Album available // Beethoven: The Cello Sonatas and Variations Pierre Fournier 🎧 Qobuz bit.ly/4b7rgpc Tidal bit.ly/3DNB5aj 🎧 Apple Music apple.co/3BTu2MI Deezer bit.ly/3vom7Es 🎧 Amazon Music amzn.to/3aLaoGz Napster bit.ly/3tUq8Ey 🎧 Spotify spoti.fi/3tJp6vb SoundCloud bit.ly/2Z0l3dP 🎧 KZbin Music, Pandora, Anghami, QQ音乐, LineMusic 日本… Ludwig Van Beethoven (1770-1827) Complete Cello Sonatas & Variations. *Click to activate the English subtitles for the presentation* (00:00-04:00) 00:00 Cello Sonata No.1 in F Major, Op.5 No.1 - I. Adagio sostenuto, Allegro 14:45 Cello Sonata No.1 in F Major, Op.5 No.1 - II. Rondo, Allegro vivace 21:39 Cello Sonata No.2 in G minor, Op.5 No.2 - I. Adagio sostenuto e espressivo, Allegro molto, più tosto presto 33:57 Cello Sonata No.2 in G minor, Op.5 No.2 - II. Rondo, Allegro 42:56 Cello Sonata No.3 in A Major, Op.69 - I. Allegro ma non tanto 55:53 Cello Sonata No.3 in A Major, Op.69 - II. Scherzo, Allegro molto 1:01:14 Cello Sonata No.3 in A Major, Op.69 - III. Adagio cantabile, Allegro vivace 1:09:52 Cello Sonata No.4 in C Major, Op.102 No.1 - I. Andante, Allegro vivace 1:18:22 Cello Sonata No.4 in C Major, Op.102 No.1 - II.Adagio, Tempo andante, allegro vivace 1:25:26 Cello Sonata No.5 in D Major, Op.102 No.2 - I. Allegro con brio 1:31:55 Cello Sonata No.5 in D Major, Op.102 No.2 - II. Adagio con molto sentimento d’affetto 1:41:10 Cello Sonata No.5 in D Major, Op.102 No.2 - III. Allegro, Allegro fugato 7 Variations on ‘’Bei Männern welche Liebe fühlen’’, WoO 46 (From Mozart’s Die Zauberflöte) 1:45:42 WoO 46 (From Mozart’s Die Zauberflöte) - Thema, Andante 1:46:40 WoO 46 (From Mozart’s Die Zauberflöte) - Variation I 1:47:25 WoO 46 (From Mozart’s Die Zauberflöte) - Variation II 1:48:11 WoO 46 (From Mozart’s Die Zauberflöte) - Variation III 1:49:09 WoO 46 (From Mozart’s Die Zauberflöte) - Variation IV 1:50:22 WoO 46 (From Mozart’s Die Zauberflöte) - Variation V, Si prenda il tempo un poco più vivace 1:50:58 WoO 46 (From Mozart’s Die Zauberflöte) - Variation VI, Adagio 1:53:08 WoO 46 (From Mozart’s Die Zauberflöte) - Variation VII, Allegro ma non troppo, Coda 12 Variations on ‘’Ein Mädchen Oder Weibchen’’, Op. 66 (From Mozart’s Die Zauberflöte) 1:55:05 Op. 66 (From Mozart’s Die Zauberflöte) - Thema, Allegretto 1:55:40 Op. 66 (From Mozart’s Die Zauberflöte) - Variation I 1:56:19 Op. 66 (From Mozart’s Die Zauberflöte) - Variation II 1:56:55 Op. 66 (From Mozart’s Die Zauberflöte) - Variation III 1:57:28 Op. 66 (From Mozart’s Die Zauberflöte) - Variation IV 1:58:08 Op. 66 (From Mozart’s Die Zauberflöte) - Variation V 1:58:43 Op. 66 (From Mozart’s Die Zauberflöte) - Variation VI 1:59:13 Op. 66 (From Mozart’s Die Zauberflöte) - Variation VII 2:00:00 Op. 66 (From Mozart’s Die Zauberflöte) - Variation VIII 2:00:34 Op. 66 (From Mozart’s Die Zauberflöte) - Variation IX 2:01:13 Op. 66 (From Mozart’s Die Zauberflöte) - Variation X, Adagio 2:02:46 Op. 66 (From Mozart’s Die Zauberflöte) - Variation XI, Poco Adagio quasi Andante 2:04:09 Op. 66 (From Mozart’s Die Zauberflöte) - Variation XII, Allegro 12 Variations on ‘’See the Conquering Hero Comes’’, WoO 45 (From Handel’s Judas Maccabeus) 2:06:01 WoO 45 (From Handel’s Judas Maccabeus) - Thema, Allegretto 2:06:48 WoO 45 (From Handel’s Judas Maccabeus) - Variation I 2:07:32 WoO 45 (From Handel’s Judas Maccabeus) - Variation II 2:08:17 WoO 45 (From Handel’s Judas Maccabeus) - Variation III 2:09:00 WoO 45 (From