Street Photography without fear

[@hcamacho2]

I take my picture, and whenever they look angry at me I pretend like I was taking a picture of something behind them and start preparing to do another shot while I do this face of “annoyance” as if my subject walked into my picture and ruined my snap. All of a sudden, their face changes towards me into a “sorry face” and I end up turning into the victim...

[@StreetSnappers]

Hi Hugo, it's always good to hear what other people do in these situations. I guess we all have our own methods that work for us!

[@djs______6855]

brilliant lol

[@Patahl]

I do the same and it works every time :-) :-)

[@AkakyAkakyevich]

I do the same thing, but what I do as well is I take a step to the right or left and take another picture. If they follow me, then I make eye contact and ask, Excuse me, do you mind, in the most pointed voice I can manage. I usually get the sorry face then.

[@alvaro5162]

Since you don't know how to handle the situation well you hide behind a lie, try telling the truth and offer to erase the image if they ask you.

[@davidwoods80]

I'm old. I was traumatised by a 'street photographer' when I was a child, circa 1962. I was on holiday in Washington DC with my parents and a guy jumped in front of us and fired off a flashbulb. Scared the crap out of me. Turns out he was selling tourists souvenir photos. Interesting that now I love street photography and yet am sensitive to disturbing people with my work, especially since I use a large camera. I don't work close; I find around 50 to 85mm work fine, and I largely shoot in tourist areas where people expect to see pictures being taken. If I'm challenged, I play the idiot tourist card and it's helpful that I have a foreign accent. I also dress well enough not to be taken as a junkie or panhandler.

[@StreetSnappers]

I like the way you’ve adapted your shooting practices so that it works for you. We should all do that!

[@kenneth_mirez]

oh man I'd do well in tourist areas for my accent hehehe

[@drixmor]

Your tips came at the right time. I'm producing my first street photography project in the city of São Paulo, and your information will be used. Thanks for video, Brian!

[@Dan-Nicolas]

Hi Brian, I am a professional photographer and for me it really helps being on assignment. If I have a purpose, need or reason to take certain shots I am much more fearless. And if I am not on assignment and I am just walking around without a clearly set goal I noticed that it’s much harder and I let certain images slip away because I doubt. So what I do now is set myself assignments when I go out. So I have a reason or a goal and know what kind of images I want to take that day. Could be anything but it’s a good way to at least get yourself going! You can then go ahead and shoot anything you want, obviously, but it helps get rid of the fear and gives me a drive.

[@StreetSnappers]

Thanks Dan - great point! When I'm on assignment as a photojournalist, nothing else matters and I just close my eyes to everything except what's important. It's like people are not there. Maybe working in this way makes us feel we have 'permission'.

[@Dan-Nicolas]

@@StreetSnappers Hi Brian, great point about ‘having permission’. I hadn’t thought of it that way but that’s an interesting way to put it. I saw it more as having a need or a drive but permission is in some ways better. And it’s a more positive outlook, that’s always better!

[@dragonspecpc]

I am currently starting my photography journey and am taking everything I learn from Brian's videos, to heart. I try to remember as many of the tips, and put them into practice. I find myself rewatching this one and his small towns video. My closest city is large, building wise, but run down, and only about 5 blocks by 3 blocks. Mostly abandoned towers and old office/business buildings. But at most I may see 20 or 30 people, unless I travel to the top of the hill, which is a college campus district. I deal with anxiety on a regular basis, and love street photography, as a viewer. But when I'm the shooter, I am filled with doubt and worry. "Will I get robbed of my camera?" Which is still being financed. "How am I coming across to others? ". I find people making eye contact constantly, as it is far from a metropolitan atmosphere. A beggar or two, for cigarettes or drugs; not homeless. At night it's better as the bars and businesses open up, and all the street lights and led signs light up. That's when I feel inspired by the lights and reflections. The number of people triples at night, making it easier to blend in.

