Brahms - The Cello Sonatas n°1,2 / NEW MASTERING (Century’s record. : Jacqueline Du Pré / Barenboim)

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Johannes Brahms (1833-1897) The Cello Sonatas .
Cello Sonata No.1 in E minor Op.38
Click to activate the English subtitles for the presentation (00:00-01:10)
I. Allegro non troppo (00:00)
II. Allegretto quasi Menuetto & Trio (12:22)
III. Allegro (18:13)
Cello Sonata No.2 in F Op.99
Click to activate the English subtitles for the presentation (25:13-26:11)
I. Allegro vivace (25:13)
II. Adagio affetuoso (34:14)
III. Allegro passionato (41:45)
IV. Allegro molto (49:24)
Cello : Jacqueline Du Pré
Piano : Daniel Barenboim
Recorded in 1968, at London
New Mastering in 2020 by AB for CMRR
🔊 FOLLOW US on SPOTIFY (Profil: CMRR) : spoti.fi/3016eVr
🔊 Download CMRR's recordings in High fidelity audio (QOBUZ) : bit.ly/2M1Eop2
Brahms's oft-quoted reverence for his musical heritage was something of a two-edged sword for the composer. In an age that strove constantly for heightened dramatic expression through opera and descriptive music, he stuck firmly to the well-tried Classical genres of the symphony and the concerto, and to chamber music. His counterpoint was enriched by his knowledge of Bach, his formal practices founded upon those of Beethoven. And yet when in 1853 Schumann declared him to be 'He that should come' (by which he meant Beethoven's successor), this placed upon Brahms a public burden which intensified his private belief that he was unworthy to fill the great man's shoes. Though it seems likely that Brahms composed over 100 chamber works, a mere two dozen survived his ruthless self-criticism to attest to his mastery in this most intimate and exacting of genres.
Johannes Brahms PLAYLIST (reference recordings) : • Johannes Brahms (1833-...

[@classicalmusicreference]

❤️ If you like CM//RR content, please consider membership at our Patreon page. Thank you :) www.patreon.com/cmrr Johannes Brahms (1833-1897) The Cello Sonatas . Cello Sonata No.1 in E minor Op.38 *Click to activate the English subtitles for the presentation* (00:00-01:10) I. Allegro non troppo (00:00) II. Allegretto quasi Menuetto & Trio (12:22) III. Allegro (18:13) - Cello Sonata No.2 in F Op.99 *Click to activate the English subtitles for the presentation* (25:13-26:11) I. Allegro vivace (25:13) II. Adagio affetuoso (34:14) III. Allegro passionato (41:45) IV. Allegro molto (49:24) -- Cello : Jacqueline Du Pré Piano : Daniel Barenboim Recorded in 1968, at London 🔊 FOLLOW US on SPOTIFY (Profil: CMRR) : spoti.fi/3016eVr 🔊 Download CMRR's recordings in High fidelity audio (QOBUZ) : bit.ly/2M1Eop2 -- Brahms's oft-quoted reverence for his musical heritage was something of a two-edged sword for the composer. In an age that strove constantly for heightened dramatic expression through opera and descriptive music, he stuck firmly to the well-tried Classical genres of the symphony and the concerto, and to chamber music. His counterpoint was enriched by his knowledge of Bach, his formal practices founded upon those of Beethoven. And yet when in 1853 Schumann declared him to be 'He that should come' (by which he meant Beethoven's successor), this placed upon Brahms a public burden which intensified his private belief that he was unworthy to fill the great man's shoes. Though it seems likely that Brahms composed over 100 chamber works, a mere two dozen survived his ruthless self-criticism to attest to his mastery in this most intimate and exacting of genres. -- Johannes Brahms PLAYLIST (reference recordings) : kzbin.info/www/bejne/b5_WlnqLlrRknNk

[@alijahadonis5351]

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[@xaviertucker4313]

@Alijah Adonis Instablaster ;)

[@alijahadonis5351]

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[@alijahadonis5351]

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[@xaviertucker4313]

@Alijah Adonis Glad I could help :)

[@phillipshepard6917]

The first sonata seems like a foreshadowing of the tragic events that occur soon thereafter in her life.. I almost started to cry. A little comfort comes in the second movement. The final movement is the triumph over tragedy. It reminds me so much of the Tchaikovsky Piano Trio that I requested to be played at my memorial. (I'm 80 years old) I didn't know until later that it was in fact composed for the funeral of Nicholai Rubenstein, the pianist brother of Anton Rubenstein. The third movement of the second sonata is equally heroic. What a superb recording of these masterpieces.

