I Stole These Chords (and you should too)

Download the Chord Diagram Here
flatfiv.co/pdf-5-chords-i-stole
Musicians steal ideas from each other all the time, here are 5 chords I stole from my favorite guitar players.
Tom Bukovac's KZbin Channel
/ 501chorusecho
Mark Lettieri's Video Course
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[@oig40203]

"You steal from one guy, you're a thief. You steal from everyone, it's research!" -Tony Bennett

[@willieboy8798]

if you steal from everybody and give it to one guy, your Robin Hood!

[@rexwhitney6254]

What an Italian!

[@CM-du9ne]

Rhett...I am a late beginner/early Intermediate player and am getting into the music theory and chord construction stuff and this was a great lesson. You have a good knack for explaining so keep these coming. Maybe your next course should be aimed at the Intermediate players out there with applied music theory concepts from the gigging musician's point of view - looking at chord voicings/inversions, rhythm concepts, etc...from the perspective of what sits nicely in the mix when in the studio recording context vs. playing live vs. playing alone at home. All I know is you have a talent for explaining concepts in an accessible way so just a thought for you to consider now that you have gone down the tuition course path with your Tone course. Thanks for this video.

[@moatiliata]

"A good composer doesn't imitate, he steals" (Stravinsky), the guy knew a thing or two about music.

[@JonNewquist]

Totally. All the classical composers stole from their predecessors - there was no concept of intellectual property rights in composition.

[@BenMarvin]

Reminds me of that story of how when Mozart was 14, he transcribed that hymn that was forbidden from being played outside the church for like a hundred years.

[@darinstrauss]

nice, but the quote is actually from Picasso, and he said "artist," not composer.

[@Syncop8rNZ]

@@darinstrauss Perhaps Stravinsky stole the quote from Picasso? ;-)

[@samlee2562]

I'm pretty sure it was Banksy who originally said that 🤖

[@MB-en3do]

Thanks for posting this video. I am always happy to find new and fresh chords. They offer new ideas for progressions, add colour and, especially with the Tom Bukovac chord shape, put your left hand in a different position opening up a different part of the fretboard. Great stuff as always!

[@Stephen_Lafferty]

The B chord that you show I learned when I applied the CAGED System - it is the G Shape moved up a Major Third.

[@darinstrauss]

Rhett -- this is generous in every way. Not just the free download --though of course, that was generous. But also sharing this knowledge, even the stuff you say you're embarrassed that you didn't figure out on your own, Humble, generous, you name it. Very admirable. Thank you

[@Eagleburger90]

I keep seeing your vids in my feed. I didn’t watch many as my level of playing would not not benefit from gear as much as practicing. But this video and something you said in another instructional vid has really gelled and helped me along the path to becoming an artist. Thank you and I look forward to more videos from you.

[@44CoReY44]

Another trick I figured out for the second "Hendrix" chord is to play the fifth string and mute the fourth of the power chord, vice versa to what you were doing. Adds another layer if and when you want to mix it up ;)

[@guitar8617]

Knew how to do a lot of the chord shapes while I was learning jazz guitar in a college. Spent a year learning just learning triads up and down the neck and that helped so much seeing chord relationships. Get a lot of chord influences from guys like Grant Green, Wes Montgomery, a Kenny Burrell. Also The Beatles got me into playing guitar and I love the texture of the chords they used in their songs.

[@michaelgreer4790]

First became obsessed with chords through Rush. How did Alex sound so huge, all on his own. Still default to some of his big suspended chords to fill all the space. A beautiful noise.

[@deepspacetheater]

I think the use of chords is Alex's forte. I'm not particularly a Rush fan, but if I like something of theirs, it's generally because of those chords.

[@michaelgreer4790]

@@deepspacetheater Exactly. For all his skill as a lead player, he really shines when he lets those chords ring out while the other two take centre stage in the song. Gives the melody a chance to breathe.

[@cornstar1253]

All Geddys pedals

[@aaronjanusch6090]

Alex has been my favorite since 1980. I was 8 years old listening to my brother's Permanent Waves album. I was hooked instantly.