Handel’s Judas Maccabeus) - Variation IV 2:09:47 WoO 45 (From Handel’s Judas Maccabeus) - Variation V 2:10:38 WoO 45 (From Handel’s Judas Maccabeus) - Variation VI 2:11:22 WoO 45 (From Handel’s Judas Maccabeus) - Variation VII 2:11:56 WoO 45 (From Handel’s Judas Maccabeus) - Variation VIII 2:12:42 WoO 45 (From Handel’s Judas Maccabeus) - Variation IX 2:13:25 WoO 45 (From Handel’s Judas Maccabeus) - Variation X, Allegro 2:14:06 WoO 45 (From Handel’s Judas Maccabeus) - Variation XI, Adagio 2:17:36 WoO 45 (From Handel’s Judas Maccabeus) - Variation XII, Allegro Cello: Pierre Fournier Piano: Friedrich Gulda 🔊 FOLLOW US on SPOTIFY (Profil: CMRR) : spoti.fi/3016eVr 🔊 Download CMRR's recordings in High fidelity audio (QOBUZ) : bit.ly/2M1Eop2 ❤️ If you like CM//RR content, please consider membership at our Patreon page. Thank you :) www.patreon.com/cmrr The really surprising thing about this chambermusic partnership, documented here in the form of their recordings of Beethoven's complete output for cello and piano, is that it ever existed at all. The duo formed by the Austrian pianist Friedrich Gulda (born 1930) and the French cellist Pierre Fournier (1906-1986) does not resemble in any way the usual notions of what such a duo might be expected to look like. Furthermore the two musicians were separated by a generation. Any ambiguity in Gulda's remark about Fournier's effect on him is easily cleared up. As he said himself: "He was the more seasoned, and my superior. I owe him a great deal. I learnt a huge amount from him, musically, about taking things seriously, and he guided me, kindly but also very strenuously." Of no other musician does Gulda speak with so much respect, affection and warmth as Pierre Fournier (and his wife Lydia). At times, at least, the partnership must have had something of a father-son relationship. Gulda, who never loses a chance to cultivate his nonconformism, admits that the Fourniers were the first people to teach him some manners, such as pressing his tailcoat, not shooting his mouth, and shaving before going on the platform. "It's not unimportant for someone as young as that to discover that behaving barbarously is not the only way of getting on in life or on the stage, in other words that one should play with good manners, with refinement." Psychologists may care to ponder whether the range of things in which Fournier acted as mentor has anything to do with the fact that Gulda's father also played the cello, though as an amateur, and was the budding pianist's first duet partner. These recordings demonstrate with almost too much clarity one of the qualities of Fournier's style as cellist and as musician in general: discretion. Gulda, for his part, alleviates his disadvantage with an uncommonly lucid, analytically enlightened style of playing, without allowing the arcs of thematic tension to slacken. Unlikely as the partnership of Fournier and Gulda may have looked at first glance, therefore, it proved to be an early instance of that embrace of French clarté and German analytic probing which has characterized a whole series of performances in the last three decades.. *Click to activate the English subtitles for the presentation* (00:00-04:00) Beethoven - Complete Violin Sonatas / NEW MASTERING (Century’s rec.: Clara Haskil, Arthur Grumiaux): kzbin.info/www/bejne/bXrJYWqco5ujaLs Ludwig Van Beethoven PLAYLIST (reference recordings): kzbin.info/www/bejne/jYa8loypgbJ_q9U
