Richter plays Schubert Drei Klavierstücke D.946 No.2 (Budapest, 1963)

[@antonellamajorano5348]

Schubert e richter...un mondo a parte. Luci, ombre, atmosfere rarefatte , temporali improvvisi...proprio come avviene nella nostra anima. Questa è la musica del cuore.

[@yusufu9]

Richter and Schubert, a timeless treasure of supreme artistry.

[@posamsaso]

Richter. My favorite Schubert interpreter

[@NielsPfeffer]

The picture fits so well - a somewhat melancholic passing of time …

[@Alix777.]

Thanks do much for sharing this. This is one of my favorite work and Richter's Schubert is so moving.

[@jamesnickoloff6692]

A perfect photo to go with this piece (even if it was not taken in Budapest in 1963). How much time do we still have--for love, for life? How much time for desire? How much time for joy? How much time for suffering? Schubert is asking us (me) these questions, and so is Richter.

[@silvio2869]

Come talvolta in mezzo ai rami ancora spogli un mattino sorge, e in quel momento è primavera: cosí nulla affiora dal suo capo, che il subito portento della poesia non ci ferisca; il muro d’ombra è lontano dal suo sguardo incauto troppo fresca è la fronte per il lauro, e solo tardi all’arco delle pure sue sopracciglia sorgerà il rosaio, da cui foglie cadute e sparse il lieve tremito della bocca veleranno, quella che tace adesso e accenna solo a un sorriso da cui nitida beve il canto come un’acqua nella gola.

[@fatimacanche9081]

Hay pianistas que les va como anillo al dedo determinado autor como lo que estamos oyendo

[@c.g.marseille4510]

Diese sanfte zurückkehrende Melodie klingt wie ein süszes Schlafmelodie für eines Kindlein, so endlos schön....

[@margaritafoncueva79]

Delicioso, transparente y tan bello!!

[@fredericpelassy527]

Richter et Schubert...proprement hallucinant...

[@cescllopis]

The time-line is always useful.

[@pianoplaying-kblee1262]

I want listen by words how describe big sound and piano sound from Sir. 😊

[@cescllopis]

Bitte,auf was für einem Klavier spielt Richter in diesem Stück? Was für welches hat er überhaupt bevorzugt? Danke im voraus.

[@c.g.marseille4510]

mir gefält Er immer und immer da ich G.s.D. nicht gehindert bin von Kritisch hören bei Ihn

[@erpollock]

How to interpret this interesting moment in the photo? A melancholy comment on the passage of time? Or more likely, he was checking his timing either before or after playing the piece.

[@c.g.marseille4510]

Mir scheint Schubert... Drei Klavierstücke no 2 gespielt von Sv.. Richter, dasselbe dort zu hören von Chopin.. Ballade no 2 Op. 38.. (Chopin Recital Moscow 1950) auch gespielt von Sv. Richter. Wat is juist ?

[@_PROCLUS]

6:03

[@갯벌지기]

😭😭

[@laspiano765]

Maravilha, 19082018-D-17:13hs.- LAS.- Cidade Ariston-Carapicuiba-SP-Brasil.-

[@herrwarum5969]

I regard Richter as the greatest interpreter of Schubert's music. That said, and despite his beautiful sound, he's not fully convincing here.

[@bittenheroz]

Herr Warum this is a b minus interpretation as he's a b minus Schubert student at best

[@punkpoetry]

bittenheroz yeah keep telling yourself that Schiff’s historically informed academism is superior to Richter’s striking artistry.

[@fatimacanche9081]

Pausa

[@gyorgybauer4586]

Ha a kommunizmusnak volt valami hozama a szàmomra akkor az az volt hogy làthattam-hallhattam Budapesten többször Richtert és a többieket!

[@josephlaredo5272]

I'm not happy about the speedings-up and slowings-down; the whole piece should be in a single tempo. Always challenging to listen to Richter! Thanks for posting.

[@ginovaccari]

Joseph Laredo it's a pity that Richter didn't know that the whole piece should be in a single tempo, you are so lucky to know it....

[@josephlaredo5272]

Ha! Very droll! What is a pity is that some performers think they know better than the composer. I'm generally an admirer of Richter, by the way, and I heard him twice live. I still remember not only what he played, but how he played it. Like all the greats, he created a unique atmosphere in the concert hall; he could do almost anything and have you hanging on every note. No doubt he would have made these tempo changes totally convincing in the hall, but on record they don't work. Sokolov is the same: in concert he is mesmerising; on record, his exaggerations can sound merely self-indulgent. But no doubt you will have some sarcastic comment to make on that, too ...

[@MegaPianogenius]

is it marked as tempo giusto?

[@AndreJorgeOliveira1]

The changes of mood are just the best for me....it is life as it unveils to all of us.

[@dariodrigo3778]

Every single pianist plays it like that. Indeed very strange, there is no indication whatsoever that it was intended that way.