[@webpoet73]

I have never done real street photography. I am going to try it. Try it small and see if I like it. If I use an iPhone, that will make people more at ease since they'll think I'm a tourist. I do have an old Nikon 1 J1 with a 35mm equivalent lens. that is a very small camera and it's red, so it'll probably not be taken as a serious camera.

[@stevesvids]

I'm more confident when my eye is behind the camera. I get the camera to my eye and keep it there even after getting the shot.

[@StreetSnappers]

Yes, I often do that too - it usually works!

[@sylwesterorzechowski6068]

Good advice, thank you!

[@bcegerton]

Makes them wonder whether you are just waiting for them to pass

[@MehmetUgur]

The classical move, simple and useful! I do that too :)

[@stevesvids]

@@MehmetUgur 🙂👍👋

[@DavidRobertsonUK]

avoid eye contact? I've been training for this my entire life😂

[@Gingergall17]

agreed

[@salvatoremuoio4736]

Thanks!

[@ThorenTravels]

good guy

[@BenSussmanpro]

Thanks for these useful tips. I find that I’m less uneasy when I’m out with other people, especially my wife &/or son. I figure that strangers find me less threatening when I’m with others. Of course I always fall behind & have to run to catch up.

[@marcelvanoene]

Thank you very much, really great tips 👍

[@johnwaine56]

I used to go shooting with a friend. She barely knew how to operate her own camera but could make amazing abstract images. She was happy to tag along but was so good with people. She would engage with them and I would snap away as the interaction developed. It was fun! Maybe this is an option for street portraiture?

[@StreetSnappers]

Yes, it's sometimes good to have a decoy!

[@evigr.8270]

Danke!

[@rcchronicles25]

You are great my friend! I have sub-scribed! Your advice is killer. I'm going through this now with my street photos and trying to learn who I am. I don't like being sneaky, I feel I want to just be open and go for it, I'm down on my knees sometimes just getting that shot. If someone doesn't like it I'll delete it 👍

[@jordymaas565]

A few no goes if wasted time & aggro to be avoided; steer clear of people with children, lo lifers & obvious nut jobs. Most photo ops are fine with eyes focussed elsewhere but one has to be accutely aware of what's around. Been doing street 14 months & had a blast. Also had 3 confronting challenges, all different scenarios. A guy's accusation taking pics of his wife; mouthing off in my space, demanding to see pics. Prepared for ultra violence, saw him off with colorful c words, was not in the mood for negotiation. Yeah, learnt from that, easier after that. Trick is, take what's required but have an out. Cheers, great channel.

[@MuhammadNadeemDurrani]

I tried today this video trick and it worked without knowing that here it actually exists, my goodness all these tips are gonna change whole approach of mine, I can feel myself more comfortable even now, and I think I'll be able to do more better in future from now on, thank you so much for all these tips and more

[@pisiprkl7913]

I´ve done Street Photography for 2 years now (of my 20 years experience of Photography). I started shoooting people from behind, that got old pretty fast. I started to shoot from hip, I´m getting pretty good at it. I use 40mm f2.8 to shoot 95% of my Street Photos. I´m trying to build up my self-confidence and star to shoot at eye level. My main concern is that somebody would kick my a or smash my camera. I would be so nice to actually compose your shots, they would be way better. But I´ll get there. Eventually. Great channel btw!!!

[@StreetSnappers]

Please don’t give up! Shooting from the hip is a great way to start, then start to go a little higher as your confidence grows. Best of luck with it!

[@jesssands]

Great video and tips as always. Just to add, my issue is fear of making people angry and the confrontation after. But in reality when I have tried and actually spoke to people its been fine. Just a matter within my own self confidence. I panic in fear of other people!

[@StreetSnappers]

Thanks for commenting, Sandra. I think we often project our own attitude and state of mind onto other people and if we're feeling friendly and relaxed, we'll get the same in return.

[@kenneth_mirez]

I'm new to street photography and I always ask people for permission to take their portraits. otherwise, I'd feel very uncomfortable like I'd feel like I'm a creep

[@Nitidus]

@@kenneth_mirez Street photography and streets portraits are two different genres, though. The idea of street photography is to capture the genuine moment which means people can't feel like they're under observation. They obviously change behavior, then. That's not to say street portraits are bad in any kind, I love seeing those! Just saying it's a different thing with different priorities.