@user-oh9gb1tb5g2 жыл бұрын
Jjjjhjj
@classicalmusicreference2 жыл бұрын
The really surprising thing about this chambermusic partnership, documented here in the form of their recordings of Beethoven's complete output for cello and piano, is that it ever existed at all. The duo formed by the Austrian pianist Friedrich Gulda (born 1930) and the French cellist Pierre Fournier (1906-1986) does not resemble in any way the usual notions of what such a duo might be expected to look like. Furthermore the two musicians were separated by a generation. Any ambiguity in Gulda's remark about Fournier's effect on him is easily cleared up. As he said himself: "He was the more seasoned, and my superior. I owe him a great deal. I learnt a huge amount from him, musically, about taking things seriously, and he guided me, kindly but also very strenuously." Of no other musician does Gulda speak with so much respect, affection and warmth as Pierre Fournier (and his wife Lydia). At times, at least, the partnership must have had something of a father-son relationship. Gulda, who never loses a chance to cultivate his nonconformism, admits that the Fourniers were the first people to teach him some manners, such as pressing his tailcoat, not shooting his mouth, and shaving before going on the platform. "It's not unimportant for someone as young as that to discover that behaving barbarously is not the only way of getting on in life or on the stage, in other words that one should play with good manners, with refinement." Psychologists may care to ponder whether the range of things in which Fournier acted as mentor has anything to do with the fact that Gulda's father also played the cello, though as an amateur, and was the budding pianist's first duet partner. These recordings demonstrate with almost too much clarity one of the qualities of Fournier's style as cellist and as musician in general: discretion. Gulda, for his part, alleviates his disadvantage with an uncommonly lucid, analytically enlightened style of playing, without allowing the arcs of thematic tension to slacken. Unlikely as the partnership of Fournier and Gulda may have looked at first glance, therefore, it proved to be an early instance of that embrace of French clarté and German analytic probing which has characterized a whole series of performances in the last three decades.. *Click to activate the English subtitles for the presentation* (00:00-04:00) 🔊 FOLLOW US on SPOTIFY (Profil: CMRR) : spoti.fi/3016eVr 🔊 Download CMRR's recordings in High fidelity audio (QOBUZ) : bit.ly/2M1Eop2 ❤️ If you like CM//RR content, please consider membership at our Patreon page. Thank you :) www.patreon.com/cmrr
@chalinolobusvespertilionid87002 жыл бұрын
Yes. As a parallel, there comes to my mind the prominence of the two French brothers Duport (Jean-P. & Jean-L.), at the time of the first of these works being conceived - potentially either having joined Beethoven in presenting the first performances of the two works of Op. 5 ...
@jeezee02102 жыл бұрын
This set is my favorite for cello-piano sonata. I have practically all versions (Fournier-Gulda, Yo-yo Ma-Ax, Casals-Serkin, Harrell-Ashkenazy, Rostropovich-Richter, Du pre-Barenboim, Maisky-Argerich, Perenyi-Schiff, Bylsma-Bilson, Bylsma-Immerseel, Wispelwey-Lazic, Wispelwey-Komen and Phillips-Francois Frederic Guy). Each has its own merit. But I always go back to the Fournier-Gulda recording.
