RUDOLF BUCHBINDER plays BEETHOVEN Piano Sonata No 29 B Flat Major Opus 106,Hammerklavier

[@JohnathanMackenzie-h8z]

I don't care what anyone says. Rudolph buchbinder is hands down the best pianist of Beethoven ever !! Thank you. And goodnight!

[@calebkinman5302]

Beautifully shot video! I can see the hands almost constantly! I applaud the film crew!

[@vittoriomarano8230]

A temple of immense perfection 🏛

[@gretareinarsson7461]

It’s strange how little known Buchbinder is outside of Germany. A master pianist and interpreter especially of Mozart and Beethoven

[@eduardocondegarcia344]

Certainly, one of the best interpretations I've ever heard of this sonata! Congratulations!

[@francoriva55]

Buchbinder supreme pianist! Underrated?

[@herveverbaert254]

c'est un peu le Claudio Arrau actuel...

[@olivierdrouin2701]

C est la meilleure version qui soit pour une première écoute de la fugue !!

[@georgesmelki1]

👏👏👏👏👏👏👏

[@klassikpunk_]

Keine andere der insgesamt 32 Klaviersonaten ist so schwer zu fassen, zu begreifen wie diese. Hat seine Zeit gedauert bis ich sie zumindest ansatzweise endlich mal (er) fassen konnte. Dann jedoch eröffnet sich eine Pforte zu diesem Giganten. Dieses Adagio sostenuto (3. Satz) berührt mich derart dass ich teilweise den Tränen nahe.

[@omikronator226]

Ich gebe dir zum Teil recht. Die Hammerklaviersonste ist schwer zu fassen und zu verstehen. Weitaus ratloser da stand ich beim ersten Hören der 32. Sonate. Und ich spreche nicht nur vom berühmten “Boogie-Woogie”-Part, der mich fassungslos dastehen ließ. Warum gibt es lediglich zwei Sätze? Sieht man Beethovens Sonaten als Biografie, so ist sie wie ein Buch mit offenem Ende und voller Blicke in die Vergangenheit, als auch in die Zukunft. Trotzdem sehe ich die Sonate 29 als technisch kompliziertestes Werk Beethovens an, da sie ja erst Jahre nach seinem Ableben uraufgeführt werden konnte.

[@carmenaballi]

Beethoven es un misterio

[@hansulrichbehner8026]

29:10 First Fugue of the fourth movement played in only 5' 21 minutes instead of prescripted 4'52 minutes (144 Mälzel per crotchet). Please listen to HJ Lim (4' 46), Friedrich Gulda 1970 (4' 49), Beveridge Webster, student of Artur Schnabel (4' 44 minutes), Laetitia Hahn (4'34 minutes) and Stephan Beus (4' 33 minutes). Beethoven' s speed is playable and even overcome . Beethoven was deaf but not stupid and Czerny confirmed the Fast speed.

[@ВадимРосин]

Блеск! Это если кратко! Поистине гениальное исполнение музыки Гения Бетховена.

[@HarDiMonPetit]

A singing thunder - a wonder !

[@Maurizio3007]

GRANDE!!!!

[@olivierdrouin2701]

C est bon d entendre un adagio qui n est pas conçu comme un marécage boueux mais comme un lac au clair de lune !

[@georgesmelki1]

Dites plutôt qui est joué selon les indications du compositeur!

[@barbaralazzaro8257]

Fra tanti celebrati pianisti malati di protagonismo che accelarano o rallentano in modo esasperato, Buchbinder è uno dei pochissimi che suona la 111 per farci ascoltare con le note l'inascoltato e commuoverci

[@mikedaniels3009]

"Zu viele Noten, Mozart!" PS : is it true, that not even Liszt was able to sightread the finale? I would have loved blues piano genius Christian Willisohn as an encore act on that stage, to tie in with Beethoven's blues. My admiration and due respect to Maestro Buchbinder, for his Strauss transcriptions, for everything really, but with respect to Hammerklavier live concerts no one seems to be able to hold the candle to the unshackled Sviatoslav Richter 1965 in Prague, nor to the cooler and more collected Claudio Arrau.

[@TheModicaLiszt]

1975?

[@hurs21]

00:13

[@fresie7333]

ist das gut beste Musik

[@cohenmasha]

Tim Crafter 1.0

[@eingooglenutzer1474]

A little bit asyncron but I like Buchbinders interpretation very much :)

[@aloysiustang9527]

Very nice, but the movement3 is a bit fast for my personal taste

[@karlakor]

It is disconcerting to see the video out of sync with the audio.

[@gabrieleiorio9512]

Musste er einen Flug nehmen?

[@ВикторияЧерноскутова-н2б]

Кумир

[@luciafraga3057]

Lo siento, pero audio no es del vídeo...trampillas

[@carmenaballi]

¿Por qué?

[@noemiserra3366]

massa ràpid

[@mcabedog]

Debes de ser muy buena tocando el piano para atreverte a corregir a Beethoven. Buuchbinder se limita a respetar el tempo marcado por Beethoven (y aún se queda corto). Y es de los pocos pianistas capaces de hacerlo.

[@soerenguitarlessons9947]

This is by no means a hammerklavier, in the sense of the hammerklavier that Mozart played. It is a modern Concert Flügel, that has very little to do with the much less dramatic and less strong sounding Hammerklavier that Mosart used. thus the title of this video is idiotic, and just not correct at all.

[@ivanzagar3566]

soerenguitarlessons it is a nickname of this sonata because Beethoven wrote Große Sonate für das Hammerklavier in the title of Sonata. And Beethoven piano was different than Mozarts so you are utterly wrong.

[@jeanAntoine01]

I Think that you forgot that Beethoven needed another Piano than Mozart because Beethoven always wanted to have a piano that could imitate the Orchestral sound as good as possible. So he decided to construct a new piano with the company "STEIN", they invented the pianoforte, German: Hammerklavier.

[@helloitismetomato]

Why are you talking about Mozart? This has nothing to do with Mozart. It's a Beethoven sonata, and "Hammerklavier" is its nickname because it was originally published with the title "Große Sonate für das Hammerklavier"

[@remomazzetti8757]

You have no idea what you are talking about.

[@morganmartinez8420]

The only idiotic thing I see here is your dumbass comment.