Scriabin - The Poem of Ecstasy, Op. 54 / Remastered (Century's recording: Evgeny Mravinsky)

Alexander Scriabin (1871-1915) Poem of Ecstasy by Evgeny Mravinsky / Remastered
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00:00 Scriabin: The Poem of Ecstasy, Op. 54 by Evgeny Mravinsky (Remastered 2022)
Leningrad Philharmonic Orchstra
Conductor: Evgeny Mravinsky
Recorded in 1958, at Leningrad
New mastering n 2022 by AB for CMRR
🔊 FOLLOW US on SPOTIFY (Profil: CMRR) : spoti.fi/3016eVr
🔊 Download CMRR's recordings in High fidelity audio (QOBUZ) : bit.ly/370zcMg
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Thank you :) / cmrr
The ambitious Poem of Ecstasy can be likened to a large sonata form. The first part spreads a great sheet of streaming music, a perpetual vibration of diffuse patterns and flashing timbres. "Pouring out streams of hope / Illuminated again / The spirit burns with the ardor of living". It begins with a kind of awakening, very impressionistic in its construction; then a scherzando-like passage gives free rein to a magic close to Rimsky-Korsako: "Brilliant reflections / of a magic light / illuminate the Universe".
Shortly thereafter, the only truly individualized motifs appear, a trumpet call, with a conquering profile, and the sighs of the solo violin: it sounds like two faces of desire, the one that undertakes and the one that longs. But it is especially the trumpet leitmotiv that will be reiterated throughout the work, like a "consciousness of the self" crossing the cosmic quivering: "the Spirit that plays, the Spirit that desires, the all-powerful Spirit, creating while dreaming...".
Suddenly, the electricity of the storms comes to disturb this spiritual blossoming: " Threatening rhythms and dark presentiments / Brutally invade this charming world / [...] Mouths of frightful monsters open up ". The tightening of the motives, which resembles a development, the darkness of the brass, the deliberate confusion recall many passages of Richard Strauss; the glockenspiel maintains its mystical notes in this fracas, "The lightning of the divine will criss-crosses the sky. A sort of recapitulation brings back the initial flutter, the allegro volando, another battle and the affirmation of the trumpet motif.
Towards the end, this main motif, transfigured, "bursts" into a monstrous chime. The coda, which repeats the motif with a moving melodic breadth, manages to make the final C major chord sound like the most phenomenal event ever.
Alexander Scriabin PLAYLIST (reference recordings): • Alexander Scriabin (18...

[@classicalmusicreference]

Alexander Scriabin (1871-1915) Poem of Ecstasy by Evgeny Mravinsky / Remastered 🎧 Qobuz bit.ly/3FF1z05 Apple Music apple.co/3nIjoX1 🎧 Amazon Music amzn.to/3HTZikq Tidal bit.ly/3WtXYJ9 🎧 Spotify spoti.fi/3VevaTX Deezer bit.ly/3HTBbSX 🎧 KZbin Music bit.ly/3YBgNvS SoundCloud bit.ly/3HPN8cl 🎧 Naspter, Pandora, Anghami, LineMusic日本, Awa日本, QQ音乐 … 00:00 Scriabin: The Poem of Ecstasy, Op. 54 by Evgeny Mravinsky (Remastered 2022) Leningrad Philharmonic Orchstra Conductor: Evgeny Mravinsky Recorded in 1958, at Leningrad New mastering n 2022 by AB for CMRR 🔊 FOLLOW US on SPOTIFY (Profil: CMRR) : spoti.fi/3016eVr 🔊 Download CMRR's recordings in High fidelity audio (QOBUZ) : bit.ly/370zcMg ❤ If you like CM//RR content, please consider membership at our Patreon page. Thank you :) www.patreon.com/cmrr The ambitious Poem of Ecstasy can be likened to a large sonata form. The first part spreads a great sheet of streaming music, a perpetual vibration of diffuse patterns and flashing timbres. "Pouring out streams of hope / Illuminated again / The spirit burns with the ardor of living". It begins with a kind of awakening, very impressionistic in its construction; then a scherzando-like passage gives free rein to a magic close to Rimsky-Korsako: "Brilliant reflections / of a magic light / illuminate the Universe". Shortly thereafter, the only truly individualized motifs appear, a trumpet call, with a conquering profile, and the sighs of the solo violin: it sounds like two faces of desire, the one that undertakes and the one that longs. But it is especially the trumpet leitmotiv that will be reiterated throughout the work, like a "consciousness of the self" crossing the cosmic quivering: "the Spirit that plays, the Spirit that desires, the all-powerful Spirit, creating while dreaming...". Suddenly, the electricity of the storms comes to disturb this spiritual blossoming: " Threatening rhythms and dark presentiments / Brutally invade this charming world / [...] Mouths of frightful monsters open up ". The tightening of the motives, which resembles a development, the darkness of the brass, the deliberate confusion recall many passages of Richard Strauss; the glockenspiel maintains its mystical notes in this fracas, "The lightning of the divine will criss-crosses the sky. A sort of recapitulation brings back the initial flutter, the allegro volando, another battle and the affirmation of the trumpet motif. Towards the end, this main motif, transfigured, "bursts" into a monstrous chime. The coda, which repeats the motif with a moving melodic breadth, manages to make the final C major chord sound like the most phenomenal event ever. Alexander Scriabin PLAYLIST (reference recordings): kzbin.info/www/bejne/pqOviomKd7SDhs0

[@tobiedavis8841]

Could yall do stravinsky firebird?