[@2healinghands589]

big thank you for your tips

[@markbradshaw7753]

Avoiding eye contact is a super tip Brian.Another cracking video full of sense.

[@StreetSnappers]

Thanks Mark. It's takes some getting used to but it definitely works!

[@evigr.8270]

so so helpful, thank you so much. espacially for the psychologist part

[@konradkarolczyk9138]

Wow, just found this channel, thank you for your wisdom, you make me want to shoot right now!

[@StreetSnappers]

Thanks Konrad - and welcome to the channel :-)

[@joshhead9368]

Awesome video thanks so much for the help. Im not an introvert but i have a very hardtime getting close enough to people to get good photos. Especially in a small town where there arent many crowds.

[@talyalewis6357]

Thank you so much for this video. The more I know other street photographers feel as I do, the more confident I get. I tend to mix it up with close-up shots and far away, depending on what I want. Though up close feels unsettling for me, I muster the courage and shoot. I tend to either keep walking and leave the person wondering what just happened or I keep pretending to shoot. I've had people apologize to me for getting in my shot! I tell them not worry, it's fine and thank them. Little do they know 😆

[@StreetSnappers]

Haha, yes, I often get people apologising, too. Thanks for watching the video - lots more to come!

[@DidierMOULINPhotography]

Thanks for this video that will help me for sure breaking my fear. As a former DSLR user I really needed to downsize my gear in order to be as much discret as possible. I recently went for a Leica Q and yes that is a small set up. A Ricoh Gr or a Fuji X100 work probably fine as well. Also I found that manual lenses are so small and look so old that I feel less as a menace for people. Using hyperfocal and shoot fast in bright day works fine. Manual lenses can be adapted on any sort of hybrid camera and that’s a real benefit nowadays.

[@StreetSnappers]

Thanks for the comment, Didier. The Q is a lovely camera and I really like the 28mm lens for street photography. And downsizing can be therapeutic!

[@kylewang4723]

I love your videos. This should be a podcast too!

[@carolines111]

Keep shooting! Keep walking!

[@StreetSnappers]

Yes and yes!!

[@abigaileustace1997]

Love it Brian-thanks so much. I went out shooting in my local park recently and had quite a few light bulb moments. 1) Photography is like playing football. You can't stand there and admire your pass (or shot); you've got to keep moving and thinking, and looking for the next action. It was the day that I officially stopped chimping 2) Once you embrace the closeness, you realise that it isn't that bad. One guy kept looking at me and I was actually looking forward to him questioning what I was doing (in a nice way) but he just looked straight through me and went back to his phone. Maybe he didn't believe anyone could be that incredulous to be photographing strangers that close? I did get confronted by a guy collecting the bins the other day and I said I was enjoying taking picture of the snow and we ended up having a good chat 3) Keep working the angles until you get a shot you like. I'm loving shooting from the ground at the moment 4) In relation to point 3, wear old clothes-lying on your front or shooting on your knees means I come home looking as though I have been playing football. 5) Nerves aren't a bad thing. It's like performing; I think you always need some nerves, and it probably makes some of the shots better and gives them that edge. I feel a lot of adrenalin when I'm out and I wouldn't have it any other way at the moment. 6) I realised that the strip at the front of my camera actually acts as a mirror, so in one street photo I could see the boy getting a "backie" on his friend's bike-coming into my shot from behind. (Is there a market for a strip of mirror on the front of the camera for this purpose, or a camera that shoots from the back to avoid detection? Just thinking aloud..) 7) I have started keeping my lens cap off (your advice) and the camera turned on with my camera in my bag (to avoid detection) until I anticipate something happening, and then it's out in a flash (but not with the flash!). 8) One guy was just watching his grandson canoe in the park. I knew I would be rumbled so I just asked him if I could take some pics of his grandson canoeing. He was absolutely fine with it and it offered the perfect way in to taking photos of everything going on around them because people just assumed I was with them and was predominantly taking photos of the boy in the canoe. That day in the park was where it all started to fall into place and I ended up with some keepers. Sorry for the essay!