[@voraciousreader3341]

So much virtuosity, so much artistry, such an amazing communication between the two! How tragic that they only had 18 months of married life before the hammer fell. I can only feel immense gratitude for the truly wonderful music they recorded together before that happened.

[@pablokalincausky8359]

Bravissimo. This is a master interpretation for cello and piano lovers. After listening to Du Pre and Barenboim, I can rest in peace...

[@johnh7990]

What a treasure! Du Pre in her prime partnering with Barenboim in the incredible Brahms sonatas. Merci!

[@classicalmusicreference]

Brahms's oft-quoted reverence for his musical heritage was something of a two-edged sword for the composer. In an age that strove constantly for heightened dramatic expression through opera and descriptive music, he stuck firmly to the well-tried Classical genres of the symphony and the concerto, and to chamber music. His counterpoint was enriched by his knowledge of Bach, his formal practices founded upon those of Beethoven. And yet when in 1853 Schumann declared him to be 'He that should come' (by which he meant Beethoven's successor), this placed upon Brahms a public burden which intensified his private belief that he was unworthy to fill the great man's shoes. Though it seems likely that Brahms composed over 100 chamber works, a mere two dozen survived his ruthless self-criticism to attest to his mastery in this most intimate and exacting of genres. 🔊 FOLLOW US on SPOTIFY (Profil: CMRR) : spoti.fi/3016eVr 🔊 Download CMRR's recordings in High fidelity audio (QOBUZ) : bit.ly/2M1Eop2 ❤️ If you like CM//RR content, please consider membership at our Patreon page. Thank you :) www.patreon.com/cmrr

[@chriswilson554]

Du Pris and Barenboim together performing Brahms? The world doesn't deserve this but yet here it is anyways

[@brianhammer5107]

why doesn't the world "deserve this"? you don't make any sense with silly remarks like that

[@DavidSmith-zm4xi]

@@brianhammer5107 In the sense that given the chaos in the world can it cope with such beauty as this. The answer of course is yes there is always room for performances like this but I can see Chris's point

[@mairaleikarte43]

They were a couple+married. So they had to do something together.

[@benjamMin278]

I think he means that these recordings are priceless and nobody can afford to pay their full worth in golden schechels…so to speak 🗣

[@user-gq7ir5wn2t]

자클린 분은 방법만 알면1년 안에 치유 할수 있을 생각이 드네요?

[@TheodorReik]

This is truly impressive. The technical quality of the recording, too, is excellent. Thanks.

[@guillermomiranda9703]

Masterly interpretation of a mature Brahms back in those wonderful days of love and smiles.....a nice musical legacy...

[@Nogah100]

A mature Brahms piece, and the genius of Jacqueline Du Pre. Irresistible. Daniel Barenboim proves a very good match to the Cellist.

[@halamadrid9704]

Jacqueline Brahms Barenboim que demander de plus, merci à cette chaîne de faire du bien à mes oreilles.

[@giorgiosalmaso5903]

Straordinaria Jackie! RIP.

[@remember9097]

Wonderful musicians. Wonderful recording Thanks

[@notaire2]

Wunderschöne und lyrische Interpretation dieser zwei etwas melancholischen doch perfekt komponierten Sonaten im gut phrasierten Tempo mit mildem Ton des unvergleichlichen Cellos und klarem Klang des ebenso unvergleichlichen Klaviers. Danke fürs wertvolle Onlinestellen wie immer!

[@mostnuttycellist]

Emotional and powerful. Tenuto on each phrase and melody. My most favorite cellist for this piece, Nr 1 sonata, has been Janos Starker. Listening this performance, I might be inclined to du Pre.

[@ezequielstepanenko3229]

The best couple for Brahms's cello sonatas. Du Pre is so unique

[@Piflaser]

Not the best but very good

[@Piflaser]

@sanna Yes, every great artist gives us his understanding of these works, the interpretation is the place where the print gets life.

[@IvanGreindl]

What an artist she was... !

[@sSPauLGilbertSs]

Magnifique !

[@katushawatkins1922]

Thank you! Excellent!

[@pietroarvizzigno4417]

Le più grandi sonate per violoncello e pianoforte della storia della musica in un'interpretazione sublime. Straordinarie

[@cedericocosantorini8013]

Yes !!! Je l'ai enfin retrouvé, cet air si sympathique à 12:22 !! Et un grand merci pour le partage de cette merveilleuse collection !

[@anitarauld]

Merci monsieur😘

[@thomasc390]

Thank you!

[@guilhemchameyrat]

Superbe interprétation, il y a un disque Serkin et Rostropovich qui est excellent. Merci infiniment !

[@josephinejan8784]

So so Amazing

[@rksd2873]

Thank you👍👍👍❤️

[@Lotuswhite2911]

Un son mystérieux venant de la pluie et du brouillard !