[@skelekiankurata713]

Never stop showing yourself ending the take you've made! I love it! It adds a bit of flavor and character to the video :)

[@rhubarbranch807]

I knew about these already, but never in context. Thanks for the clarification, and look forward to you creating videos like this in the future.

[@JJPsyc]

This is my favorite video of yours, Rhett. Very practical and interesting chords!

[@OsbornIOW]

I'm a learner. (40 years learning Lol) I love You Tube. Rhett Is the perfect reason why. Teaching me stuff I have never heard of. Thank you

[@crispybacon501]

We're not stealing just borrowing, we'll give them back at some point. The Hendrix chord was also used for Castles Made of Sand. Great video I'm always on the hunt for new chord ideas.

[@alexknickrehm8385]

i really appreciate you talking about "stealing" from other artist. music is a communal activity, sharing is the best part.

[@lucaivanradaelli1701]

You're great man. Thanks. I'd like to add that: The first chord can also somehow be related to Jimi even if he's using it mostly without the root as first inversion. It actually comes from the basic G shape moved up the neck with the necessary barre and allows many cool embellishments and colours thanks to that. I've noticed the form with the root you kindly reveal in Johnny Hiland's playing so thanks, now it makes all sense! Nashville rules! The Allan/Rick shape it's basically a C Maj7 voicing, it is widely used in Jazz and Bossa Nova. Like you say, the beauty comes from having a short interval between Maj7 and octave/root in the middle with the 3rd in the bass and the 5th on top. This voicing technique of putting the notes in order to create short intervals in the middle is amazing. On the bass and on the lead it doesn't sound so well but in the middle it's magic! Of course you widened the possibilities by introducing empty string roots making it for instance a great A minor voicing! Also the Mike Lettieri can be related to some Bossa Nova movements and shapes and the concept of voicings that create that short interval in the middle notes. I encourage everyone to explore Bossa Nova if you are in love with chords with beautiful voicings like the ones revealed in this awesome video. As for the John Mayer those are empty strings voicings that can be found basically experimenting with moving the known shapes or part of them along the neck. It is actually common to find them during the beginner /intermediate level as we tend to experiment more when we don't have the squaring that studying more often leads to. Just play around with your acoustic (somehow the acoustic encourages this process thanks to the wonderful tone but of course it can be made on any guitar.) Never lose the spontaneity and curiosity that we have as beginners and we'll always find even by accident some great sounds. I'm learning a lot from your channel, you're awesome! Thank you very much brother, all the best! Peace and Love to you and all

[@RC32Smiths01]

Music is all about taking and capitalizing on what you've seen and heard, and that includes Chords! An awesome video as always!

[@maniacalion6170]

This is one of my favorite videos I’ve seen in a LOONG time!! I basically play less by picking chords apart, and this are awesome ways to develop new ideas!!

[@ih1440]

I absolutely love the chord you got from Rick Beato. When I was in jazz band in high school, there were two songs that really resonated with me: A Hymn for Her and Widows Walk. That chord is the chord that Widow's Walk is based on. Absolutely love it. I played trombone in that band, and while I understood the basics of cords from piano lessons many years earlier and from each trombone playing a different line, I never got experience playing more than one note at a time - I was part of chord, but didn't know which part of that chord my note was. I picked back up playing guitar about a year ago, after about an 8 year hiatus. I had been a master of power chords, but that was about it. Now, having videos like yours to watch, I am picking up so much more, and playing the guitar is so much more fulfilling. I am lucky to have found gear that keeps on inspiring me to play as well. I was told very often way back then that I didn't play things "the way" they were supposed to be - but watching your videos just reinforces me that "the way" is only "a way" and that there are so many things to learn and ways to do things that you can learn from others that aren't "the way" - and it is absolutely wonderful.

[@The802Rider]

Thanks for the free PDF! always good to learn new stuff.

[@aduayer]

Amazing. Loved the ideas / suggestions. All acquired and looking forward to put them in use

[@chrisr530]

Great lesson Rhett - more of this on the Channel please.

