! LOVE IT

[@eddieruxspin]

i love lauten audio. the atlantis in my opinion is one of the best mics on the market for the price and quality . thanks lauten

[@RecordingStudioLoser]

I don’t have the Atlantis!!

[@shineliketko]

So glad to see Lauten Audio getting some love! Everything sounded amazing and great performance from the band! I have the Atlantis and every vocalist has asked what it is bc it sounds so fkn good lol. Eden is def next!

[@legacyShredder1]

I saw your comment saying you don't have the Atlantis. Get it. If you want to borrow one I can bring it. I'm pretty close. On the topic of the video: I own every Lauten microphone with multiple pairs of many of them. I love Lauten. The Clarion is my kick mic. Always. The Eden, Atlantis, and Clarion are a godsend with flexibility getting a top quality result extremely fast. The LS-208 and 308 are the perfect solution to condenser bleed while still sounding like a top shelf microphone. I can use any microphones I want on toms, but I'm going with those. Even the super cheap LA-120, 220, and 320 deserve some serious respect.

[@RecordingStudioLoser]

I don’t have the 320 either. What do you find you use those for?

[@legacyShredder1]

@@RecordingStudioLoser I like them right next to the beater (to the right of the foot and kick pedal) capturing the slap. I favor the Neumann M50 for this, but with younger or less controlled drummers I'll put the 320 there instead so I'm not afraid to get it damaged due to being fairly cheap in comparison. I like to use the 320 for a 2nd pair of drum room mics about 1.5 to 2 feet off the ground with the primary rooms being a pair of ribbons placed higher up. When I've got stereo ribbon overheads I like to use a tube mic as a mono capture to add some of the detail back in right down the center. I'll usually use the Eden, but I've used the 320 and it works great. I really like the 320 on dark acoustic guitars.

[@shan5445]

My Mic is a AT2035 sounds really good. Very versatile. Never needed another mic that is how good it is.

[@rocketsauce5067]

I'm so talented that I don't even need a mic. Mic's are for suckers.

[@RecordingStudioLoser]

Hahah

[@RecordingStudioLoser]

That’s awesome man. Find what works for you!

[@itsstubbedmatoe-eo7zj]

I’m just starting to build my mic locker. I was interested in the LA-220’s but the reviews and clips I’ve come across left me a bit confused. How would you describe their tone and character?

[@bobbieoneal]

What about LA-220 on overhead ? Any conclusions ?

[@joshguthriemusic8090]

🤘🏻❤️🤘🏻

[@sriyansamadhi8443]

🤘

[@gwugluud]

If you're a "loser", I'm not detecting it. Cheers