@charliekim29392 жыл бұрын
Beethoven cello sonatas and Bach's Unacompanied cello suites (by Fournier, of course) are two of my most precious 'digital' possessions. Any analog recording could not have survived my repeated, quite frequent, playing of these two over sixty years. I have the same numbers played by several others, but none matches what Fournier provides to up or soothe my spirit when I am down. Thank you (and others) for sharing precious classical collections on the web. You collectively deserve a Nobel prize.
@terrenceburton79032 жыл бұрын
🌟😎🌟😎🌟😎🌟
@pobnoonmunch2255 Жыл бұрын
Yoyo Ma said much the same about Bach’s Cello suite based on feedback from his fans over his career. I am indebted to whoever posted this recording for introducing me to Fournier’s rendition. It’s my new favourite. That said, Rostropovich also doesn’t disappoint.
@orlandomendez27532 жыл бұрын
Spent this warm afternoon with someone who lived for his art, the art that bring us peace and hope
@hiramantoniocastrocarvajal32412 жыл бұрын
A piece of Heaven in my room... AMAZING.
@user-oj6ud5gr2i7 ай бұрын
الاشي اللي خلاني ادرس فيزيا وكيميا واحياء ورياضيات كلهم بيوم واحد بدون ملل بجد شكرا وطبعا مع كمية احساس مش طبيعي ✨✨
@hoihoover9292 жыл бұрын
Listening to this beautiful recording by the fireside on a cold snowy evening is all I wish for. Thank you for giving us the opportunity.
@canman50602 жыл бұрын
My Great Great Great Grand Teacher Ludwig Van Beethoven !
@stephenhunt87562 жыл бұрын
Classical Music/ /Reference Recording has done it again. This is absolutely fascinating. Compare this with the fine recording by Rostropovich - in the latter one gets a lot of Rostropovich and some Beethoven, whereas here one gets a lot of Beethoven and some Fournier. Thought-provoking playing and Gulda is really first rate. Many thanks for the upload.
@notaire22 жыл бұрын
Wunderschöne und detaillierte Interpretation dieser fein oder perfekt komponierten Sonaten und Variationen in verschiedenen Tempi mit tiefem doch gut phrasiertem Ton des unvergleichlichen Violoncellos und klarem doch zugleich anmutigem Klang des ebenso unvergleichlichen Klaviers. Die intime und perfekt entsprechende Dialog zwischen den beiden Virtuosen ist wahrlich ergreifend. Alles ist wunderbar!
@richardrickford302810 ай бұрын
The music and the performance are very very humbling.
@jonnsmusich2 жыл бұрын
This is bliss. I own this recording and have played it many, many times. And here I am checking the sound quality. Very good. This is bliss.
@HansDunkelberg12 жыл бұрын
Wonderful! It's unbelievable that such things exist - somewhere on our planet and yet, just around the corner, now even being reachable, simply, through a few clicks with the mouse.
@jean-christopheMiquel-ef3ur2 жыл бұрын
Unreachable in that too easy way...
@HansDunkelberg12 жыл бұрын
@@jean-christopheMiquel-ef3ur Good observation! The possibility alone won't suffice, especially if it is too simple to _be_ believed.
@galinakrivulin67672 жыл бұрын
Carried away by listening to these 2 Virtuosi playing Beethoven The Cello Sonatas and Variations. So breathtakingly lovely that quite literally hold me spellbound. Thank you for the notification.
@jayakumarkaarikuzhy47132 жыл бұрын
Oh, what a great music which great Beethoven must have created without any help from anyone and without having any facility for recording, reviewing ( hearing,I read somewhere that he was blind or deaf), improving, etc! I am always grateful to Beethoven for blossoming my mind irrespective of the circumstances. Absolute gratefulness from a beneficiary of Beethoven's benevolence through his enchanting music!