[@paulmaycock8759]

Great course !! Can’t open the link for the PDF 🤛🤙🏿👌 Thankyou ! Your a brilliant teacher player 👌

[@petebrown3715]

Thanks for the post Rhett! Great content. I have heard these chord voicings in some form or another over the years of listening to smooth jazz, r&b, rock and yes even in metal to an extent. Looks like I need to learn some new chords. Thanks for letting me steal these sir!

[@timothyarmesy990]

Evening, Rhett, great vlog, always learning. Did the download so I can noodle! Thx!!!! Tim A

[@earlheggelund]

Great video! Thanks 😊 would like to see you break down some "Little wing" style fills over different chord progressions as well with some of your tips and tricks 😊 Oh, and your Serus J sounds great!

[@lanwan]

Interesting video, very thought provoking. Making the music sheet available makes this really interactive and engaging to increase my guitar learning. 👍

[@sirmadrigal6427]

As Andrew Peterson said in his book ‘Adorning the Dark,’ “Steal boldly, my friend” Honestly though that book is a great book about creating art. You should read it Rhett!

[@bbwohlers]

Sir Madrigal andew Peterson ftw!

[@JoeMama410]

I'm reading that book right now! It's a great encouragement to me.

[@TLMuse]

Big fan of his music here! -Tom

[@timjoseph887]

Too much “God” stuff in that book

[@maxonmendel5757]

@@timjoseph887 booo music is all about God. art is an expression of the divine

[@-JohnGalt-]

Great video Rhett. I find that experimenting with new chord voicings can be just the thing to get you out of that rut that every guitar player is familiar with. New voicings bring new sounds and possibilities to the table, very inspiring stuff. Thanks so much for sharing!

[@rinoc1577]

Thanks for sharing your thoughts! Awesome video!

[@jonathankessler4684]

I heard this at a clinic once: “good players come up with their own ideas, great players steal from others”. Love the vid!!

[@clumhain]

really enjoyed that and learned some great chords, cheers Rhett!!!

[@krakou9]

Incredible video. I've seen the chords played by Tom Bukovac and Mark Lettieri before your video, but you give great ways to use them. You're a perfect teacher :)

[@neildavidvandenbergh5422]

Love it! . . . Rhett, yours has become one of, if not my favorite, Channels out there! Nice job, man! 👍

[@peterschmidt2727]

I have been going through the same video couse with Mark Lettieri as you have Rhett and i absolutely love it. It's totally worth your time

[@quadrogong1111]

At 53 I thought I knew all the cool inversions for basic chords (like major, 7th, maj 7, min7.. ) and then u go and show me something so simple and obvious like this. It’s absolute awesomeness. Thanks.. I’ll fool around w this all week,

[@JeffCloutier]

Very useful information. Love your videos. I especially like this kinda thing!

[@Syncop8rNZ]

Good video and I would like to see more like it. I like it when you refer to each note by it's relation to the root (eg major third, fifth etc) rather than it's name (Db, E etc), much more useful when moving shapes around the fretboard.

[@koho]

Rhett - just a note to mention how useful these videos are to me. Not sure why, but your content has strong overlap with my interests. Just random examples: Mark Lettieri, these cool chords, the choice of equipment to review, all the music/life lessons, and not least, I found Tom Bukovac through you. And the videos are very well produced, and your communication is clear and fun. Definitely a portal I'll keep watching. Thank you!

[@HendryHZ]

sit down with a “so”, the 1st second of every video. Great time with your lessons. Love it.

[@michaelwade9455]

This simple things you unearth throughout the years of your musical journey is why to you set out in the first place. I stopped playing for nearly a decade and picking it up again years later; amazing the things I discovered after putting it down for so long. Great video Rhett! Oh, and "Reaching for the Uncommon Chord" a MUST HAVE!! Holdsworth = genius!

[@austinrx2014]

I knew the last one but never realized you could slide it to minor! More of these please and thank you!