[@60bui]

Esecuzione assolutamente MOSTRUOSA!!! INCREDIBILE!!! PAZZESCA!!! Grande direzione, orchestra meravigliosa!!!

[@kniazigor2276]

Une œuvre quasi mystique, magnifiquement interprétée et dirigée par l'immense Mravinsky

[@AlanNelsonUNC]

I had this on a CD and it sounded crummy. This remaster is excellent!

[@spmoran4703]

A good old recording . The sound quality is superb . Thank you .

[@MarkAndrewEdwards]

Lovely music. I'm also endlessly amused by the title of the piece paired with a face that is...not what I'd think of when you say 'Ecstasy'

[@classicalmusicreference]

The ambitious Poem of Ecstasy can be likened to a large sonata form. The first part spreads a great sheet of streaming music, a perpetual vibration of diffuse patterns and flashing timbres. "Pouring out streams of hope / Illuminated again / The spirit burns with the ardor of living". It begins with a kind of awakening, very impressionistic in its construction; then a scherzando-like passage gives free rein to a magic close to Rimsky-Korsako: "Brilliant reflections / of a magic light / illuminate the Universe". Shortly thereafter, the only truly individualized motifs appear, a trumpet call, with a conquering profile, and the sighs of the solo violin: it sounds like two faces of desire, the one that undertakes and the one that longs. But it is especially the trumpet leitmotiv that will be reiterated throughout the work, like a "consciousness of the self" crossing the cosmic quivering: "the Spirit that plays, the Spirit that desires, the all-powerful Spirit, creating while dreaming...". Suddenly, the electricity of the storms comes to disturb this spiritual blossoming: " Threatening rhythms and dark presentiments / Brutally invade this charming world / [...] Mouths of frightful monsters open up ". The tightening of the motives, which resembles a development, the darkness of the brass, the deliberate confusion recall many passages of Richard Strauss; the glockenspiel maintains its mystical notes in this fracas, "The lightning of the divine will criss-crosses the sky. A sort of recapitulation brings back the initial flutter, the allegro volando, another battle and the affirmation of the trumpet motif. Towards the end, this main motif, transfigured, "bursts" into a monstrous chime. The coda, which repeats the motif with a moving melodic breadth, manages to make the final C major chord sound like the most phenomenal event ever. 🔊 FOLLOW US on SPOTIFY (Profil: CMRR) : spoti.fi/3016eVr 🔊 Download CMRR's recordings in High fidelity audio (QOBUZ) : bit.ly/370zcMg ❤ If you like CM//RR content, please consider membership at our Patreon page. Thank you :) www.patreon.com/cmrr

[@shin-i-chikozima]

When I listen to this performance, the passage of time is visible to me

[@notaire2]

Wunderschöne Interpretation dieses spätromantischen und ein bisschen mysteriösen Meisterwerks mit seidigen Tönen aller Streicher und milden Tönen aller Bläser. Der intelligente und unvergleichliche Dirigent leitet das weltklassige Orchester im gut analysierten Tempo und mit perfekt kontrollierter Dynamik, als wäre es ein Teil seines Körpers. Die verbesserte Tonqualität ist auch erstaunlich hoch als eine Originalaufnahme von vierundsechzig Jahren vor. Alles ist wunderbar!

[@user-zl4po2zw5m]

설명까지 감상하는데 도움이 많이 되었습니다 감사합니다~~~ 한국에서 보냄

[@user-xb2ot9un6e]

Замечательная интерпретация шедевра Скрябина. Спасибо.

[@unclerubbish268]

What an incredible performance! Outstanding! Thanks for posting.

[@tyso5146]

Stunning 😮

[@Dylonely42]

Indeed

[@AulicExclusiva]

I adore this.

[@Dylonely42]

Same

[@ingemayodon5128]

J'aime cette musique, mais ne connais pas le compositeur. Mais cela me rappelle un peu la musique de Stravinsky. Ai-je tort? Je ne connais pas assez en musique pour pouvoir juger. Mais je peux dire j'aime ou je n'aime pas, et je ne peux expliquer pourquoi. C'est pour cela que j'admire votre façon d'expliquer. Merci beaucoup pour cette transmission et je vs souhaite à vs tous sur cette chaîne un joyeux Noël, une bonne et heureuse nouvelle année et la santé avant tt! Sincères salutations de Montréal, Qc, Canada

[@gerontius3]

Can't beat the "Sandblaster" trumpets!

[@kleberveridianogoncalvesde6293]

Beautiful !

[@Dylonely42]

Indeed !

[@mariaamparochulvi36]

A veces nuestro pensamiento es de tal magnitud que no vemos la salida...

[@declamatory]

Que?

[@Dylonely42]

The Russian genius and soul.

[@sngsculture291]

❤🌹❤

[@sawomirszczepanowski7064]

Żadnej rosyjskiej swołoczy!

[@xthysijdf8622]

Успокойся, лях! Засунь свои лозунги себе в штаны и слушай великую музыку в исполнении великого оркестра под руководством одного из величайших в мире дирижеров!

[@anokiyoussou]

still a banger

[@zeusmalik7980]

Scriabin? Impresionism?

[@user-ni3pu2fg7k]

No!-Symbolism!

[@AulicExclusiva]

Obviously. What else? What is called Symbolism in Russian literature is called impressionism in music (and in German literature.)