[@chriseustace5832]

Sorry- I was signed into my daughter's account above!

[@StreetSnappers]

@@chriseustace5832 Chris, what a great summary - I really enjoyed reading that. I fact, I'd be keen to use it in my next newsletter - something like '8 things I learnt shooting on the streets this week'. Are you happy with that?

[@chriseustace5832]

@@StreetSnappers Absolutely Brian. I'd be honoured if you use it. I was concerned that I was coming across as though I had all the answers, which I don't at all. It's just my little journey with street photography at the moment, and every day that I get out shooting I feel like a kid in a sweet shop. I'm learning so much all the time. Of course, lots of what I gleaned from my summary is based on your advice, such as trying out different angles, etc. I'd also really appreciate it if you are able to take the time to view my photos on my Instagram account and offer any feedback on these. My handle is chriseust At the moment I have 15 photos of that day in the park, with around 8 more to come. Sometimes, you don't take any pics that you're happy with. On that day, I ended up with around 25 pics that I'm happyish with (I was only out for around an hour). I've got more "street" photos to upload to Instagram, but I'm trying to spread it out a bit. Many thanks Brian

[@chriseustace5832]

@@StreetSnappers Hi again Brian, just another follow up to the previous message I just sent. If you wish to round it up to 10 things I learnt.....then please do so. My 9 and 10 are as follows. 9) To use the football analogy again, I realised that it's not the quantity of shots that count, but the quality. I used to keep the shutter on continuous shooting a lot, but now my routine seems to be 2 shots and move on, but make them count. 10) Just like football, after an hour of the activity (street photography) I feel absolutely shattered, and more mentally than physically. It's because I spend so much energy looking for a good photo, making connections, thinking on my feet, listening for activity, anticipating the "moment" etc. I personally couldn't shoot for much longer than an hour because after that I'm spent, and my concentration just goes, and the quality of my photos drop. So, I usually know when it's time to call it a day. That concludes my list of 10 things I learnt on the streets : )

[@StreetSnappers]

@@chriseustace5832 Thanks Chris - yes, 10 is even better. Could you please email be your 4 best pics from the day (around 1mb each is ideal) - also let me know the location, also where you're based and what kit you use for street photography. Thanks! [e-mail]

[@strwtchr]

Photography techniques vary, be it composition, focal length, the relation between the photographer and the photography subject. Establishing eye contact and shooting within this momentary interpersonal bubble is another technique I sometimes use. Sometimes I approach them later on and ask if they like the photo and want me to send it to them or would prefer me to remove it. It's really a bunch of different moods and approaches. Sometimes I ask them if they want me to take a picture of them. And sometimes I pretend I was just taking a photo of that concrete wall behind them. Using 75mm is also great to build this isolation, especially if you need some extra seconds to focus (I am a manual shooter). There is no right answer. And still, these tips are great. Just anyone should remember that it's up to them how they implement it.

[@jtpettersen378]

I hip shoot with the X100V, not to hide what I am doing, but to get the best angle and interesting perspective.

[@StreetSnappers]

If it works for you then that's great :-)

[@moose1689]

Nowadays I'm using mainly my phone for photographing. The technology in cameraphones has developed so much. I don't shoot people, but I would guess it's even easier with a phone, when people think I'm just watching something from the screen and not photographing.

[@StreetSnappers]

Yes, I know some people who do great street work with their phone, so why not? Whatever works for you..... :-)

[@emanuelmartinfernandez4710]

Great advices!! Thanks!! And your winograd imitation is awesome!!

[@StreetSnappers]

Haha, thank you Emanuel - glad you liked it :-)

[@MunirRahool]

Listening to most of the tips, I feel I am ^natural^ with most of it when it comes to do candids on the streets. I find myself decently good framing without looking into the screen, and it has been helping me with the lifestyle event videos that now I do. On the streets, I like to take pictures of emotions so yes I try not to be involved or give them the hint of me taking their picture. I do try to know their body language as well, when I see someone try to avoid, I don't force myself to take their pictures (or video), but sometimes I do when I see there is more than a picture.