[@jonathanrossmusic2509]

Zappa used those suspended two chords as well. Used them quite a bit. I made a video about it. And I’m also working on a follow up video to that as well. Great stuff as always Rhett, thank you for sharing with us!

[@howlin6521]

Rhett, Here's an Em+9 voicing that I stumbled upon years ago which is a fun chord to end a song on [played low to high]: 0 10 9 11 8 0 It's that minor 2nd that you mentioned that gives a nice spicy flavor. Also, what's cool is when you move your hand down a whole step it becomes an Fmaj7/E another delicious ending chord. Cheers!

[@davedougherty3269]

I loved this video and definitely learned some new voicings. Looking back to when I first started to learn to play guitar (about 50 years ago now!) I was taught how to play a variety of chords. But what I took from that at the time was that that was “THE WAY” to play those chords, not “A WAY”. It took me years (actually decades) to break out of that way of thinking and explore alternate voicings. And I’m still learning.

[@randygomez9595]

Great chord ideas Rhett, thanks for sharing! I learned all of these voicing in college when I had to learn the CAGED system and "16 inversions" system. Anyone not familiar with either of these systems should go look them up, they're great for learning chords across the fretboard.

[@robjohnston7464]

never thought about moving the root note of a chord up a string and 5 frets over. Opens a lot of possibilities. Thx!

[@chrisnagy1429]

Thanks for the great lesson. Exactly what I was looking for. I need to learn more chords and more about them. Can you recommend a course or some videos that deal with different chords and voicings? I know the basics and that's all. Thanks again.

[@eduardoimbue]

Tremendous tone and great material. Thanks Rhett!

[@jacobbentley2562]

That Tom Bukovac chord trick blew my mind... I'd been doing a first inversion for A-string root chords to make them fit into the pentatonic scale shapes more easily but that just makes them sound so much more full

[@bawseeeee602]

I have to be honest, this was much better than I thought it would be ! Many chord videos on KZbin which mostly share the same usual chords

[@heinrichsmit2]

On the major chord tip - I've been doing this sometimes when I just needed to be in that hand position, but I realise now that it's actually very comfortable ! Nice one man!

[@ripplebear]

It's not crazy.. not knowing some of these things. I know we all forget things as well, but I love learning liberating tricks like these. Thanks man! I like learning from John Frusciante. Not necessarily trying to mimic his sound, it's great and one of my favorites, but his philosophy on music is pretty sweet. The inspiration, how he steals from other people, how he challenges himself to play fewer notes, to make something bigger or more interesting. It's definitely fun to try and sound like him too though. Just like funk music, you can't really fake it to people that are true with funk. That's where the truth is!

[@matthewnordling1539]

Rhett- more of this type of content. Very cool. Thank you!

[@Diegorfelix]

I love doing this first chord shape. All the time! It fits better into the mix, and helps with positioning for other chords.

[@santospuertas8205]

Thanks man! Had fun watching and learning, I'll steal your idea and I'll make a video of chords I stole :-)

[@HPPrintervx4p5q]

"Musicians steal things. We steal ideas, we steal phrases, we steal money." -Rhett J. Shull 21/05/20

[@oldtimetinfoilhatwearer]

Ha ha. More like the record labels steal the money.

[@rogerjodoin505]

The Holdsworth chord is a Cmaj7 drop 2 voicing, 1st inversion, if only the top 4 strings are played. My fingers no like this one!!

[@kristianwichmann9996]

It takes a while for that one to sink in :D But working out drop 2 voicings can be really useful.

[@ransombaggins9301]

I’ve been working on a chord progression from a favorite 80’s song for the last few days. Last night I mixed up the chords and it sounded interesting. That them inspired me to reorder them and add a different chorus progression. Now I’m writing it...thanks to that old 80’s song. Yay!

[@tmo7734]

Very nice video. Thanks Rhett.

