Sriranjani Santhanagopalan | Nanmayum Selvamum | Ramanai Bhajithaal | Maand | Papanasam Sivan

[@priyaadarshini2925]

Wonderful rendition.❤ This composition by Sri Papanasam Sivan is like a healing medicine for those suffer in sansara sagaram.

[@tskktskk4312]

என் வயது 75.இந்த மாண்டு ராகம் பாடலைக் கேட்கையில் கல்கி நாவல் ஒன்றை படித்த இனிமையும் மகிழ்ச்சியை யும் உணர்கிறேன்.பழமையில் ஊறிய மலரும் நினைவுக ளால் மனம் இளமையோடு வளமையும் கொண்டு திளைக்கிறது❤.

[@gesen50]

ஆம்மாம் பொன்னியின் செல்வன். குறிப்பாய் குந்தவை நினைவு. நான் 74 !

[@rohinikumar7173]

என்ன ஒரு அற்புதமான குரல் வளம்!!மெய் சிலிர்த்தது. அருமையான பாடல்.

[@tmadanmenon]

Maand is a feisty raga, popular in North India and well-known for lighter pieces in the South. It is delightful to listener and performer alike. It brings forth the mood of romance, combined with cheer and warmth. Maand is often spiced up with foreign notes to make it “misra” Maand, like “chai” becomes “masala chai.” The notes that feature in the conventional Maand raga include Sadja, Suddha Rishabha, Antara Gandhara, Suddha Madhyama, Pancama, Chatusruti Dhaivata, and Kakali Nishada, and not in that order. In fact, it is the zigzag patterns in this raga that give rise to a feeling that only can be compared with enjoying a swing on a trapeze. The popular classical pieces in this raga include “Janaki Manoharam” by Mysore Vasudevachar, “Ramanai Bhajithal” of Papanasam Sivan and “Vaanathin Meethu”(arutpa of Ramalinga Swami). “Maasila nilave”, sung beautifully by TMS and noted actress Bhanumathy, is a favourite of many a music lover across ages. From the film “Ambikapathy” (starring Sivaji Ganesan, music G. Ramanathan), the high point in this song is the flowery sangati at “kanne...maanilam kondaduthe”. It calls for an encore each time. Here Sriranjani presented a beautiful Virutham.. Nanmayum Selvamum in her superb tone ! The papanasam kriti - " Raamanai bhajitthal " is dung melodiously and soulfully.

[@AnnapooraniAnna-f3r]

Lovely to hear as first thing in morning. Perfection ❤

[@naliniganesh7037]

Aaha, arpudham, aanandam. Deiveega kural.

[@rikky0078]

O, lady! What a divinely rendition. JAI SRIRAM 🙏

[@sundarrajan846]

Excellent.God Bless

[@sudarshanvp2660]

The viruttam is too good 😍

[@Pbvenkat]

There is a lecdem by Dr. Balamurali Krishna on voice control/ culture. She is a living demonstration of all that he has mentioned in that lecture. Sri. Santhanagopalan has prepared her so well to perfection. She reminds the Bhagavad Gita sloka (10:41) yad yad vibhütimat sattvaµ çrîmad ürjitam eva vå tat tad evåvagaccha tvaµ mama tejo’µça sambhavam [Whatever exists that is wonderful, beautiful or glorious, know that it has manifest from but a particle of My power]. Grace in abundance...namaskarams

[@kalpalathaseshadri1163]

What a voice!! Absolutely blessed!!

[@vijaykvijayaratnam4218]

Tonic to the ears always.God bless her future.I became fan in 2009.

[@abisrivatsan_music]

Super sriranjani akka❤️

[@veefour100]

Sweet voice.soulful rendering.lovely..

[@girijagopalakrishnan7422]

Beautiful .....sooo clear and perfect ....

[@prabhakargundlapalli393]

Though I can't make out the inner meaning of the song, being not good at the language, but the melodious voice culture is well appreciated. She has bright future. Hats Off.

[@sampathmukundhan7340]

Ah! She has brought out the beauty of Mand fully! Such fine and minute embellishments! Listening in a loop! HATS OFF TO MADRASANA for such a top class recording...able to hear every nuance! Unable to get out...and it's just 3:50 Mins! But we will be able to enjoy this only if we overcome her SHelvam and SHidaindhu. Wonder why they do that :(

[@varshavasudevan6633]

I think am the first to comment.,. heard this piece several time...but every time its a new experience.. thanks sriranjani akka and thanks to the unloader... Varsha Vasudevan

[@Profemerituz]

Hauntingly beautiful in Maand!

[@Hariharanwebolim]

😇 enna na solven... Hare raaaam .,.

