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Listen to the brand new recording of Ring Out, Wild Bells.
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Lyrics: Alfred, Lord Tennyson
Music: Alana Levandoski
Video produced and performed by: Alana Levandoski
Song produced by: Alana Levandoski
All instruments by: Alana Levandoski
In 1850 Tennyson published a requiem called In Memoriam, written as he grieved the sudden death of his sister's fiancé, who was also a beloved friend. The poem Ring Out, Wild Bells, oft-used to ring in the New Year, was part of that requiem.
In my own more roots-oriented style, I composed music for this poem because I was drawn to the universal hope and longing contained within the poem. It is overreaching, and perhaps naive, especially in light of the colonialism of Tennyson's time, and that two world wars were on their way, that would catapult a technology that was rooted in destructive ideas, rather than life-giving ideas.
Still, I was drawn to how universal the sincerity of the longing was.
I decided to have a steampunk-themed video, because steampunk was inspired by early tech and the victorian era... and as a contemplative Christian, I wanted to push the envelope a bit... in terms of the boxes we put ourselves into.
This year has been strange and difficult, and filled with suffering. And invoking a bit of the sacred clown energy, I decided to bring in a bit of burlesque, to offset the "awful solemnity" (as Thomas Merton called it) I am seeing, especially in spaces of comfort and privilege. I sometimes struggle with awful solemnity... and it renders me unable to find the infinite possibilities for traction that we have... to work collectively toward true equity, which is what, I think, this song is longing for.
I think this song is a prayer for JUBILEE. Forgive us our debts.
And... from a 21st century perspective, part of my work is to draw attention to the debts owed to people of colour, and indigenous people. When I sing this song, and invoke the words "purer laws", I imagine (at the very least), archaic policies in Canada, harmonizing with the United Nations Declaration of Indigenous Rights. When I sing "ring out the narrowing lust of gold", I imagine a time when a critical mass of people who own more than their fair share of land, participates in a phenomenal movement of land reparations, and all the young people of colour who want to farm, can own land, and have total sovereignty. When I sing "ring in the Christ that is to be", I imagine a day when the over 27,000,000 people still who are enslaved today, are raised the very highest of all.
In other words, I didn't record this song as an excuse to bypass the heavy lifting that is ahead, for especially people who live with more comfort than is good for them. I wrote, and recorded this for the longing... and the vision... and maybe it was naïve of me... but I still hope for epiphany... which is just around the corner from New Years!!!