[@StreetSnappers]

Thanks for commenting Munir :-)

[@michaelconchscooter8940]

Thank you for encouraging each of us to enjoy our form of street photography. This was helpful.

[@StreetSnappers]

Thanks for the feedback, Michael - glad it's hitting the spot!

[@michaelkobbe6825]

Hi Brian, I agree with almost everything you say here. Where I don't agree is your perspective on shooting from the hip. In my opinion, it is not a "bad habit", but has several advantages. For beginners, it is one of several methods of building up confidence. Apart from that, it results in pictures with a different and often more interesting perspective from the usual eye-level perspective. And most important of all, it is a very efficient method of avoiding attention in order not to destroy the moment.

[@StreetSnappers]

I agree it has advantages and is great for beginners. For me, the big disadvantage is that pictures all have the same perspective. But if it works for you..... why not?

[@Tom_YouTube_stole_my_handle]

I think the big disadvantage of this, indeed any form of concealing what you are doing is that it increases the offence in the mind of anyone challenging you. Why would someone hide their legitimate business? It fuels the suspicion that you may be up to no good. In my view it is better to be open and confident than to lurk or behave in a covert manner. Bear in mind that the person who challenges you may not even be in front of your camera. I've known people behind me call out to those in front of the camera to alert them that they are being photographed.

[@StreetSnappers]

@@Tom_KZbin_stole_my_handle I agree. As I said at the beginning, be proud of what you’re doing and never think you’re doing anything wrong.

[@Jay-vr8it]

If I see a composition I want to take a picture of and I want to subject inside of it. Well I just think of it as I'm taking a picture and if you walk inside of my frame then technically you "disrupted my picture" sneaky way of thinking haha

[@StreetSnappers]

Haha, yes, that's a good way to see it.

[@WarpedTrekker]

This is a very informative video. Watched it twice! Thanks a lot!

[@altonbarkley]

Great video.

[@StreetSnappers]

Thanks very much :-)

[@stephmesa1179]

I get that fear when street shooting but it’s such a sweet thrill!

[@ImagesbyAsh]

Thank you Brian, A brilliant video and some of the best advice on Street Photography I have seen. This genre is something that I struggle with for all the reasons you mention. The tips in your video will definitely help me getting over my fear and nervousness about Street Photography. Thanks once again.

[@StreetSnappers]

Thanks very much, Ash - best of luck with your street photography!

[@JohnChubbSr]

Thanks for your words of wisdom, Sir. Your videos are always filled with substance and great ideas. Always fascinating!!!

[@StreetSnappers]

Thanks very much, John :-)

[@j.f.mendes1166]

Hello Brian. Personally I have some difficulty showing my camera in the city where I live and work - Lausanne CH- despite all the techniques of camouflage :) ... However, recently I took pictures in London during a trip with my son and I felt totally "transparent", "invisible". I think, as you say, this is related to our relationship with the environment. Thank you for your point of view. Stay healthy.

[@StreetSnappers]

Yes, I agree with that. I also feel invisible in cities like London. Good luck with your street photography and thanks for your support :-)

[@bimotribawono7003]

Bbbbb:::bbb: v v v v

[@j.f.mendes1166]

@@bimotribawono7003 Pardon ????

[@bimotribawono7003]

@@j.f.mendes1166 I'm so sorry, I didn't mean to add comment or anything at all. I was watching this and my dog laying on my lap and snuggling around. And I'm putting my phone away then it happened.

[@j.f.mendes1166]

@@bimotribawono7003 ok.why not just delete it? (the message:)

[@umbertoderos2798]

Just ordered a Minolta Autocord. Will see how it goes,. I love this thing. Thank you for your usual super-inspiring videos. I hope I'll somehow manage to attent to one of your photo workshop!