[@babuaugustine8510]

Very nice 👌👌👌

[@saamavedamusicacademy]

👏🏼👏🏼👏🏼👌🏻👍🏻

[@rikky0078]

Aahaa. Aahaaa Jai Sriram 🙏

[@sundarrajan846]

Really super.Soulful rendition

[@SESHANARAYAN12]

Lovely

[@VARAGOORAN1]

ராகம் மாண்டு தாளம் ஆதி பல்லவி ராமனை பஜித்தால் நோய்வினை தீரும்-வீண் சஞ்சலம் அகன்றிடுமே ஸீதா (ராமனை) அனுபல்லவி ராமனைக் கண்ணால் காண்போம் இன்றே பிறந்த பயன் அடைவோம் (ராமனை) சரணம் துன்ப மோடின்பம் கலந்தது ப்ரபஞ்சம் வெயிலிலையேல் நிழலில் இன்பமு முண்டோ துயரிலையேல் ஐயனை நினைப்பாருண்டோ சோதனைத் தீயில் புடமிடுவான் - இரங்கி தூக்கியெடுத் தானந்தம் அளித்திடுவான்-அவன் நாமாம்ருதுவம் பிணிக்கு திவ்யெளஷதம் - ஜய ராம் ராம் ராம் ஸீதா ராம் ராம் ராம் என்றே (ராமனை)

[@MadRasana]

Varagooran Narayanan thank you so much for presenting the lyrics here.

[@Samskrithii]

Where is papanasam sivan's mudra in this song

[@shravannagarajan3853]

Super. Beautiful rendition. ❤

[@rkgroup7895]

Lovely voice and splendid singing. Don't know why it is 'Shi' instead of 'Si' with all these newgen singers. 'Shidainthu' sounds egregious

[@dhenukita]

Because many of us say “sha” instead of “sa” when we speak Tamizh at home. It’s doshai for us and not dosay. When I sing Yenna tavam… I say “sheydanai” and not “seidanai.” It’s not a fad. It’s just an accent.

[@rkgroup7895]

@@dhenukita that exactly is my point... . we also speak tamizh at home.. the proper trichy/tanjore diction. we never say "avar shonnaar.." its "avar sonnaar" (he said)... well you rightly said.. its an 'accent'. Agree

[@music2407]

Goosebumps!!

[@vijiganesh3996]

What a lovely rendition.! Listening to it in a loop. Just have a small input for the singer ..It is sidhaindhu not shidhaindhu , seyyum not sheyyum. A very beautiful rendition in perfect sruthi !

[@gayathribala1]

Beautiful singing !!

[@ShreyaArur]

a very touching rendition...excellent detailing..tooo veryyy goooodd

[@padven8458]

Arumai👏👏👌

[@ushakasivishwanath2371]

Mesmerising!!!!!!!!!

[@chitkalashanker8441]

Excellent

[@jasongottsmann3656]

It's very satisfying for me

[@waragunannadarajah1808]

nice...

[@n.thiyagurajan435]

Super mem

[@vmusic05]

Just wow

[@rajkanthcj783]

அற்புத குரல் காந்தார... வசீகரம்... வேறு ஏதாவது பாடல் பாடியது பதிவிடவும்

[@varshavasudevan6633]

3.07 just awesome

[@varshavasudevan6633]

3:07

[@anushanc5290]

👏🏻👏🏻👏🏻

[@sribalaji2000]

class

[@anushanc5290]

rAgam: mAND tALam: Adi P: rAmanai bhajittAl nOyvinai tIrum--vIN sanjcalam aganRiDumE sItA (rAmanai) AP: rAmanaik kaNNAl kANbOm inRE piRanda payan aDaivOm C: tunbamODinbam kalandadu prabanjcam veyililaiyEl nizhalil inbamumuNDO tuyarillaiyEl ayyanai ninaippAruNDO sOdanait tIyil puDamiDuvAn--irangi tuKKi yeDuttAnandam aLittiDuvAn--avan nAmAmrutam piNikku divyaushadam--jaya rAm rAm rAm sitA rAm rAm rAm enRE (rAmanai)

[@heythere6899]

pallavi rAmanai bhajittAl nOivinai tIrum vIN sancalam aghanriDumE sItA anupallavi rAmanaik-kaNNAl kANbOm inrE pirandha payan aDaivOm caraNam tunba mODinbam kalandadu prapancam veyililaiyEl nizhalil inbamum uNDO tuyarilaiyEl aiyanai ninaippAruNDO shOdanait-tIyil puDamiDuvAn irangi tUkki edut-tAnandam aLittiDuvAn avan nAmAmrutam piNikku divyauSadam jaya rAm rAm rAm sItA rm rAm rAm enE