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[Encore]
Matthias Goerne @matthiasgoerne7148 & Daniil Trifonov @daniiltrifonov
Gottfried Heinrich Stölzel: Bist du bei mir (Formerly Attrib. J.S. Bach as BWV 508, Notebook for Anna Magdalena Bach, 1725)
00:00 Intro
00:04 [Berlin, 2019] Bist du bei mir
02:56 Applause and curtain calls
05:04 [St. Petersburg, 2018] Bist du bei mir
06:09 Applause and curtain calls
06:29 [St. Petersburg, 2018] Goerne talks about Trifonov I
07:44 [Salzburg, 2017] Goerne talks about Trifonov II ("That's my pianist!")
09:26 [Leipzig, 2022] A brief introduction to their album released in June 2022
* Note: Their Berlin recital was available on DG Stage (now, Stage+) for two weeks from June 24, 2022. It is no longer accessible for viewing.
Album information from DG (Apr. 22, 2022):
www.deutschegrammophon.com/en...
Their album 'Lieder' won the title of "2022 Limelight Recording of the Year." Of course, they have earned numerous five-star reviews for their live performances as well as the album. Here are just a few of the glowing reviews.
In Limelight magazine:
[...] Rebecca Franks describes the album as “a single arc of narrative, a super-cycle of 30 songs that move from sleep and dreams, through the wakeful anxieties of Schumann’s poet-lover in Dichterliebe, before thoughts turn to the transience of human existence and, finally, to death and faith.”
“Death is really the central symbol,” Goerne explains, “but with this is connected loneliness, being afraid and losing hope. I started with the idea of the Berg songs, which support this idea of not wanting to be awake, because then you can stop thinking, and then I thought maybe Dichterliebe could fit into this.”
“It’s one of the most complicated cycles to do well and to understand entirely,” he says of Schumann’s masterpiece. “It starts so tender and soft and sweet and dreamy, but is it something that’s just happened or is it someone - not necessarily old - who lost a long time ago his only love? It’s hard to begin with “Im wunderschönen Monat Mai” - it’s so concrete - but when you slip in from the Berg you still have this atmosphere - a sense of someone who is willing to go over and take this heavy kind of step.”
He also speaks eloquently of Trifonov, a pianist he has known for several years. “He represents something completely new in this world,” says Goerne. “New in being completely special and perfect. You can feel he is an educated human being with a wonderful heart. Everything is in the right place. And that happens once in a hundred years.”
Jean-Charles Hofflé’s review in Classica:
"Le chant des prophètes
Goerne et Trifonov appréhendent le répertoire du lied comme des sommets de spiritualité.
[...] Ce que la voix peut oser, elle ne le peut que par le piano, qui est ici un monde en soi. Programme altier, pétri de spiritualité. Leur Dichterliebe blessé, amer, poème de la désillusion, sur le fil juste avant de tomber dans la folie, donne la main au merveilleusement étrange opus 2 d’Alban Berg, quatre explorations du monde des songes, cycle génial et méconnu où ensemble ils font un saisissant fondu au noir, auquel répondent les déclamations résignées des Michelangelo Lieder de Wolf, ultimes notes tenues elles aussi au bord de la folie. Cette fois, comme pour les trois Chostakovitch pris chez le même poète, c’est la diction qui commande, le baryton qui y plie le pianiste, Trifonov prenant le temps côté russe de creuser l’espace des graves de son clavier, d’en faire sonner les trompettes de l’aigu. [...]"
classica.fr/le-chant-des-prop...
bachtrack.com/review-matthias...
www.nytimes.com/2018/02/07/ar...
newyorkclassicalreview.com/20...
oberon481.typepad.com/oberons...
www.sueddeutsche.de/kultur/da...
www.kreiszeitung.de/kultur/ma...
www.spiegel.de/kultur/musik/l...
chicagoclassicalreview.com/20...
boulezian.blogspot.com/2017/0...
backstage.ravinia.org/posts/p...
#DaniilTrifonov
#MatthiasGoerne