Ashwini Bhide sings Raag Prateeksha

This is a beautiful, haunting and a rare Raag. Pt. Hridaynath Mangeshkar used this to set the tune for a famous Marathi song

[@someshjha1593]

This is a masterpiece. One of the famous musicians told me once that "sur itnay pakaa hona chaihiyee, kee sur dikhe". Certainly true her. You can see the notes being rendered. Fabulous!

[@rohitsainid6]

When I got some time with Ashwini ji, she told that she calls this raga as “Prateeksha”. but this raga is also called as popular “Bhupeshwari” And the creator of this raaga is Pt. Maniprasad ji

[@pallavisreetambraparni6995]

Only ashwini tai can handle such complicated taals, such as neel taal which is 7 1/2 matras. 🙏🙏🙏

[@kapilrangan3475]

Both these bandishes are composed by Vid. Ashwini Bhide ji herself.

[@CharuMitraJoshi]

Beautiful Raag. "Ab ke hum Bichhde" (by Gazal Maestro Mehandi Hassan ji) Gazal is also based on same Raag.

[@vidyakulkarni8280]

Malvun Taak Deep also

[@GamingHub494]

I thik that is Raag "Bhupkli" Ab ke ham bichde" mehandi ji saab "

[@CharuMitraJoshi]

@@GamingHub494 You are right. But These all are names of same Raag. "Bhoopeshwari" took inspiration from "Bhoopali". It has various names across India. Most of "Jaipur -Atrauli Gharana" uses Raag Pratiksha. 🙂🙏

[@GamingHub494]

@@CharuMitraJoshi ☺☺

[@someshjha1593]

Absolutely correct. Some people call it Bhoopeshwari, Bhoopkali, or komal Bhopali. In Carnatic the closest raag is Prateeksha. The key phrases are SRGPdP PRGRGSd.SR This rendition is very haunting.

[@aalaapnaigaonkar7537]

Pure heaven 🙏🏽

[@ravihegde5524]

Beautiful rendition . The raga is known as Vaasanthi in Karnataka Sangeetha.

[@SudheerTambe]

Thank you for the name of the raaga in Carnatic style

[@pallavisreetambraparni6995]

Beautiful

[@pallavisreetambraparni6995]

I absolutely love Ashwinitai’s voice. It is so soothing and honey flowing. I was lucky enough to listen to her melodious concert in Washington DC.

[@kanchanranade5442]

Such a soulful rendition.. Listening to this bandish gives solace and comfort.

[@amarkrishnadixit1396]

heart touching voice....Ashwini Ji ...

[@prabhumahima8984]

Jay ho🙏🌺

[@pallavisreetambraparni6995]

I did attend ashwiniji's concert in Washington DC. Being a student of hindustani vocal music, it is a good learning experience to listen to good artists.

[@gayatrimuley9170]

वाह ... दैवी !!

[@gururama7813]

This is a great rendering . Can someone just guide through the notes for such a Bandish ? Thank you

[@baladonepudi7389]

marvellous

[@SudheerTambe]

Thank you.

[@pallavisreetambraparni6995]

Beautiful

[@PrasadVaidya66]

Farach Sundar........

[@dileepdeshpande2458]

Pratiksha is par with Meera Bhajan Exalant

[@indraneelnaik822]

Heavenly

[@harekrishna3047]

🙏🎖🙏🎖🙏

[@kiney0713]

Lovely lovely haunting melody.... this has taken me to different levels. Dhanyavad Ashwini ji!

[@kemthurkamath]

Very good

[@aparnapai4504]

Maalavoon taak deep...

[@satnamvaheguru2828]

Variation of bhopali.

[@satnamvaheguru2828]

Da is komal

[@pallavisreetambraparni6995]

Oh neel thal okay thanks for the clarification sudhirji

[@nirmalyachoudhury6397]

এই রাগের আরোহ ও অবরোহণ বলুন দয়া ক’রে। please say the aaroho and aborohon of this raag.