@NagarajanVasudevaRao612 жыл бұрын
Nice to see a review from another Indian. 😊
@jayakumarkaarikuzhy47132 жыл бұрын
@@NagarajanVasudevaRao61 Thanks.I worked in Hyderabad till this August, for almost seven years.
@josellorca47992 жыл бұрын
¿What is most beautiful? ¿The wonderful piano or The stunning cello? I dont know, but Beethoven must to hear them from the heavens. Thanks to this channel and, of course to KZbin♥️to brings us this immortal music.
@metteholm48332 ай бұрын
Beethoven had a very productive inner ear - as well as a top 10 intelligence!
@annemarietartas40732 жыл бұрын
Brillante interprétation, pleine de virtuosité et d'ingégnosité, de cette magnifique sonate .
@gerardbegni28062 жыл бұрын
J'ajouterais d'équilibre dans l(énonciation.
@user-wu1my4nk6g2 жыл бұрын
軽やかでみずみずしいく高雅。名盤のリマスタリングで音も綺麗になった。
@kimberlygause2 жыл бұрын
LOVE BEETHOVEN......;)
@user-fu6tt8qq4v2 жыл бұрын
아름다운 연주곡 잘 들었습니다~감사합니다~🎵🎻🎹🌿🍀☘🌹🌹☘🍀🌿❤❤수고 많으셨습니다~☕
@berlinzerberus2 жыл бұрын
FANTASTISCH
@user-pz7yv4ox5u Жыл бұрын
인생은 짧고 예술은 길다 귀한 음원에 깊은 감사드립니다
@jean-christopheMiquel-ef3ur2 жыл бұрын
Merci pour cette écoute. Incroyable et merveilleux Pierre Fournier. Mais la prise de son met le piano sensiblement au premier plan et crée un certain déséquilibre.
@martinweiss30542 жыл бұрын
I disagree- just got here from another rendition where the cello was way too loud!
@teresadasilva44502 жыл бұрын
Extraordinary precious recording of Beethoven's sublime work! How grateful I am to you for this unique uploading!
@user-wp6zz8oq3d3 ай бұрын
Great performance, one of my two favourites, the other one is Rostropovich richter, the sound quality of the remaster is first rate
@mehmetiksel30812 жыл бұрын
Wittgenstein, the philosopher, whose brother was a great pianist, (Ravel wrote the concerto for the left hand for him after he lost the right one in the war) says that Beethoven and Schubert were the last composers never to have heard the sound of machinery. I think this is important in appreciating their music. Wittgenstein even detects machinery in Brahms... Probably true.
@phonixausderasche5382 жыл бұрын
Danke, das hat großen Spass gemacht … 😉
@nicolasliranzo5092 жыл бұрын
Buenas! Una auténtica JOYA MUSICAL CLÁSICA. Gracias
@steveegallo3384 Жыл бұрын
@nicolasliranzo509 -- BRAVI ad ENTRAMBI.....desde Acapulco!
@lars-erikfjellstedt2 жыл бұрын
This is a must!
@Indo4911 ай бұрын
From Wikipedia: Pierre Léon Marie Fournier (24 June 1906 - 8 January 1986) was a French cellist. born in Paris, the son of a French Army general. His mother taught him to play the piano, but he had a mild case of polio as a child and lost dexterity in his feet and legs. Having difficulties with the piano pedals, he turned to the cello. From Wikipedia: Friedrich Gulda (16 May 1930 - 27 January 2000) was an Austrian pianist and composer who worked in both the classical and jazz fields. Born in Vienna the son of a teacher, Gulda began learning to play the piano at age 7 with Felix Pazofsky at the Wiener Volkskonservatorium. In 1942, he entered the Vienna Music Academy, where he studied piano and musical theory under Bruno Seidlhofer and Joseph Marx.
@danglybit19 ай бұрын
Ahh Wonderful stuff!..I just love living in our occidental world filled with music, art and philosophy!
