Rehearsal - Plisetskaya and Gillot 2(2)

[@rlatimer10]

What a master lesson in understanding that what the character is thinking is critical in classical ballet. Marvelous Maya ❤️

[@theogoldberg8919]

Well... exactly!!!!

[@annelhelgouach894]

Quelle chance et quel honneur de travailler avec une telle star ! Diva Plissetskaia...qui a garde sa classe et sa grace jusqu'au bout des doigts

[@marktwain380]

The expression, the intention and drama, stunning guidance!!!

[@ahones2255]

Maravillosa Maya, es impresionante cómo llenaba de contenido sus personajes. ¡Qué inmensa artista!

[@Royalbrettania]

absolutely astounding ....even at her age with only arms Maya is still Prima Ballerina Assoluta !! she does more with just her arms than any ballerina today with there hyper vulgar extensions !!! wow just wow this video is a gem

[@roberttang6975]

Really Prima Ballerina Maya Plisetsukaya is one of the best ballerina around world ballet history .

[@СветланаВоробьева-ф2у]

Спасибо , Майя , светлая память вам .....

[@j.vonhettlingen7112]

Marie-Agnes was lucky to be trained by the greatest ballerina of the 20th century.

[@GarfieldiPrince]

The episode that Plisetskaya showed Gillot the performance of Odile is exciting.I can't help thinking of her monumental Odile.

[@pointemeout]

i don't understand one word. but i do understand dance. this is incredible.

[@reanimato1]

i love them both)) i like how Maya is a little bit crazy in this one. true artist)))

[@swanningaround]

She's still got it, hasn't she? The greatest ballerina ever, to my mind. She is the Beethoven of ballet. Great video!

[@МинаМамедова-х9ч]

Сколько граций,женственности. Браво.Великая балерина Мая Плисецкая

[@Scandilady]

Mon Dieu, que ca ce'st tres bon. Spasiba Maya.

[@PalacinkyPDX]

The profound difference between genius and someone who's a very good dancer. There was only one Maya and there will never be another, no matter how high their extensions are.

[@francescaborrelli5265]

This content is stunning, thank you! Maya is so full of life, much more than Marie-Agnes. Her facial expressions are wonderful and communicative, while Marie is only trying to recreate the arms movements... so sad. I think Marie’s problem is in her hands. The hands are very big, but she also uses them “wrong”, moving the wrist way too much.... I remember one lesson I saw here on KZbin of Alina Somova being coached on Odette variation, and the teacher spent a very long time on the wrist movement... by the way thank you for sharing

[@atsugadri]

I agree with the arms... Way beyond proportion. But I can't think of anyway other way to utilize them aesthetically. I've noticed many of the principals and etoiles of Gillets era have similar body types: long broad shoulders, long arms (big wrists).

[@Rozochka77777]

She is too young. Now she is a Master herself 😄

[@sanfordpress8943]

peu importe. elle a été 5 ans comme première ballerine à Paris. C'est une éducatrice, une activiste et une bonne artiste à tous points de vue. Viva Gillot.

[@sanfordpress8943]

2 different personalities 2 different styles Blah blah blah

[@helenemich]

That's very interesting. Marie-Agnes is wonderful !!

[@bellar8381]

Gillot’s wrists are too flappy. Maya’s dancing and spirit are absolutely captivating. She’s a natural, a true artist. A rarity these days

[@Sekret_BOLSHOY]

Великая балерина Мая - красавица браво ей за красоту и гармонию на сцене! русские учат весь мир прекрасному!

[@edfilchev5202]

Только в России Майе Михайловне постоянно напоминали, что она еврейка 🤦‍♂️

[@ИринаАфанасьева-р7в]

Браво

[@GenevaMay]

Thank you so much for sharing :)

[@bobloblaw9679]

when maya's face transformed into odile :o

[@how2today]

Hahaha! On 4:13 Maya is saying " prince is coming" not "prince is idiot" :-)

[@oleg9695]

Она сказала это по - русски

[@irinashvetsova5946]

Feel the difference and enjoy the real Genius 👏

[@OlgaLozovska]

4:13 Not "Prince idiot!" She says "Идёт принц!" - it means "Prince is comming"

[@maryblu88]

*amazing

[@Елена-ы8т5э]

Вот как учили не тупо танцувати, а именно что играть и проживать образ на основе абсолютного владения хориографией такто, и вот оно, гениальное...

