Sing High Notes with the Arturo Melocchi Method 6 Db5 (RE bemolle) Low larynx high notes.

In this video, learn how to hit high notes with the Arturo Melocchi Method. This technique, used by opera singers like Giancarlo Monsalve, can help you sing with a low larynx and achieve impressive results. But remember, this technique should only be attempted with proper training. For more information, visit www.theoldschoolofsinging.com and start your journey back to the Old School of Singing today. The Monsalve Leyton Method™ - bringing back the Old School of Singing, step by step, lesson by lesson, voice by voice.
Disclaimer:
In a performance scenario, I use the Manuel Garcia technique for such notes as B4, C5, or Db5. I normally use the Melocchi Method just for training.
(do not attempt without the proper training)
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[@waiphobkitsanasuwan3363]

🙏Thank you very much 🙏from Thailand 🇹🇭

[@ObscurelyTitled]

your videos are super great!!!!!!

[@attherateofarobase]

Incredible singing. I notice that your speaking voice has some baritone quality to it, going down to around a low C# when speaking. When you first learned the low larynx technique did this cause any pain or has it always been effortless? Also, have you ever trained any baritones to use low larynx?

[@giancarlomonsalve]

Thank you for your comment! Yes, my speaking voice is naturally in the baritone range. When I first started learning the low larynx technique, it did feel a bit uncomfortable at first and it took some time to get used to it. However, with practice, it became effortless and natural. As for training baritones, I have worked with many singers of different voice types and levels, including baritones. While the low larynx technique is more commonly associated with tenors, it can be beneficial for baritones as well. The key is to find the right balance and coordination in the voice, regardless of voice type.

[@bradycall1889]

@@giancarlomonsalve Yeah your voice can sound baritone-like when you speak. I mean not all tenors have to speak like tenors, and that's okay. They don't have to. Some basses might speak higher than they sing as if though they're baritones. This shows that you cannot 100% guarantee the type of voice someone has when you hear them talking. It usually works for most people to hear their speaking voice, but not for everyone.

[@romyslavik3100]

Ciao Giancarlo ottimo suggerimento come al solito!!😄😄😄

[@giancarlomonsalve]

Grazie 🙏🏻

[@lukasmiller486]

Could you please do a video on breath support as well?

[@majkkruszon6780]

Great tip, but i heard that you cannot lowering your larynx by spreading, using muscle of the throat,yawning etc, but only just by the power of respiration. When I take a big breath, my larynx schould lower naturally., and stay ion that position. What do you think about that? Is that true?

[@giancarlomonsalve]

That is false, the fact is that with the correct mechanism, as me and my students do, you can lower the larynx effortlessly even with mouth and nose closed. Thanks for the comment.

[@hermanadosporelarte907]

nuevo suscriptor! este es el contenido real para una técnica real. gracias por aportar al linaje melocchiano. podrias informarnos mas sobre el metodo de manuel garcia? aquel que lauri volpi le enesño a corelli? hay poca informacion sobre esa tecnica. gracias por tu aporte a la verdadera tecnica operistica!

[@giancarlomonsalve]

¡Gracias por su comentario y por su interés en el método de Manuel Garcia! De hecho, como cuarta generación directa de la escuela de Manuel Garcia, puedo decir que su método ha sido transmitido y evolucionado a lo largo de los años, y es un legado importante en la técnica vocal clásica. En cuanto al método de Manuel Garcia que fue enseñado a Lauri Volpi y luego a Franco Corelli. Remarco que mi primera Maestra, Nora Lopez Von Briessen estudió con Gina Cigna, quien a su vez fue estudiante de Emma Clavé, y Clavé fue estudiante directa de Manuel Garcia. Con la autoridad de ser una 4ta linea técnico generacional directa de ese método, puedo decir que la influencia de Manuel Garcia ha sido muy importante en la evolución de la técnica vocal clásica a lo largo de los años. ¡Gracias por su apoyo y no se olvide de suscribirse para más contenido sobre técnica vocal!

[@clefnoteproductions6695]

Does singing like this allow the voice to be agile for singing Rossini and similar composers ? It seems Del Monacos' voice wasn't that agile, also being able to do well articulated trills

[@juanmonasterio1334]

Y yo que llevaba tiempo enfocándome en tratar de resonar en la mascara y prestando atencion solo en el paladar blando olvidándome totalmente de laringe, porque como siempre mis maestros me decian que impostara mas de cabeza, haré lo que dices a ver si logro mejorar, gracias por tu contenido

[@coroespiritusanto-zamora6847]

Buenas tardes. Enhorabuena por tu trabajo!!!! Haz algún vídeo más en castellano para tus seguidores españoles y Castellanos parlantes. Saludos

[@giancarlomonsalve]

Pondré subtítulos y pronto creare contenido en italiano y español. Tengo poco tiempo y muchos alumnos.. pero lo tengo en mi lista de cosas por hacer 🙂

[@coroespiritusanto-zamora6847]

@@giancarlomonsalve gracias Maestro. Lo esperamos con ganas.