[@noshirm6285]

Listening to this because of Du Pré alone. She was a gem.

[@user-lm5gq9vr2z]

Я в восторге! Жаль, что Жаклин уже давно ушла от нас.🥲

[@trudysenjudo8684]

Esta música es eterna...gracias ,

[@sahanarzruni584]

What a remastering!

[@user-ip5ne9lm2j]

역시 뒤프레는 대단하네요. 다소 무거운 분위기의 브람스 곡이지만 뒤프레가 연주하니 사랑의 2중주가 되어 달콤함이 묻어납니다. 연인과 함께 연주하면서 얼마나 행복해 하는지 그녀의 웃는 모습이 연상될 정도입니다. 바렌보임은 또 피아노로 첼로를 잘 받쳐주고 있네요.

[@angelc.gonzalez5058]

¡Qué torrente incontenible de belleza despliega el Allegretto quasi Menuetto!

[@user-ip5ne9lm2j]

One time my favorite sleeping music. lol

[@VladimirKhom]

Спасибо..

[@user-sm3ov6fv5y]

Как они прекрасны!

[@fam8050]

Thanx great hearts.

[@aceventura2237]

As this was playing In a playlist , I walked up to my phone laying on the dresser and at first I thought that pic was cruise and Kidman and this was on some film soundtrack. I was like "how obnoxious "🤦🏻‍♂️feeling relieved.

[@manfredojoaquimdasilva5937]

Pablo Catalán O tempo é fugacíssimo! Quantos acontecimentos, bons e maus, ocorreram na vida desses dois expressivos músicos. Tudo se esboroou! Restaram-nos, hoje, tão-só, os registros musicais que marcam a existência de ambos! Ah! a vida!

[@lepingstepp7401]

Looking at them who were young and happy at the time and listening to the wonderful music they played, I really wanted to cry. Now the boy is an old boy, the girl has already gone to heaven😭.

[@NoName-zn1sb]

better the other way 'round

[@suerobinson1323]

That old boy has done so many great things till very recently.

[@chantalbaron6096]

La tonalité sombre du violoncelle semble annoncer la fin tragique de Jacqueline Dupré et de ce couple magique

[@indfilesp]

Imposible oírlo, plagado de anuncios!

[@Armenaki2010]

ich finde es unverschämt, dass ein solches Konzert durch Werbung unterbrochen wird...

[@user-ky4el6ev7b]

Любите ли вы Брамса?..

[@stonefireice6058]

What kind of stupid question is that? A huge audience around the world would exhale YES!

[@user-sm3ov6fv5y]

И Брамса и Шуберта и большой привет всем меломанам!!

[@johnmartin2017]

@@user-sm3ov6fv5y And one must never forget J.S. Bach, known by many as the Newton of Classical Music.

[@odedfried-gaon2880]

#OdedFriedGaon #OdedMusic #OdedFullAlbumPlaylist #OdedWeekendPlaylist #Audioded

[@pascalmayer9421]