@luismg213029 күн бұрын
Totally agree. As much as western civilization is maligned these days, many of the highlights of humanity belong here.
@dejanstevanic54082 жыл бұрын
Bravo, bravo, bravo...
@roxanavasilakis94352 жыл бұрын
thank you so very much.
@stephanebelizaire36272 жыл бұрын
BRAVO !
@maherelachkar44702 жыл бұрын
thank you
@Rfilaccio2 жыл бұрын
Excellent!
@huuducpham722 Жыл бұрын
I am so happy when listening the music.
@meralguzey..ph.d5382 жыл бұрын
Really nice!
@MrSEMYRAN2 жыл бұрын
Thank you SIR!!
@CaroleHoldem-lh4np Жыл бұрын
I didn't know that l liked The Cello but l have enjoyed this recording playing Beethoven ❤
@disneybudgetinn37522 жыл бұрын
The cello is not my instrument but this is a wonderful listening recital. This team blends together well.
@cristiangonzalezsafstrand64422 жыл бұрын
Un gran maestro
@marioescudero71032 жыл бұрын
Gracias
@Cor61962 жыл бұрын
The Universe composed these masterpieces at the beginning of time and Beethoven's genius snatched them out of the infinite and noted them down for us to gasp at. The 3rd seems especially inevitable. The sound here is so crisp, the performance perfect. Thank you!
@Sams.Videos2 жыл бұрын
"The Universe composed these masterpieces" No, Beethoven did. He achieved his work by using his talent and working laboriously. You sound like he just effortless picked some fruits hanging of a tree. This is insulting to the creative genius of mankind.
@HansDunkelberg12 жыл бұрын
@@Sams.Videos Why? Just identify Beethoven, as a representative of mankind and its creative genius, with the universe!
@jayakumarkaarikuzhy47132 жыл бұрын
@@HansDunkelberg1 Beethoven created his music from nothing, without any special help from the universe ( aside from the help common to all humans) otherwise we all could have composed music of the quality as composed by Beethoven.When you say that the universe composed the music of Beethoven you are slighting his creativity - beyond compare, considering the disadvantages he had.
@HansDunkelberg12 жыл бұрын
@@jayakumarkaarikuzhy4713 Wow, you seem to adore him quite much. Great idea!
@lindasegerious92482 жыл бұрын
The Universe committed the Cambodian g*n*c*de at the beginning of time and Pol-Pot's evil just snatched it out of the infinity and put it in practice for us to be horrified at. Same statement, basically.
@gerardbegni28062 жыл бұрын
Fournier has a personal but quite classical vision of these duo sonatas - the first important in the music story (forgetting the baroque sonatas for cello). Hear for instance his previous vision with Kempff. On the opposite, Gulda has a rather specific vision of his own. It i amazing to hear haw they find a revisited equilibrium, perfectly clear and convincing, . making a perfect synergy between these two visions. It is what this music asked for, form th 'fisst' (op. 5) to the last (op. 102) periods, ot forgetting the so outstanding 'second style' op. 69. Richter/Rostropovich is quite another story.. There is stylistic choice to be made. It is mainy YOUR sensitivity matter. Don't get any without having heard the two ones !!!!!
@fingling8 Жыл бұрын
Can you explain for a classical amateur, "the first important in the music story"?
@eliekerrigan3881 Жыл бұрын
Just listen, intently, at the few opening bars (at least till minute 3:13), and you'll be hooked for the next two hours and, possibly, for an entire lifetime.
@virginiatommasone6070 Жыл бұрын
eccezionale, sublime
@victoremeih11 ай бұрын
Sublime sound, is a language, but is art too
@yayitadelsur2 жыл бұрын
Una maravilla!
@erikabach67682 жыл бұрын
Ergreifend himmlisch ĺ
@saltburner22 жыл бұрын
I had rather dismissed the Beethoven cello sonatas (greatly preferring the two by Brahms) until I heard this recording, where they are revealed as true masterpieces.
