Smetana - Piano trio - Oistrakh / Knushevitsky / Oborin

[@ManuelTorres-ez2pv]

Amo con locura esta composicion inigualable. Como del dolor mas hondo , este santo musico (su rostro habla por si mismo) extrajo estas memorias, este dialogar de intrumentos, ya calmos, ya atormentados , en alternada gracia... Oh esa cabalgata final que, cuando parece concluida, vuelve a surgir como un breve relampago, para acabar en un varonil acorde mayor!!! Es sin duda una de las grandes obras de la humanidad. Y esta interpretacion, perfecta.

[@notaire2]

Der Dialog zwischen den drei Virtuosen klingt echt intim und zugleich perfekt synchronisiert. Bestimmt historisch sehr wertvolle Aufnahme!

[@annavesely5404]

Beautiful, touching the soul, Smetana, and Oistrakh wonderfully with his trio, Moscow 1950

[@dejanstevanic5408]

Super nice indeed - TY

[@-leochutkin4132]

Вот вам и разница между пианистом/скрипачом/и т.д., и Музыкантом! Послушал несколько записей этого трио Сметаны, а историю любви, горя и протеста рассказали мне только эти мужчины.

[@ClickerPetsMore]

I. 0:00 II. 12:16 III. 20:43

[@joeltheivalnec3671]

Sonorités russes pour ce chef d’œuvre de musique de chambre: sonorités âpres et acides, rythmique d’enfer. Ambiance sèche. Une référence.

[@miraxkim]

Very nice performance!

[@gerardbegni2806]

Smeteana's trio is partly autobiographic. It can be heard as a lament about the drama of his deafness - just as Beethoven and Fauré. The interprets are "top level".

[@juliusseizure591]

@AAH Replies Yes.... it was written in 1855 and he only became deaf in 1874

[@kieranmclain9992]

It is autobiographical, just about the death of his eldest daughter, with whom smetana had a close relationship with

[@gerardbegni2806]

Yes this is true also. Necertheless, the drama of his deafness has been underlined by severel specialized musicologists. Cheers. This rendering is of course an everlasting reference.

[@katydid2k]

@@kieranmclain9992 at age 4 1/2, of scarlet fever. The daughter with the greatest musical promise. This is for her... Heartbreakingly beautiful.

[@simonepedroni68]

Actually is autobiographical as a lament for the death of his daughter.

[@victoriacaro377]

👏😍👏👏

[@ConcordMass]

27:59

[@annamorin8600]

do we know the date of this recording please ?

[@katydid2k]

Studio recording, Moscow, 1950