[@cornstar1253]

I stumbled on these while recording guitars. some different positions of the same chords have sound better. For me it was tuning issues. Another thing I'll do is use open tunings on the top strings because the bar chords for rock sound heavier and easier to keep the pitch perfect. Ie. 1 finger layer down over the 6th and 5th strings, rather than two fingers. It just sounds better when tracking Open E is left as E. Open A is tuned up to B. Now you have your 1 finger rock chord

[@justinguitarcia]

Tom is incredible. He approaches guitar like a piano which has been becoming increasingly helpful for me, provokes a lot more musical choices

[@markhill5786]

“The only art I’ll ever study is stuff that I can steal from.” David Bowie Great video as always Rhett. Would love a behind the scenes style video of how you make, edit and record your videos. Very interested to know what microphone you use to record your dialogue.

[@adehorton7287]

Yes!! You’ve opened another door for me!! Thanks Rhett!! 🤘🏻🤘🏻🤘🏻

[@gabrieltedone9529]

I stole the maj7 voicing from SRV in Riviera Paradise, sounds so nice and you can do plenty of stuff with it.

[@BrianOboylemusic]

VERY useful… thanks so much I’ll watch this over and over

[@ProffessorMusic]

Super practical voicings to know! I stumbled across them too in fairly similar ways: 1. Hall & Oates! I was trying to play pianistic voicings for "She's Gone" and found that voicing was the smoothest way to resolve from A/B (or B9sus) 2. Definitely Jimi. Not sure if it was Castles, Little Wing, Angel, or whatever. Ugh. So many good comping skills to learn from him: I'd even argue his comping is more worthwhile to study than any of his solos. 3. Similar thing to 1: I think I was trying to sound like the organist at church or Billy Joel. Not sure which, haha! 4. Standard drop-2 voicing 5. Standard shell voicing ...looking back on that it seems like the key to sounding hip is to emulate pianists while taking advantage of the idiosyncrasies of a string instrument!

[@villehytonen7279]

That last chord shape immediately brought a song to my mind: Opeth, In My Time of Need probably uses exactly that. These were cool.

[@micahfoster1526]

Weirdly enough I have been investigating "new" chords at looking at it from a theory stand point and I "knew" all but one fo those chords.

[@troyhead2]

I wasn't expecting much from this video, but it's probably your best one yet!

[@wilmer33086]

Rick Beato’s (chord) was my fave. Outstanding video Rhett. Plz keep content coming!

[@frmcf]

Dude, number one is great. It changed my life when I started using it. Never thought that it was anyone's idea in particular. It's much more comfortable, easier to play standing up, you've got fingers free to play some embellishments, connects easily with a "C-shaped" bar chord, all without breaking your wrist or wrecking your carpal tunnel. I am literally the guy in the comments thinking "How did you not know that?" :) Sometimes I play it with the 3rd on the bottom too, slide into it with your third finger... nice.

[@danielwoodcock8684]

Another version of the same notes would be to grab the high e string on the same fret as where you grabbed the low E string. So if your playing a standard open A chord, you grab the A note on the high string. The Beatles did this one all the time to make the chord punch and jangle. The Bukovac version is great too and is much more subtle with the root in the lower register.

[@jvborehed]

Yeah, and if you have a bass player you can skip the root completely and have those nice thirds :) Easy to play, sounds great. John Mayer does the same thing.

[@doctari1061]

Okay. I’m commenting after only watching the very first hack. Absolutely brilliant! After 50 years I never tried that voicing and it’s simply amazing how it makes me completely rethink my major chord voicing. It’s totally embarrassing that I never even accidentally tripped across this before your video. Thanks so much. Time to have some new fun on the fretboard. Cheers

[@exquisiteoath]

I'm always hunting for new colours and all 5 of these were new to me... this is a treasure trove of ideas.

[@dylanshadrach1000]

This was really helpful! Thank you so much!,

[@troutbreath]

Great stuff, Rhett. Thanks!

[@jowensoderlund]

Fantastic! Thank you for these. They're mine now!!!

[@CarvedTop]

Hey Rhett, I’m a long time bassist,, who’s trying to learn to play guitar. Rather than “stealing” I think we all “Learn” how to play something that we hear other guitarists play, and add it to our tool bag. Love your show!