@paulfilla100811 ай бұрын
Brahms piano quintet and Beethoven's 1st cello sonata were the pieces that made me love and begin to explore classical music.
@fieldHunter616 ай бұрын
Beethoven just hits home off the bat. I know many prefer Brahms but I am much more selective on his works and don't find his cello as compelling as Beethoven's.
@luismg213029 күн бұрын
@@fieldHunter61 Brahms clarinet quintet is really IMHO if you want to lend your ear.
@fieldHunter6127 күн бұрын
@@luismg2130 maybe, Brahms has grown on me more including his cello sonatas. I think Brahms requires many listens to connect the complex emotions and start to unravel the compositions which often feel restless and difficult to grasp at first.
@luismg213027 күн бұрын
@@fieldHunter61 Yeah, I guess I'm attuned to what Brahms' music conveys and it's not a challenge for me. To each their own. I don't get Mozart for example, so you might think I'm crazy. There are some of his compositions I love, but most of them bore me.
@user-td8xo8ur7e11 ай бұрын
I think... This is a performance that Beethoven would have been most satisfied with.
@chsc41342 жыл бұрын
Gostei.
@renepallalever3657 Жыл бұрын
Gran concierto rene pallalever
@douglasdickerson51842 жыл бұрын
👏🏻
@rickartdefoix12982 жыл бұрын
I love this team performance and I like the 4th and fifth Beethoven Cello Sonatas the most. But am closer to what Gulda's pupil, Martha Argerich recorded with Misha Maisky. For me it is perhaps the better rendition of these Beethoven works. Maybe this is so because Argerich is the first account I heard of these Sonatas. But of course, what Gulda and Fournier recorded together is impressively good, having the production a very good quality. I would recommend both accounts equally. Maybe the Fournier outlook is a more distant approach than that of Maisky, which always sounded sweeter or more romantic to me. They really compete one with the other and it depends on which are your likings in Classical music. 🎵🎶💎🤗❤️👍
@jeezee02102 жыл бұрын
I find Maisky's playing too saccharine.
@rickartdefoix12982 жыл бұрын
@@jeezee0210 Yes. I agree. Maisky is a bit candy sweet in his playing here. Never mind, the result is very good.
@voduytruong68 Жыл бұрын
❤
@jeffjefferson-re4pe Жыл бұрын
This Divine music sends golems scurrying back to their hidey holes.
@robkingcomposer2 жыл бұрын
Michael Caine can play the cello. Not many people know that.
@puroscorridosviejitos222 жыл бұрын
🙏🏽🧡 .I am praying for everyone who needs a Miracle. Only God can do the impossible, He can make a way when there seems to be no way. Today I pray God touches your health, your home, your family, your faith, and your finances. God bless you Amen!
@brunoperezortega19618 ай бұрын
16:32 26:45 pareciso razonable con
@voduytruong68 Жыл бұрын
👍
@melvinch2 жыл бұрын
Didn't know Emperor Palpatine play the cello....
@ericcheng31432 жыл бұрын
I believe you can transform these sonatas to piano concertos. Just keep the pianos script and have to work hard using cellos script to change it to orchestra. Demands a lot of work and talent but 70% of the works is already done.
@huyhoang82652 жыл бұрын
chào buổi sáng tốt đẹp
@victorsantiago8864 ай бұрын
Do
@jean-lucpernel22022 жыл бұрын
la version avec wilhelm kempff est superieure a mon avis (j'ai les 2 versions)
@user-rg5mi4nf9p2 жыл бұрын
썸네일이 무슨 우병우같이 나왔네;;;
@kimberlygause2 жыл бұрын
LETS GO BRANDON;) DOWN WITH TYRANNY!!!!!!!VIVA LA HUMANITY!!!!!!!!!!!!!!!!