The Creation of 'Evita'

[@chaloynclan3087]

I'm spanish and I saw EVITA by Patti Lupone in New York in 1979. I was there on holidays with my parents that night it was my 16 birthday. I will never forget it. Thank you Pa, Ma and Patti. I still have the ShowBill. Next day we went to the Manhattan Theater Club to see Nacha Guevara!!!! OMG!!!! both shows changed my life

[@Roberto_Lopez202]

Patti Lupone made such an overacted rol, completely false and exaggerated. Also the lyrics of Don't cry for me Argentina are completely different than the beautiful translation into Spanish, done but our great argentinian Nacha Guevara.

[@chaloynclan3087]

@@Roberto_Lopez202 Es que la versión de Nacha es insuperable, el single de Nacha salió en 1977 y aquí en España fue un éxito rotundo. En verdad la propia Nacha fue un éxito rotundo en España. Y yo su fan.

[@viiiivivii306]

Hi, antiperonist argentinian here. Thank you for your excellent and respectful analysis. As many other argentinians, I've had a complicated relationship with the musical -separating the art from the people that inspired it isn't easy, and Evita remains a controversial figure here. Your video was very informative and well made. Thank you for sharing it!

[@Roberto_Lopez202]

I am Argentine as well and being admirer of the left parties of the history, I love Evita very much and think she was the best woman of our country, and that this play is not telling the truth about her. Just remember that also Ernesto Che Guevara being already a leader in Cuba admired her. He and his family always talked wery well about what Evita have done for the poor people and specially for the women's rights. Of course, who judge her belongs to the middle-high class who cannot see the poor people walking on the streets of Buenos Aires Capital such as they still do nowadays.

[@federicobonacorso138]

Hi, I am a primate.

[@stephaniecowans3646]

When "Evita" came to Los Angeles, my parents had to get tickets a year in advance, that's how hot this show was. I had the Broadway cast album with LuPone and Patinkin and had the entire score memorized. I never thought of Eva Peron as a sympathetic figure. Thank you for such an in depth look at this show!

[@josebenito15]

Tim Rice helped me a lot learning English vocabulary.. "Although she's dressed up to the nines at sixes and sevens with you".. And I will always be grateful to Sir Tim for his unparalleled help 🌟 I think I learnt more English going to Musicals than going to the English language School 🎉

[@samcruse9435]

And I've just discovered the Patxi Andión and Paloma San Basilio versión in Spanish. It's definitely helping me with vocabulary.

[@josebenito15]

​@@samcruse9435oh, it's just great.. You are doing my"homework".. But the other way around 😜 Keep on learning Spanish (I'm still learning English).. And enjoy the Spanish Evita Version!!.. And "no llores por mi Argentina" 🏆

[@carl.nooner]

I have rediscovered the Original EVITA White Album after more than 40 years, and while I admit that back then, I considered the Original American Recording the definitive and superior version and the White Album just an early experiment, now I am completely and absolutely blown away by Colm Wilkinson as Che! I also truly appreciate hearing the early lyrical incarnations and orchestrations before they evolved into the EVITA that Hal Prince eventually brought to Broadway. I saw the Original Broadway Production of EVITA with Derin Altay as Eva, a week after Patti LuPone had left the show. I knew what I was missing, but nonetheless, it was the most dazzling stage craft I have ever experienced to this day. EVITA marked a distinct pinnacle for Weber and Rice, and its brilliance would never again be creatively matched or realized by either of them in future endeavors. It is their Masterpiece. Patti LuPone will always be the ultimate Eva for me. She just nails every moment and every note on the American Cast Recording, but she also gives us a virtual acting performance. She actually acts the role in tandem with her powerhouse vocal abilities. What sets Patti LuPone apart from all the other Evas, then and since, is the fact that yes, she is a magnificent and dynamic singer, and yes, a great dancer in her day, but hands down, without question, she is the superior actress to all of them. That's why no one will ever be able to touch Patti LuPone's performance in EVITA. It is one for the ages.

[@rickramos1292]

I wholeheartedly agree. Patti added so many brilliant touches. Let's not forget that she didn't just play the role as written, she created a distinct interpretation of Eva. She was the first and only one to play Eva with a "twinkle in her eye," meaning she'd hint via strategic expressions, turns of phrases, and intonation and of course the many dramatic poses she'd use throughout, that this woman Evita knew exactly what she was doing and the monster within was calculating as much as she was glamorous. Who can forget her taking the famous Elaine Paige pose of her upper arms parallel to the floor and her lower arms pointed up vertically and making her own. LuPone has said she rebelled against the production team trying to get her to imitate Paige's pose. So she came up with her own and she didn't just change the pose but the entire meaning behind it to suggest Eva as being a sort of Christ-like figure in the way she sold herself and in the way her descamisados perceived her. She breathtakingly goes from doing a V-shaped arm pose to immediately morphing into a distinct Jesus on the cross pose. You don't get that from her specifically because Patti brilliantly makes it vague enough to only help color the perceived nature of the character. I didn't really see it as a Christ-like pose until she confirmed that was her intention in several interviews years later. Suddenly, a powerful moment had a clear meaning and it's just one of the brilliant nuances Patti infused the role with. I love Patti so much. Her performances have touched me so much over the years. She's like an old friend that I've never met!

[@jetlagrob]

I had such a deep connection with Evita, England & Argentina. This documentary really inspired me to work for an international airline & ultimately spending 10 years off and on living in Buenos Aires, Argentina.