[@anandaroop27]

S R G P Dh S (komal Dha) Bhoopali with komal Dha

[@shreyasravindra7]

Could you please post the lyrics of this? Of both Madhyalay and drut?

[@isherbakery3585]

kari badariya gheri piya nahi paas ab kaise karu sakhi ye ri birha agan laagi bundiya padi angiaan jare jeearaa kaise karu sakhi ye ri preetam bin laagat nahi jiya ritu saavan ki ghata ghan andhiaari chamak rahi bairan bijuri preetam aan milo ab begi tarasat hoon daras ko tihare aas puravo ji hamari

[@pallavisreetambraparni6995]

Thank you very much. i was wanting the lyrics to these bandishes.

[@pallavisreetambraparni6995]

The second bandish is in theenthal

[@SudheerTambe]

No it is not. Please check again. Again this is official as printed on the CD label

[@SudheerTambe]

It is actually 7 and a half matras and called Neel Taal

[@SudheerTambe]

Sorry my mistake. Neel taal for the Vilambit, Kari Badariya

[@pallavisreetambraparni6995]

Neel thaal is the first bandish Kari badariya. Teental is the bandish that starts with the word preetham

[@pallavisreetambraparni6995]

In the Hindustani style

[@zuberkgolechha]

is it similar to Bhupeshawri ? and only difference of Komal dhaivat to bhupali ?

[@SudheerTambe]

Zuber K Golechha I am not sure, sorry.

[@boneyboneybali9270]

Zuber K Golechha bhoopkali,bhoopeshwari nd prateeksha are the names of the same raag!

[@jpantsachiv5416]

Zuber K Golechha Bhoopeshwari or Bhoopeshwari is Pratiksha or Vasanti raag frm Karnataka Classical music.Adopted into North Indian Classical style .

[@SudheerTambe]

J Pantsachiv Thank you

[@sunilpatil5150]

Very nice

[@priyankadas1545]

wht taal it was 8 and half matras drut was teental but the first one?

[@shivamkumarverma8507]

Priv Priya yahoo 7 and half Beats!

[@pallavisreetambraparni6995]

First bandish is in neel taal and neel taal is in 7 and half matras

[@awarakhi]

Thaat? Todi?

[@SudheerTambe]

+Aly Alp-Ercelan I am not sure, since it is an unusual raag.

[@shoonnya]

This unique raag does not fir in the Bhatkhande Thaat system.

[@kapilrangan3475]

This is derived from Charukeshi

[@vidyakulkarni8280]

Bhupeshwari, Bhupkali,

[@priyankadas1545]

wht taal it was 8 and half matras drut was teental but the first one?

[@SudheerTambe]

It is madhyalaya Neel Taal, 7 and a half matras

[@bhaygashrideshpande4301]

Very good

[@pallavisreetambraparni6995]

Ok neel taal and 7 and half matras

[@pallavisreetambraparni6995]

The first bandish is in rupak thal

[@kapilrangan3475]

No this is 7 1/2 matras, not Rupak. The last 2 1/2 beats are like Jhaptaal (in dugun)

[@jaidevkaulgekar2442]

Neel taal

[@priyankadas1545]

wht taal it was 8 and half matras drut was teental but the first one?

[@kapilrangan3475]

7 1/2 matras. Tin tin na, dhin na, dhin na dhindhina

[@pallavisreetambraparni6995]

priyanka das the first bandish is in neel taal and it is a 7 and half Marta taal

[@pallavisreetambraparni6995]

@ kapil ragan the first part of the teka of neel thaal looks just like the teka for rupakthal up to tin tin na din na din na is all rupakthal but the last part of the teka for neel taal is kind of rushed or hurried dhindhina to get that half matra? Correct? To make it 7 and half matras? Because rupakthal is 7 matras? Is this the correct way of thinking? Please let me know. Thanks