[@richardharmer7933]

Great video. The 'pinky on the 6th string root note is used as part of an ascending run in The Beatles 'The End'.

[@jkel9940]

Hello Rhett, Appreciate the content. I was wondering if there were any plan in the future on doing a video on FRFR cabs. I'm to the point where I don't care to buy any more amps/cabs and probably making the move to Fractal FM3 in the future. If they can perform well, I will end up unloading my Mesa and Orange. thanks, Jason

[@cnowhere]

amazing! Thank you Rhett. What was your gear for this video?

[@HeyLiem]

Thanks for the Bukovac tips, I watched all his Corona/Homeskoolin episodes after your tip in a previous episode. I noticed Bukovac doing your example today. You explained it well, so I can start using it immediately, now understanding the concept of the chord. You pdf download is also very helpful and easy to understand, thanks!

[@dangledstash]

Rhett, awesome video. Don’t get me wrong here, I’m grateful for any content, but when will you be uploading more podcast episodes? I listen to podcasts all day at work and I’ve been missing your weekly updates!

[@johnnyinterval]

great vid as always, my fave guy on the tube!

[@richardgreen6857]

That was fun....chords and different voicing are my favorite thing too...nice shout out for Tom Bukovac as well, been watching his Homeskoolin' regularly.

[@buzzee9961]

Great video, I think i may have stumbled onto that Mayer one on my own. A simple one that i never thought of for years(decades) is a dominant 7 with the 7 in the bass (open C chord idea but move root on fifth string down to b7, fourth inversion?) eg low to high x5645x for an E7. I think i saw it on an old western swing lesson.

[@clayhamm9078]

Cool lesson! I too have been soaking up info from Bukovak.

[@christopherburnett1745]

These are awesome and will take me a bit of time and practice to lift then from you (Thank you!). I was familiar with the first one, as far as being able to play a major chord in the next position simply from what I've learned of the CAGED method. I hadn't considered muting the 5th string though and how useful this can be. I will certainly be adding that to my arsenal!

[@rstuartcpa]

That Tom chord...I knew that one as a G shape. But those licks are all new.

[@GermanFafian]

Uncle Buckaroooo rules! Thanks for introducing me to his channel a couple of weeks ago.

[@markaochoa2017]

Super cool lesson. I’m starting to learn some music theory too, so it’s cool to know why chords sound the way they do.

[@druwk]

The first A major voicing, with the Root on the sixth string, I learned from a Rock-a-Billy player. Takes a little time to get your pinky in shape, and used to arching into that position without getting tense, but it’s worth it. Timely that you connected it to the major Pentatonic licks in that area. Something I’m working on right now, but hadn’t put all together. Love voicing with open strings, and extended intervals. I come up with them, but don’t know the names! Trying to learn more theory and context, to learn my axe. Peace

[@mikeziggirelli7224]

My guitar playing turned around when I just started doing my own thing. There are X amount of notes on a fretboard. Just figure out how to do things with them , sometimes by accident.

[@berkeleybernie]

Good topic. I look forward to trying these out. What's the chain for your vocal? Sounds excellent. Mic?

[@RoyFarrite]

I'm surprised at how many of these I already use. A lot of the music I enjoy has sus2, major 9, and minor 2 voicings, so I guess I just picked them up unknowingly. Great video, Rhett.

[@aft41]

Great chords thanks for sharing the loot!

[@suriyaap5011]

Thank you so much for this video. Ive watched hundreds of guitar videos and this is the most I’ve ever learnt . Thank you again. Keep doing what you’re doing. Never stop. Finally, for a third time, thank you.

[@i.duhourq2519]

Man that Mark Lettieri one. I've been playing that voicing in this quarantine without knowing about his usage. I like the progression (e.g.) E major7 > Em7 > Cmajor7sus2. Gives it such a pleasant vibe. Stoked to know you are using it too Edit: Using E root on the 5th string and ending on that C 2 Lettieri voicing with the bass on 6th string

[@taopagan]

Really great video, thanks! Maybe sometime share some voicings for specific chords featuring open strings?