[@flurpurr]

Hope that you enjoyed my country:)

[@lauram5905]

You absolutely earned a sub for this. I can't wait to see you tackle the nightmare of Sunset Boulevard, being easily one of my favorite flawed works ever.

[@13blackcatzzz]

I feel that way about Aspects of Love

[@gstone8255]

Imagine a similar musical about Melania Trump 😄

[@DivoGo]

@@gstone8255Don’t laugh! Life has a funny way of knocking an idea like that into play!😂

[@ColtraneAndRain]

I loved Patti Lupone in the role. Thank you for this video!❤

[@lkat5113]

Me too!

[@DMfilmfan]

Patti should've played Evita in the film, AND she should've played Norma Desmond in the Sunset Boulevard musical. Patti had the voice and the movie-star looks to play Norma. Norma is unjustly portrayed as a grotesque in horrific makeup in some of the musical versions.

[@jeffreywillstewart]

For the film. Ken Russell was being shopped, ( he directed Tommy). But he didn't like the lead they considered. Ann-Margret had aged out of the role, and wasn't one to blow people away with her voice. Who was the studios choice in 75? Meryl, Cher , Rachel, Bette, Berndog? Am was the most box office after getting an Oscar nod for Tommy.

[@celerystikz]

Thank you for uploading this on the day I saw my first production of Evita. Absolutely loved it. One thing I'll share is that during "Dont Cry for Me Argentina" I did shed a tear as she walked to the microphone as I was so taken in by the beauty. And then I had one following thought.." oh my God, I'm falling for it like everyone else". Glad my instinct was right hahaha

[@DrexelGregory]

Hope you do a video about Colm Wilkinson. That guy seems like his life is a story waiting to be told

[@jenniferschillig3768]

I'm glad you mentioned newer interpretations of the show, like Sammi Canold's. As much as I love Evita as it started out, the fact remains that it's the story of a Latin American woman filtered through the perspective of two English men. (Who were going on the only English-language biography available at the time--a very anti-Eva-biased book called The Woman With The Whip.) That's probably why it comes off as "wasn't Eva horrible for using her body to get ahead?", while interpretations like Sammi Canold's lean more into, "wasn't Argentine society horrible for leaving an intelligent and ambitious woman with no options BUT to use her body to get ahead?"

[@la_scrittice_vita]

And why did a 16th century English playwright think he could write about ancient Italians and Danes abd Scotsmen! This comment sums up why the trash generation will never create anything that outlives them.

[@christophermooreworx4913]

Really well researched, balanced reporting. So cool to see so much of the 1979 Elaine, Patti and Sir ALW.

[@jenniferschillig3768]

I actually think the phrase "don't cry for me, Argentina" makes sense in the main context of the song we know best...I interpret the phrase as Eva saying, "Even if I have left the working class behind to become First Lady, don't mourn me as though I've abandoned you...I'm still one of you."

[@lakephillip]

Really excellent episode. Incredible amount of work. When I was 20- 21 in 1976/77, I discovered the original album. At that age, at that time, any depth about the politics of Evita, escaped my consciousness. I remember in my apartment in West Hollywood blasting, "The Lady's got potential', until I got complaints from the neighbors. When Patti LuPone came to the LA production, I was fortunate enough to see Patti Lupone in it. However, I honestly always liked the OG album better than all versions. When the movie came out I waited several months (right before they would pull it)to see in in Suburban Santa Rosa, at the Airport 8....small screen. Why did Madonna "speak" the speech, instead of singing, on the Casa Rosada, after DCMA? Who's decision was that? Isn't Evita a Rock Opera? It left me feeling a little unsettled. It was better than I could have imagined though. Again I really enjoyed how thorough your episode is.

[@richardburchett]

I was in college preparing to play a part for this show in the school orchestra. I listened to the Broadway recording about a hundred times. It was such an interesting story and Mandy Patinkin was oustanding. It really got me interested in musical theatre in a big way.

[@DivoGo]

What a WONDERFUL episode!!! I learned the real intention of my favorite "Don’t Cry for Me Argentina”. Which has blown me away. If I ever sing that song again, and I will, I have a WHOLE different perspective to work with because of this wonderful, wonderful episode!! Keep up the good work!❤❤❤❤❤❤❤

[@DamienSlattery68]

This is a such a good overview. Well done for such a perceptive and intelligent take on this 1970's masterwork.

[@fabrisseterbrugghe8567]

I saw Elaine Paige in the London production. I walked away thinking there were two great songs -- High Flying Adored and Another Suitcase. The staging of Dangerous Jade stuck with me, too. I later heard the concept album which really made me sit up. Covington's voice has a dryness to it that I think produces the Brechtian distance Prince talked about.

[@bsealy1]

I love this! Already watched it twice. So much info here. Thank you for all your hard work and research. This is the most thorough look at the creation of a musical I've ever seen. Love all the photos and videos of the original casts. Love this channel.

[@valmarsiglia]

Saw it in London in 1985. The scene that stands out the most is "The Art of the Possible" with the musical chairs and generals; I thought that was a brilliant piece of theater and a demonstration of how less can be a _lot_ more. I didn't know enough about musicals at the time to make note of who was in the title role, but I'm fairly sure it wasn't Elaine Paige by then.