[@zadighamroune]

Marie-Agnès is not really dancing here, she is listening carefully., humbly. Just look at her on stage! She is a gem.

[@vanimea]

Err, I hate to be mean, but I've heard more wrong notes than right ones.

[@ladykate63]

Very interesting! thanks for sharing this. Any idea when this was made?

[@theogoldberg8919]

2001 I believe

[@milagamzat3651]

Господи,какая изящная Майя и какая громоздкая балерина)

[@-511]

Громоздкая балерина имеет рост 175 см )))) Плисецкую всегда считали высокой балериной, но все познается в сравнении ))

[@ИринаФранц-ф4э]

Да нет балерина только одна , Майя !

[@milagamzat3651]

@@ИринаФранц-ф4э Точно!!!)))

[@angelaceamian4146]

Интесно какой партнер у нее?

[@angelaceamian4146]

Интесно какой партнер у нее?

[@violetta47]

fantastic ..Maya is better !!!!!!!

[@maryblu88]

"AN IDIOT" is the translator&subtitle maker of this video. Maya is actually saying "IDYOT" which means "HE WALKS". This is an amassing documentation of 2 ballerinas from two époques 1. Is a dancing actress a true artist- Maya. 2. A gymnast pretending to do art.

[@mirtnapark6049]

Subtitles say "Odile reveals her feelings (pause) - idiot prince (pause) and mother" or "....prince walks (pause) and his mother" Only one of these sounds right to me - particularly given the context and her expression.

[@reanimato1]

haha!))) i noticed that, too. and was about commenting on it)))

[@Pecanut]

У Майи Михайловны намного больше энергии и чувств чем у этой молодой балерины.

[@zadighamroune]

Jugement hâtif ! C’est une répétition. Marie-Agnès Gillot est jeune, attentive, elle ne danse pas vraiment ici.

[@mariasoraya]

il y a means there is. Elle est means she is.

[@hblsj84denyf]

so tall.......

[@MrQbenDanny]

One is RUSSIAN the other isn't. The cultural heritage of RUSSIAN BALLET and French are vastly different. The French ballerina never once captured the life of the diabolical ODILE La PLISETSKAYA is showing.

[@MultiMatrosik]

It is clear that this tall and ungainly ballerina in a black tutu has a technique, but there is no soul of the image...Plisetskaya, as always, is the goddess of ballet.

[@tanyakanareykina7611]

PRINCE IDIOT! ПРИНЦ- не ИДИОТ, а ОН ИДЁТ!

[@alexpankratov1837]

Аккомпаниатор - ужас ужасный! Такое впечатление, что она впервые селя за рояль. И бедная балерина.....бедная....

[@gennegaugm8090]

Французский - язык балета. Несколько сотен слов нельзя было освоить за жизнь?

[@oleg9695]

Так водянова тоже ни бе, ни ме по-французскому языку, а в Париже живёт 10 лет

[@jannarumeantseva7198]

Русский - душа балета. "Несколько сотен слов нельзя было освоить за жизнь?" Это алаверды на Ваш коммент )) Кстати, достаточное кол-во фр.слов они каждый день используют

[@CordsZ]

Maya did say "idiot prince"...she was translating the emtions Marie-Agnes was supposed to be conveying as Odile (who thinks everyone is an idiot, because she's a b*tch). You're thinking of "il y a" which means "it is", as we see in Maya's sentence later on ("il n'y a pas Odette"..."it is not Odette")

[@kino2229]

CordsZ I am Russian. It is just a wrong translation. Plissetskaya sais "Принц идёт " which means "The prince is coming".

[@susieq7245]

Какая отвратительная каланча! Лошадь с деревянной спиной и 43-м размером копыт! А Божественная Майя Михайловна - богиня! прекрасна и неподражаема!

[@gGg-qz9ew]

Ужас, какие жуткие комментарии

[@НатальяХ-р5з]

А сейчас именно такие и танцуют. В танце ничего не понимают и не чувствуют его.

[@НатальяХ-р5з]

Всем современным балеринам надо служить в армии. Посмотрите, какой у нее рост. Какая это Одетта? Это унисекс.

[@gGg-qz9ew]

@@НатальяХ-р5з сами вы ничего не понимаете!

[@НатальяХ-р5з]

Я понимаю и вижу.