Jacqueline du Pré Description de cette image, également commentée ci-après Gros plan sur une sculpture de Jacqueline du Pré par Drago Marin Cherina, installée depuis 2018 dans un parc de Kensington, Nouvelle-Galles du Sud (en), près de Sydney, Australie. Données clés Nom de naissance Jacqueline Mary du Pré Naissance 26 janvier 1945 Oxford, Drapeau du Royaume-Uni Royaume-Uni Décès 19 octobre 1987 (à 42 ans) Londres, Drapeau du Royaume-Uni Royaume-Uni Activité principale violoncelliste Formation Guildhall School of Music and Drama à Londres Maîtres William Pleeth (en), Paul Tortelier, Mstislav Rostropovitch, Pablo Casals Ascendants Iris du Pré (en), Derek du Pré Conjoint Daniel Barenboim modifierConsultez la documentation du modèle Jacqueline du Pré est une violoncelliste britannique d'origine jersiaise, née le 26 janvier 1945 à Oxford et morte le 19 octobre 1987 à Londres. Elle fut également l'épouse et la partenaire musicale du pianiste et chef d’orchestre israélo-argentin Daniel Barenboim. En 1976, elle est faite officier de l'ordre de l'Empire britannique. Biographie Née dans une famille aisée et cultivée originaire de Jersey (îles Anglo-Normandes), Jacqueline du Pré est le deuxième des trois enfants de Derek et Iris du Pré (en)1 ; sa mère est pianiste. Elle a 4 ans lorsqu'elle entend pour la première fois un violoncelle à la radio2,3. À partir de cet instant, le son de l'instrument ne la quittera jamais. Elle commence à prendre des leçons auprès de sa mère puis, deux ans plus tard, à la London Violoncello School. Très jeune, elle participe à des concours avec sa sœur, Hilary (en). À 10 ans, elle gagne un prix lors d'une compétition internationale et, à 12 ans, elle joue dans un concert pour la BBC à Londres3. Elle étudie avec William Pleeth (en) à la Guildhall School of Music and Drama à Londres, avec Paul Tortelier à Paris, avec Mstislav Rostropovitch en Russie et avec Pablo Casals en Suisse3. Sa carrière débute en 1961 au Wigmore Hall de Londres où elle joue sur un Stradivarius de 1673 « qu’un admirateur anonyme lui a offert trois semaines auparavant »4. Tout au long de sa carrière, Jacqueline du Pré joue avec des orchestres et des solistes prestigieux, en particulier son enregistrement du concerto d'Elgar avec l'Orchestre symphonique de Londres, sous la direction de John Barbirolli en 1965, lui donne une reconnaissance internationale. Pour cet enregistrement, elle utilise un Stradivarius, le Davidov de 1712, que lui a offert en 1964 sa marraine Ismena Holland3,5. Jacqueline du Pré joue le concerto d'Elgar lors de son premier concert aux États-Unis, le 14 mai 1965 au Carnegie Hall3. Tombe de Jacqueline du Pré dans le cimetière de Golders Green, à Londres. La mention « épouse bienaimée de Daniel Barenboim » y figure, ainsi que des inscriptions en hébreu. Son amitié avec les musiciens Itzhak Perlman, Zubin Mehta et Pinchas Zukerman, son mariage avec Daniel Barenboim, ont inspiré le film de Christopher Nupen (en) sur leur quintette de Schubert La Truite : La truite (1969). Les cinq se nommaient eux-mêmes « la mafia musicale juive ». Jacqueline du Pré rencontre le pianiste Daniel Barenboim le jour de Noël 1966. Leur mariage, l'année suivante, a été une des unions les plus fructueuses de l'histoire de la musique, que certains comparent à celle qui liait Clara et Robert Schumann. On peut le constater dans les nombreux concerts qu'ils donnèrent, Barenboim au piano ou à la direction d'orchestre. Jacqueline du Pré se convertit au judaïsme à l'occasion de son mariage[réf. nécessaire]. La sœur de Jacqueline, Hilary du Pré (en), est mariée au chef d'orchestre Christopher « Kiffer » Finzi (en), avec qui Jacqueline eut une liaison. Selon Hilary et son frère Piers du Pré, dans leur livre Un génie dans la famille6, cette relation s'est faite avec le consentement d'Hilary afin d'aider Jacqueline, alors déprimée avec des comportements suicidaires. Le film d'Anand Tucker (Hilary et Jackie, 1998) présente une version voisine de ce livre (en), mais n'en est pas issu, son scénario ayant été écrit en même temps que le livre, selon son auteur Frank Cottrell-Boyce. En 1999, les enfants de Kiffer et Hilary, neveux de Jacqueline du Pré, contredisent les déclarations de leur mère et présentent une version différente des événements : leur père, un coureur de jupons, aurait séduit leur tante alors dans un moment de vulnérabilité, dans le seul but de flatter son propre ego[réf. nécessaire]. En 1971, les capacités de jeu de Jacqueline du Pré - atteinte de sclérose en plaques - entament un déclin irréversible lorsque l'artiste commence à perdre la sensibilité et la mobilité de ses doigts. Elle doit alors arrêter sa carrière pour se consacrer à l'enseignement, donnant également plusieurs classes de maîtres, enregistrées pour la télévision et largement diffusées7. C'est cette maladie qui, par ses complications, cause sa mort à Londres le 19 octobre 1987, à l'âge de 42 ans2 ; son mari, Daniel Barenboïm, qui entre-temps avait délaissé son épouse et refait sa vie à Paris, s'est retrouvé à ses côtés pour ses derniers moments.

[@stonefireice6058]

The now rare performance of 2 wonderful musicians is rudely interrupted by stupid commercials every 2-3 min. Disgusting!

[@defbt5]

just pay for the premium you tube...worth it

[@cedericocosantorini8013]

AdBlock Plus, for free...

[@Nogah100]

Second hearing: I do not "connect" to the piece at all.

[@ModusVivendiMedia]

Which piece (there are two), and which movement? If it's the first part (1st movement of Sonata No. 1), try this one: kzbin.info/www/bejne/q169gqZqebiKm8k

[@scotthullinger4684]

This is by far the most bizarre interpretation of this music I've ever heard. It almost makes the music unrecognizable.

[@Nogah100]

The advertisements are a horror