[@littlesongbird1]

Yeah I saw a community theater showing of the show and I agreed. It was a great way to stage it. Some audience members even laughed at the humor of it but it got the message across.

[@frankcutugno3576]

I can still remember the TV commercials for "Ev8ta", and a tag line from them lives with me to this day, that they (the Argentines) were so mesmerized and entertained ."..,,...that nobody noticed that she simply seduced a nation!" Something to keep in mind today!

[@JulianChild]

"Evita" is probably my favorite musical and I was able to catch Loni Ackerman filling the role on Broadway before it closed. I had the extreme honor of directing it about fifteen years ago and, as tumultuous as it was, would do it again at the drop of a hat ... provided I knew there was at least one actress out there capable of the task. I've seen too many productions that have fallen woefully short of doing it justice. I'm not a fan of Elaine Paige's talent, though she was impressive in "Piaf," and Madonna ... my stomach just does flips when I recall her saying, "No one can do it but me." Awful. No, LuPone set the bar and I have yet to see anyone come close. That aside, I, too, obsessively researched the actual Eva Peron and was left just about as bewildered as everyone else, including this narrator.

[@JohnCharlesYost]

As an original cast member in both the London & Broadway versions, I found this intensely interesting. Thank you for it. But I do have a question. After all the wonderful coverage of Elaine and Patti, I wondered why you didn't mention that it was in the papers that Hal had wanted to fire both of them. In London it was in the Observer, the week before we opened entitled, The Che & Eva show. The journalists had followed us through the rehearsal process and interviewed pretty much however they wanted. Apparently Hal wanted to bring Bonnie in but Tim & Andrew said no. And in LA it was in Suzi's New York column. In both cities we had emergency company meetings full of tears with Hal having to build up his actresses and assure the casts that he was now firmly behind his leading ladies, that they had improved dramatically etc. In London it was unfortunate, but when Peppi and I were again at such a meeting in LA we sort of wondered. Was there manipulation here? I would love to get your take on this. PS: Elaine and Patti were wonderful to work with. At least that was my personal experience. As were Susannah and Terri.

[@StagedRight]

Hi John! Thank you so much for the kind words and sharing this. I did read in Patti's memoir that Stigwood apparently wanted to fire her out of town, but I had no idea Elaine was in talks to be fired. Compared to Patti for sure, at least for me, Elaine's account of that time is rather calculated. As for why I didn't address those things... I decided not to focus too long on some of the backstage things that (based on the research I had access to) are speculative. One source who was there at least alluded to it in my talks with them but I still didn't want to draw much focus on it. Also, a lot of these archived news items are behind crazy paywalls. For context: I'm a Canadian often reporting on Broadway and New York. Given Evita's origins are distinctly British, I wanted more from items from that side and the episode was the first time i subscribed to The Times of London/Sunday Times to get some coverage of West End Evita. Still, based on my time using the site, I got the impression I didn't have access to everything... I would feel you would have a way more informed sense of the press manipulation at the time. Gleaning from what I've read, Stiwgood (something of showman producer) seemed to whip up the press and, based on something alluded to ALW's memoir, operated on the standard of any press is good press. That being said, ALW gets facts wrong in his in account of that time which makes reporting things even harder. Patti suggested Hal had something to do with the publicity/drama,... (Admission: I got some Peron history wrong after publication and have since cut it out.) It's fun and daunting getting all these accounts together. Thanks for watching! X

[@JohnCharlesYost]

@@StagedRight Very impressed to receive a response so quickly. Don't even know if I expected one at all. The two experiences, London & Broadway were so different almost schizophrenic in mood and atmosphere, and because of you all those memories are bubbling back up to the surface. If you would like the observer article for your files, I definitely have it and could scan it for you next week when I return home. I might even have the Suzi column. Just for your own files if you are still interested. Once again thanks for the great work.

[@StagedRight]

@@JohnCharlesYost That would be amazing. My e-mail is in the contact information on the channel's page. Cheers! X

[@vandergrad]

You just explained to me my own experience with Evita, which I saw in a Chicago production that both thrilled me and turned me off. I've never quite understood my feelings about it but I think Jesse Green's review hits the mark exactly for me. Thank you for all the information, insight, and honest thought process that you obviously put into this video. You just earned my 'sub'. Can't wait to watch more of your content!

[@freshname]

That was such an informative and nuanced video about my favourite musical, actually my only favourite musical, that it's quite hard for me to say how much I appreciate the work that you've done. Thank you once again!

[@robbiereacts22]

I went to the premier of the film when I was 17. I love the play and I love the film.

[@dalehitchman874]

Your documentaries are so well made , well informed , fascinating and polished ! Amazing work , bloody well done 👏🏼👏🏼👏🏼👏🏼👏🏼

[@MarilynPF]

I’ve seen Evita at least 5 times in various cities with different productions. Great documentary about how the show came to be. 👏🏻👏🏻👏🏻

[@LucasFerreira-rl9nd]

Patti is just phenomenal in the role, love all your videos!

[@Philippadrinkstea]

Had a rather trippy moment of wondering why my friend from music camp's mum was on this, only to discover that she's theatre famous! They kept that quiet 😮 hey Mrs Fellows 👋😂

[@shiphrahober875]

Absolutely brilliant work you have done! Thank you. Takes me back to 9th grade in political science class where I was introduced to Eva Peron. Was always fascinated by the story and the musical, then and now.

