Renata Tebaldi, Assedio di Corinto, L'ora fatal s'appressa...Giusto ciel (Napoli, live, 1952)

Renata Tebaldi, Assedio di Corinto, L'ora fatal s'appressa...Giusto ciel (Napoli, live, 1952)

[@stefanodepeppo]

Molto bello!

[@luigipirsavele9373]

Grande immensa Tebaldi. Una interpretazione che ha dell'incredibile. Recitativo andanti adagi mezze voci filati canto a fior di labbra. C'è tutto ma proprio tutto per definirla una vocalista perfetta. Se poi aggiungiamo la bellezza paradisiaca della sua voce questa interpretazione rimarrà sempre sempre nella storia del canto.

[@davideferrari5702]

Questo pezzo sembra scritto per la sua voce .... interpretazione magistrale...

[@e.g.8454]

Renata la Regina del Met, parole di Rudolf Bing.

[@omaramerio454]

La más , o una de las grandes voces líricas del s.XX. escucharla, estremece los sentidos. Gracias Renata por su arte inolvidable !

[@jeaninemahieu5164]

Merveilleuse Renata Tebaldi !!! Immense artiste, sa voix de velours est unique et inégalable !!! C'est la plus grande soprano lyrico-spinto du siècle.

[@kbhprinsesse]

Does anyone know where to find the complete performance?

[@familypondman]

How is it possible that she sang so perfect then and later so much less, it seems she knows what she is doing here, brava!!!!!!!!

[@josephcollins6033]

Finally, somebody else says it! I've tried to figure her out for 30 years. I always heard something which made me try again. And, yet, clearly, for me, most of the time it sounds as if she really did not know how to sing; as if she had this INCREDIBLE instrument and no technique upon which she could rely in "bad weather". I have listened and listened and listened. I know vocal technique and science. I can prove that I do. Her breath management is horrible, sort of spur of the moment, whatever happens, and I suspect she is going the dreadful "vaginal" breathing!!! Bahahahahahaa! What were they thinking? One can actually see that in her stance. Although, I treasure that she stood and sang! None of the insanity of today. She SANG! There is usually great tension in her upper body, a squeezing. Now, when she studied teachers were still doing the "my method" stuff; they didn't know a hell of a lot themselves. The science which made voices more reliable came in the late 50s and 60s. I have literally thrown things across a room BECAUSE I LOVE HER SOUND, and yet PITCH! OMG! The squawks! Yet, such glorious phrasing you never hear today. Yes, this may be the best I have heard her, but the range here is not terribly demanding; it seems to suit her. How anyone could hear Tebaldi use that stunning sound and still like CALLAS I will never understand. You probably love Callas. I'm not sure she even had a voice lesson!!! But, I do love Tebaldi. I would love to have had some hours with her in the studio. I realize how this sounds, but at my age I don't care. :))

[@lucianmarina8691]

@@josephcollins6033 what a true statement. i fully agree