This piece is one of the extraordinary pieces in Persian music. I would like to point out remarkable novel facts in this song, including: 1) Heavy orchestration 2) Persian Harmony 3) Complicated rhythms 4) Dependency of vocal from other instruments (i.e., no instrument plays the vocal melody) 5) Gestures of the singer 6) Meaningful pictures 7) Modern poetry 8) Matching between modern music and modern Persian poetry I believe this piece opens the gates for Persian music composers to avoid homophony and unison compositions. In addition, the approach for using the vocal track as a single instrument introduces new avenues for Persian singers who seek to establish novel approaches in Persian songs. Undoubtedly, Shaghayegh Kamali and Siavash Beizai enlightened a new path on singing and composing enriched Persian melodies. It is recommended that this piece be listened in quite for multiple times because the above-mentioned remarkable facts require full attention. Peyman Shokrollahi Ph.D. and P.Eng. Stanford University
@SuperMemol3 жыл бұрын
Perfect
@sirusmalakooty57712 жыл бұрын
اثری فوقالعاده زیبا اما با انتخاب نادرست خواننده و استفاده نادرست از صدای انسانی