[@alexmg3648]

Evita has a special place in my heart because it was the second musical I became obsessed with (1st one being Cats), when I was 7 or 8 years old. My fascination with the figure of Evita Perón also spurred my interest in history and politics which now make me notice some of the show's inaccuracies.

[@claudiomaxl7814]

the show has nothing to do with real history, starting Peron wasn;t a dictator but three times democratic elected presideent

[@phoenixshade3]

The musical repeatedly questions the "democracy" of Argentina. At the same time, language of being "elected" is -- rather cynically -- placed in the mouths of historical figures who publicly represented themselves as such: • "It's annoying that we have to fight elections for our cause. The inconvenience -- having to get a majority. If normal methods of persuasion fail to win us applause, there are other ways of establishing authority. We have ways of making you vote for us, or at least of making you abstain." (Peron/Secret Police, "A New Argentina") • "How can you claim you're our savior, when those who oppose you are stepped on or cut up or simply disappear?" (Che, "Waltz for Eva and Che") • "La Prensa, one of the few newspapers which dares to oppose Peronism, has been silenced, as have all other reasonable voices!" (Che, "She Is a Diamond") If I thought for more than 12 seconds, I could probably produce more examples. The musical never makes a factual claim that Peron was legitimately elected, and strongly implies he was not.

[@juliogonzalez2142]

Brilliant video! Always look forward to these!! Thank you so much

[@horaciosacco2538]

Than you Max for this promotion of Argentina and EVITA,for millons our emblematic national hero,.you had made another show with this "back stage"..Evita and our Elena Roger for ever!

[@alexmg3648]

Julie Covington is an intriguing figure in musical theatre, such a beautiful voice. I don't know why she wasn't featured in the original london cast recording of Rocky Horror, perhaps that's also an interesting story. She's also the only person who I believe is able to successfully cover a Kate Bush song, The Kick Inside.

[@JoeyArmstrong2800]

In my humble opinion, the concept album is better than the stage show. Julie Covington has such a vulnerability in her voice and of course the almighty Colm Wilkinson.

[@patrickryan7669]

Julie was accidentally thrown off stage during a performance of The Rocky Horror Show and had to be hospitalised. She chose not to return to the show which was still in its infancy, instead joining a production of Antony and Cleopatra. Belinda Sinclair, her replacement in Rocky, thus appeared on the cast album. Such a shame as Julie Covington has a wonderful voice, would have worked wonders with the Rocky songs and to this day, in my opinion, is the best Eva Peron, albeit on record.

[@StagedRight]

Having been totally unfamiliar with the original album before working on this episode, I have grown quite fond of Julie’s performance and the overall album, with certain moments becoming my preferred interpretations over the other recordings of the work. How thrilling it must have been hearing it for the first time without any previous reference.

[@insertnamehere_262]

@@JoeyArmstrong2800 Agree to disagree

[@DraigBlackCat]

​@JoeyArmstrong2800 wholeheartedly agree with you. The stage show is another person's representation of the story, with the limitations of budgets, costume changes, etc. Wheras one's imagination is generated from an entirely personal interaction with the album. Covington's Evita has a purity of voice and projects a vulnerability, but Paige is softer and has more richness to it which takes the edge of any vulnerability she tries to project in this role.

[@taylorduarte2468]

watching this from argentina, love that you made this video

[@biancavarelas9718]

I’m a fan of your analysis and the care you take to develop your posts. Thank you

[@maryangelinegurion1345]

I love your video, especially your statement that we should still be aware of the warnings shared through the musical. I'm a Filipino and I do see similarities between the Perons and the Marcoses. This is why I was shocked that the son of former president Marcos is now the current president of the Philippines. Theater, like any other forms of literature, can sadly be used as propaganda for certain groups, the purpose to glorify and to change the narrative. I hope people would understand that even though these people did do good things, they still committed atrocious acts. "Humanizing" a contentious figure is such a complex subject, a double-edged sword.

[@amandastumpff5252]

I’d be curious to see what you think about the musical “Here Lies Love” about Imelda Marcos…

[@fabiodeluca4816]

I'd like you to know what "atrocious acts" were commited during the Peron governments, according to your sources. It's said Marcos was responsible of the deads of 100.000 filipinos, nothing like that happened during Peron's tenure. It's obvious you ignore Argentine history.

[@pabloduarte3794]

I´m from Argentina, ...When everyone talk about that iconic speach in the balcony of the Casa Rosada the fact is, in real life, she never did taht speach in the Casa Rosada. That last speach before she died was in another building in the 9 de Julio Av. Andrew Lloyd Weber thought that was better moved that speah to Casa Rosada.

[@Vesnicie]

Great work on this and JCS!

[@noahmoore6992]

LOVE YOUR VIDEOS!!! This is so great!

[@benbozovich9522]

AMAZING VIDEO!!! I just finished directing this musical and this video is a great teaching tool to show my students!! thank you so much for making this!

[@DianaW3431]

A very balanced look at the history and legacy of this musical. I learned a lot.

[@seanleonard1315]

This has been an amazing memory, i was in the irish production...keep up the work

[@thomasbonneville6242]

Excellent presentation. Insightful and entertaining.

[@MAGICMONKEY52]

Very interesting. Very in depth and informative. Thanks for creating.

[@bethmiller9774]

Finally watched this. Fascinating! 👍 Thanks so much. 👏

[@Sarah-jd7zv]

just discovered this channel, third video in so far! love it!!!!!!

[@lakephillip]

I Saw Patty LuPone twice in her LA run...The first was a Saturday Matinee. Then I saw it right before it was leaving LA. She was really good. But the first performance I couldn't get over how different it was from the album, and Julie Covington. Especially except for the album, During "On The Balcony of the Casa Rosada", she sings her speech like an opera, but the PL version was spoken on pitch, instead. It threw me for a loop the first time I saw it, but It was incredible. I noticed that Elain Paige was singing the speech. I'll have to revisit that cast album. Very Very Good, Incredibly thorough documentary film. Thank you so much.

[@silliaek]

I love the Evita film!

[@Camille_Anderson]

I love it, too. I don't care what anyone says, Madonna's star quality ( no pun intended!) brought so much to the powerful performance that Evita needed. Madonna has the charisma and talent to convey Evita's stature and controversial history. She also lost her mother from cancer very young and brought humanity to the role, something Evita would never let the Argentine people see. She was magnificent and was the perfect choice. Whilst there's always going to be bigger vocalists, that doesn't mean they have the screen presence or the ability to put on a show like Madonna!!

[@kc-lp6wg]

You really punched the word "whore" in "illegitimate whore" and l'm here for it. So glad to see a new video!

[@StagedRight]

BAHAHAHA! Love ya. X

[@jonathanmartinsegundera2593]

I truly love that description of Eva as an "illegitimate whore". That could have been the driving force in her life to be recognized and accepted by the upper crust elite and I truly admire Eva for her determination to climb the social ladder. However how much she tried, she never reached ir. To quote someone from that social stratum, "You will never become one of us." How tragic.

[@NUBF]

Lol I felt the same way but wasn’t sure Kevin would find it as funny. I also approve, it really sold the way the public must’ve felt about her

[@kc-lp6wg]

@@NUBF Kevin is a treasure and would love that you pick up the sass that he throws down! Eva Peron might feel a little humourless about it though....His videos always make me feel so happy.

[@NUBF]

@@kc-lp6wg lol thanks! And I so know what you mean. I am such a lover of knowledge and watching this channel I find myself enjoying not just the amount of labor and research that goes in to making these, but also the respect and kindness of Kevin’s lens. Combine it with music and interesting personalities, and StagedRight is a balm to my soul 💕

[@callan9767]

Great content as usual 👏🏼 just want to add that I would love it if you were to cover the life and career of Elaine Paige in one of your videos. I feel sometimes she can be somewhat overlooked compared to her broadway peers. Probably due to her mostly being a West End star. She was truly a trailblazer in musical theatre and a powerhouse talent- both as a singer and actor. As well-researched and well-edited as your videos are, I’m certain it would make for great viewing!

[@deutschliebe]

Excellent work - instant subscription!

[@marksargent2440]

I saw it on stage years ago and loved it . and i also saw maddonner as well the role she was born to play

[@kevinwilson3609]

She was born to play....badly

[@Camille_Anderson]

​@@kevinwilson3609Madonna was magnificent in that role.

[@kevinwilson3609]

@@Camille_Anderson Only when playing the corpse at the beginning

[@andreavictoriaparadiso47]

I am Argentine by birth. My mom, dad and I migrated from Buenos Aires to the USA in 1964, almost 2.5 months after The Beatles first visit and 5 months after President Kennedy's assassination, quite a turbulent time. I was 7. Although Argentina is a democracy and political unrest is a daily given, we'd migrated for economic reasons. The cost of living in Bs. As. was skyrocketing and jobs and living quarters were increasingly hard to find. The Paris of South America was going thru a growth spurt. My mom had told me quite a bit about Evita and Peronists as she'd lived thru this in her late teens and early twenties. She wasn't into politics but her father was and many of his friends were always in discussions around her while growing up. She didn't like the woman and she didn't like Peron and avoided any discussion like the plague. It was very dangerous to express any criticism. Evita indeed had the nation entirely fooled and people followed her blindly. It seemed to me that it was like the early days of Hitler (or any leader of that sort) who creates such a frenzy that it's hard for anyone to stay cool and get perspective. Hence "The crowd is fickle, it can be manipulated." . Imagine, years later, finding out a musical had been written about this complex and intriguing woman. Well, we both loved it! All in all, it is just a very broad sketch, but then how much can one capture in two hours? Of course, I'm lucky having all this "insider" information so I can fill in the blanks without even trying. I never did much research on my native country after we came but then the internet didn't exist and barely any info about Argentina til recently. Even now it's difficult to find. For all the critics that point out it isn't telling us the whole story, it makes Evita too sympathetic, etc. all I can say is take from the musical what you can. It's a story of a person/woman at a certain time in history. Put yourself in her place and see what you learn. As a theater and film lover, I thoroughly enjoyed your video and think you did an exemplary job. I'll only add one thing that wasn't emphasized and that is the lengthy love-hate relationship between Argentina and Britain. This may have had something to do with how it was received by the British and a lot by how it wasn't received in Argentina. As for me, although I've lived in USA for almost 60 years and am a naturalized citizen, "Don't Cry For Me Argentina" takes on an entirely different meaning...the streets of Buenos Aires will always be mine and Argentina forever my home. Thank you for this lovely video!

[@StagedRight]

Thank you so much for sharing your story and your perspective! X

[@andreavictoriaparadiso47]

@@StagedRight My pleasure!

[@DraigBlackCat]

This entirely missed a little nuance about Evita's album launch in 1976 and the London opening in June 1978 - the fact that this was also the time of the FIFA Football World Cup (soccer) being held in Argentina. When the album/single were released in Nov 1976 the qualification competitions were already under way. Thus there was a real interest about Argentina being built up within the British public. The show's opening in June 1978 was in the middle of the World Cup down in Argentina, which ran from 1st - 15th June. I don't know if this juxtaposition was deliberate or pure serendipity, being a total cynic I am inclined to lean toward the former - though I am entirely without anything other than a reliance upon my own gut call here.

[@rphrph167]

Having loved the musical when it first appeared on vinyl and as also a lover of Rock Follies I was over the moon when I heard Julie Covington would perform in Evita in Sydney. Being a Melbournite a trip was planned and tickets were bought. In the end I don’t think she even came to Australia….

[@valmarsiglia]

I know they needed a star for the film so Madonna was a natural choice, but listening to her version of "DCFMA" next to Patti Lupone's, Lupone blows her out of the water. No comparison.

[@littlesongbird1]

Yeah I generally like Madonna but I didn't care for the film version. I think a better idea would have been if they did what the stage production I saw did which is have a younger actress play Evita for the first half of the first act (basically Evita as a teenager up to when she means Juan) as Madonna was a little old to play a 15 year old (just my two cents and I do like Madonna I just felt the film version could have been better).

[@amymiller8964]

Patti Lupone the greatest! ❤️ Madonna is not even close.

[@anthonycoca2202]

@@amymiller8964 For a brief while, I’ve know Patti LuPone personally and I’ve always felt she was overblown by the gays and somewhat overrated. Plus, she’s cunty.

[@ThatGuyLondon]

I was listening to showtunes on shuffle one day and Madonna's Buenos Aires happened to play immediately after tbe Glee version and I was just amazed at how good the Glee version was..and how much it made Madonna's sound so...bland. I'm not gonna crap on her acting, and she wasn't terrible in Evita...but she just wasn't right for the role

[@Camille_Anderson]

We know there are better singers, but Madonna was perfect for the role. She has huge appeal and can relate to the polarising figure of Evita. The performance in total was powerful and beautiful.

[@LawrenceVillegas]

Kudos mentioning HERE LIES LOVE in this. it is said that Imelda Marcos was inspired by and idolized Eva Peron, so the parallels do exist.

[@salute4392]

Keeping with the ALW theme, I’d love a Joseph episode of staged right!

[@seanmoran-w6u]

directed it a few times- powerhouse of a musical..

[@seanleonard1315]

Ive seen it with Elaine Paige, Marti Webb and the late Stephanie Lawrence..❤

[@ericcaers7249]

Many thanks for this interesting and in-depth analysis. I would have liked an honorable mention for Broadway veteran Florence Lacey, who holds the record for the most performances of ‘Evita’, including the 1989-90 European Tour.

[@daveszymborski9193]

Really? I read somewhere that Loni Ackerman held the record. Am not saying you're wrong, merely saying I read different information.

[@lomion79]

There are a number of conflicting reports (even by Rice himself) as to whether Che was intended to be staged as Guevara (even though the character's concept album story was based on him) but it was Prince who insisted on the revolutionary image. The UK has had a number of revivals of Evita over the years, one of the more recent directed by Jamie Lloyd. Of course, the first West End revival (2006) was quite different to Prince's original and very definitely had Che as an everyman (this revival made it to Broadway in 2012). You appear to have some contacts so I look forward to how you deal with Chess 😉

[@browneyes142a]

For Cannold's version, they play a documentary in the lobby with an extrnded interview with Evita's nurse. It was very fascinating to see her perspective.

[@NUBF]

You do these soooo well, you’re so inspiring! Watched it several times already and having you tell me about Eva, her legacy and the making of the musical makes it almost ok that I was embarrassingly unaware of “Evita” before. And your Spanish pronunciation is great! 😁 thank you thank you thank you for the hours you put into this, it’s a labor of love and it really shows. Yay StagedRight! 🩵🩵

[@Marco-xz9sc]

Me owning the OG white album on vinyl… I love it

[@Marco-xz9sc]

@mipmipmipmipmip depends on the condition… there a lot of beat up ones missing the libretto. Those are like $10. Min was perfectly mint and maybe about $27 all said don’t with shipping and all that

[@ElizaHamilton1780]

I’ve been watching “Santa Evita” on Hulu-a show created by an Argentinian studio. Judging by their depiction of Evita, the issue is that she was relentless. She was like an attack dog-once she latched onto something, she would never let go. Whether it was Juan Peron himself, or women’s suffrage, or helping anyone she could with her foundation, she wouldn’t stop until she got what she wanted. She was fiercely loyal to whatever she latched onto.

[@grahamhowes6904]

My friend Chris Lloyd Pack was Company Manager on the original - his brother Roger was in the beloved sitcom ONLY FOOLS AND HORSES. Their Father was Charles Lloyd Pack a great character actor. Our friend the late Ant Bowles was the original Musical Director and I’m pretty sure was the orchestral arranger. I was therefore very lucky enough to see it from vantage points on the stage and audience. Hal Prince kept a tight grip on the discipline of the show and would dive in unannounced on a matinee for instance. There are many backstage stories on this show and Chris required the tact and skills of a diplomat in delivering the notes. Even pop star Kathy Kirby apparently auditioned. Our MISSING PIECES company choreographer Richard Marcel choreographed for MADONNA in the movie … even more tact required!

[@thechickapedia1175]

Love Mark. Met him a few years ago. Such a sweet man

[@Leftatalbuquerque]

Olivia Newton-John recorded this for her Making A Good Thing Better album, Karen Carpenter recorded it for the Passage album.

[@carlingconnor2018]

Great video, thanks!

[@alexiacaceda1421]

This musical is helping me get through history class. Peron's three governments are so complex

[@davenelson4759]

Love this show Evita

[@flagcoco69]

Thank you for your honesty concerning Madonna's portrayal of Eva. Everyone I know loves it, but they hadn't heard the other iterations and productions. They hadn't heard Julie Covington or Elaine Paige or Patti Lupone, so they had never heard Lloyd Webber's score as it was originally intended. Anyone familiar with the previous incarnations of Eva knows how challenging the score is and how it had to be dummied down to fit Madonna's range. You cited how the score had to be modulated down to fit her voice, but it was also slowed down a bit, in my opinion slowing down the whole of the story, the whole of the film. Not saying Madonna was horrible, but it's obvious the 1996 film was entirely a Madonna vehicle. No one was going to toss her aside for the sake of an actress whose range better fit the score. So thank you for that. I thought I was the only one of my generation who saw that, or at least the only one without a pedigree in musical theatre.

[@StagedRight]

PEDIGREE IN MUSICAL THEATRE!!! 😄😂😄

[@Camille_Anderson]

Madonna's performance was brilliant and she might not be the greatest singer but she was still excellent in the role. She brought a new audience to it. Her charisma and the relatability to Evita's controversial polarising image was alluring to many of us who heard the soundtrack for years but wanted a huge star who encompasses Evita's infamy.

[@flagcoco69]

@@Camille_Anderson I think Madonna sucked and I explained why. Can't convince me otherwise. I had an open mind, and she slammed it shut like a rusty door on a Dodge Dart. I think Madonna is talented as a singer and actress, I loved her in many other incarnations, but she sucked in this.

[@Huadasan]

I saw the movie first and then went to search the stage versions. I actually saw a live performance in SF recently. Evita is my most favorite musical. The movie intrigues me about the story while I was impressed most by the music/lyrics. Even Madonna will never be remembered for her voice/ this role, she is the woman led me to Evita , a forever masterpiece!

[@fernandozuniga-pflucker4882]

Done Right! Bravo!

[@luukjoling1]

Tradition after the Staged Right deepdives; listen to the recordings.. I´ve always done the OBC but I´ll try the White Album!!

[@JoeyArmstrong2800]

I really appreciate this deep dive into Evita. However I feel like the musical itself doesn't really add up to much. A couple of show stoppers and it's over. What is it trying to say, if anything, about Eva Peron?

[@peterroberts6933]

It’s about the dangers of power and ambition, especially when the holder is beautiful. It has a great deal to say about politics and image.

[@JoeyArmstrong2800]

@@peterroberts6933 To me it's not there up on the stage though. Even some of the music I find questionable. I find people project onto Evita because they already know it inside and out. Without "Don't Cry for Me Argentina", the musical falls flat on its face. I really want to like Evita but it doesn't commit and feels like a copout.

[@kevinwilson3609]

@@JoeyArmstrong2800 It's in every line of the show and every note. It's about sexual politics, image over substance, the dangers of attractive fascism, ambition...these characters represent rather than live, sure, but it's an adult musical with adult themes. And to say that one song is good or meaningful means you really haven't listened to it properly.

[@JoeyArmstrong2800]

​@@kevinwilson3609I don't buy the whole "Cinderella" story thing because it's just not very compelling. To me it hits upon everything you listed but it all seems half-baked. Juan and Eva Peron were right-wing tyrants. I wish it was up on the stage.

[@carl.nooner]

Oh, I am so so sorry for you. Bless your heart.

[@freshname]

Thank you

[@csm92459]

I enjoyed the movie, but having seen it with Lupone on Broadway, I came to the conclusion that Madonna's voice couldn't really handle the part. Certainly not "8 shows a week, 2 matinee". I found the more technical information and her character intention informative and interesting, but that leads me to the idea that Madonna WANTED the part and offered up the interpretation as a fig leaf to her actually knowing her voice couldn't handle it

[@KentuckyLiz]

Charro as Evita?! OMG that would have been FABULOUS

[@gertolesen5927]

I fail to understand why you think "Don't cry for me Argentina" should have been misunderstood? If you have seen the show on stage, you can't have any doubts unless your're dim

[@kjmav10135]

Just found your channel. I remember seeing Evita on its first run through Chicago. I was barely 20 at the time, and, like most theater goers, barely knew who Eva Peron was. On the way home from the theater, my father, a World War II veteran, connected the dots of fascism for me. It was an exhilarating evening of theater, followed by the sobering realization of just how awful the Peron regime was. It was a cautionary tale back then, when movie star Reagan was in the White House. And, even more-so, it is a cautionary tale now. “Star Quality” is a very dangerous thing.

[@kathyastrom1315]

Wait, Tovah Feldshuh auditioned for Eva in New York?! She’s great, one of my favorite character actresses. I had no idea she could sing at that level. I would have loved to see her in the part.

[@StagedRight]

She auditioned - doesn’t mean she could sing at that level, though. Tovah is great.

[@kallen868]

I love Tovah! Her recent Rose Brice in Funny Girl was wonderful. However I've seen a clip of her as Mama Rose in Gypsy...she could never have sung Evita as written. She also played Yentl on stage. Wish I'd seen that pre-Barbra non-singing stage drama.

[@DrexelGregory]

You just earned a like and a subscriber

[@kathyastrom1315]

Even though I am not a director by any means, I have always had this idea in my head that I would love to stage this with a female Che. That would give me the chance to explore two differing women’s roles in the contentious postwar years-the supportive perfect wife (who actually is the force behind the throne) or the rebel struggling to be heard while both are fighting against traditional female roles. The most lingering image I have is the choreography for A Waltz for Che and Eva-a mirror dance for the two women instead of a traditional waltz. Che’s bitterness towards Eva would be even more loaded with meaning.

[@billyb7852]

I love this idea!

[@ernestopiscione957]

This is a ridiculous idea. No woman in Argentine history could make sense in playing opposite Eva

[@kevinwilson3609]

@@ernestopiscione957 Evita is not a history lesson so it would be a great idea to put a female Che.

[@arcana1973]

@@kevinwilson3609and have Elvita played by a man

[@MondoMiami]

Juan Peron could be trans …

[@christinec.6685]

They wanted Meryl Streep for the movie, but there were issues with filming abroad and her then-young children. The original director pulled out when Madonna became involved. I'm not sure Meryl Streep's voice would have been that much stronger than Madonna's.

[@user-hf8ie8mf3n]

This, and others, just made you want to sing in musicals. I could sing, but I couldn’t SING! Patti, Mandy, etc. Shivers. 👍🤪🏳️‍🌈

[@idogonen3075]

It's a shame you didn't include the latest London production of Evita that was produced in 2019 (and coming back in 2025) by director Jamie Lloyd. It's an incredible reimagining of the piece.

[@MS-zu8ds]

Patti LuPone - I've got a voice and I'm gonna use it.

[@swaingles]

If you want to create your true version of Evita, I strongly suggest your reading EVITA by Argentinean historian Felipe Pigna. He tells the true story of this incredibly sensitive and passionate woman who actually look in the eyes of the working class, the poor and the miserable

[@peterroberts6933]

Do you know of an English edition? My Spanish really isn’t good.

[@swaingles]

@@peterroberts6933 Pigna's work comes in English too on a separate page and the pictures are wonderful.

[@nonyabusiness2510]

yup, the sensitive woman who screwed over the poor. Ripped off the rich while padding her personal bank accounts. She was a corrupt unethical woman. She couldn't care less or give one shit about the poor and man in the nation were left penniless and poor by her influence over nationalal politics. The Country was almost bankrupted. You might want to actually research the facts versus your fairy tale interpretation.

[@la_scrittice_vita]

The pov of the ignorant who were conned can be enlightening if you understand that's what it is. If you imagine that is "the true version" you're just another mark.

[@hefinrosser8685]

The show was written where they knew little about Eva. It's easy to look back and critise it. At the end of the day it's a musical inspired by something It's a great show xxx

[@phoenixshade3]

Che Guevara screaming about his insecticide (cut from the musical production, but on the concept album) was a rather odd choice that we are probably better off without.

[@la_scrittice_vita]

Yes, people in tge comnents can be quite ridiculous deciding the obscure thing that they found is "better" than the known version. Songs like that are cut for a reason. Just like footage is cut from films for a reason. Dumb fanboys who want everything restored to the first draft are just lacking in taste and discernment.

[@raumaanking]

Looking like Grace Kelly here at 0:01

[@rphrph167]

Excellent!!!….

[@Frustrationcentral]

What I want to know is if they’ll do a musical about the shenanigans that went on over her corpse for 2 decades 😳😬🤣

[@jenniferschillig3768]

I was actually quite impressed with Madonna as Evita...and I wasn't all that gung-ho for her to be cast. During "Eva's Final Broadcast," when her voice breaks on "I'm Argentina...and always will be..." I was all, "DAMN, Madonna, if you could act all this time why didn't you just SAY so?!"

[@gertolesen5927]

Because she couldn't act as little as she could sing. I hate that movie, but I love the stage show

[@Camille_Anderson]

Using her fame & her talent, she brought Evita to life in a dazzling performance.

[@Leftatalbuquerque]

I am suffering through the ads to see this, now that KZbin has threatened me with banishment via Adblock.

[@sinash]

IMHO, it was the television advertising campaign that really sold this play and made it (and Patti Lupone) such a huge success. Who could ever forget the shot of Patti Lupone singing "Don't Cry For Me Argentina" on the balcony of the Casa Rosado? Or remember anything more about the spot other than that particular shot? Elaine Paige, who? That image was emblazoned in the minds of many and it was definitely money well spent! On another note... which was probably never even considered or would have never happened given the times (or she couldn't sing it), but... I always wondered what and how Diana Ross (in her prime) could have done with that one shot for her career and the notoriety of the show. I mean... if nothing else, Ross can surely wear a ball gown and bring the regalness and gravitas required of that moment.

[@carl.nooner]

😂

[@DistantCousin]

A great video. However it is a great pity the London 2019 reimagining by Jamie Lloyd is not referred to. A more radical take on the show than the Cannold version