[@StreetSnappers]

Autocords are great - and great value compared to Rolleiflex etc. Hope you have fun with it :-)

[@Lito-gs4rb]

Great video. As always full of good and valuable content. Greetings from Germany.

[@StreetSnappers]

Thank you Carlos - and all the best from London!

[@ethanparker2362]

Another very helpful and encouraging video! Your passion for street photography is contagious. Thank you and please keep the videos coming!

[@StreetSnappers]

Thanks very much for the feedback, Ethan :-)

[@Numb3r23]

I love this kind of videos Brian! Keep doing it!

[@StreetSnappers]

There's lots more to come - thanks for your support! :-)

[@johna6968]

A great watch and some invaluable tips.

[@StreetSnappers]

Thanks for the feedback, Jay - glad it was useful :-)

[@babettesfeast6347]

Try at markets, festivals, parades where it’s crowded and there are quite a few cameras around. People generally are not bothered

[@MyHumanWreckage]

In my experience, the best street photography is found in the worst area of town. It’s a catch-22 when it comes to security. I tend to find the most paranoid people in the worst area of town and being inconspicuous can be a challenge.

[@StreetSnappers]

Yes, I sometimes find that, too.

[@2sambell]

Great video with wonderful tips. I’m a little,,,no, very apprehensive when photographing street activity. I’m going to practicing some of your techniques to make it more enjoyable. Thank you,,,,,,,

[@StreetSnappers]

Thanks for commenting. :-). Keep practicing - the more you do it, the easier it gets!

[@straatmoment]

There are several styles of street photography but for me, a streetphotographer from Amsterdam, the telelens is my gear and it works fine :-))

[@StreetSnappers]

Great - if it works for you then all is good :-)

[@LewisNobleArtist]

Thanks again Brian great tips. Struggling at the moment though. I live in very small town and in Lockdown it’s really hard not to stand out when there’s only a couple of other people on the street. Also, if you look like a tourist you’ll get the police called on you!

[@StreetSnappers]

I know, I feel your pain Lewis. We're currently in a small town and street photography isn't really viable (or interesting). But do keep shooting - even if it's something like abstracts or urban landscapes - anything is better than nothing!

[@LewisNobleArtist]

@@StreetSnappers thanks for replying. Doing my best! Hope to attend one of your workshops this year, they look fantastic! @cyclopsrock on Instagram, all the best.

[@DeyvsonMoutinhoCaliman]

I like using my G7X II for street photography. A very small camera that can zoom up to 100mm and has a fast enough lens. Being so compact, I often sit on a bench, put it on my knee or my lap, tilt the screen and take pictures like if I was just messing with it. Then I put in my pocket and it's over, nobody even see me with a camera afterwards. I also take pictures of architecture, and when someone pass I zoom in on them.

[@studiodentisticogianlucasa270]

Thanks for the useful suggestions. sometimes you suggest to look for other subjects, video or photographers: would it be possible to have Links in the description?

[@streets28mm]

For me it is always hard to start, so many different feelings, fearful, anxious, unease! when I get out of the car and I am in street all those feelings just disappear, like I am somebody else!

[@StreetSnappers]

Haha, yes, sometimes we take on a different persona!

[@captaindebug]

I agree. I feel like an actor waiting to go on stage, nervous until the curtain goes up and then the nerves disappear.

[@Michaeltje2.0]

Lol im totally the opposite. When im in the car my head says hellyes lets get some sick shots. And when i get out of the car and have to walk upfront people to ask their portrait my head freaks out and never ask because im a pussy in that moment😂 so what really happens walking the whole day and seeing potential photo's but never take any😅 yeah i once photographed someones dog. well atleast its healthy to walk lol.

[@streets28mm]

@@Michaeltje2.0 it never gets easy, I am getting good at reading people, should say not always right, couple of days ago I was called a-hole, but one thing will always work, being confident, even pretending to being confident, walk like street is yours and at the same time be humble!🍻

[@stefanol9272]

Hi you advises makes a lots of sense. I often have music in my ears and do the Gary Winogrand or like a turist. 😂😂😂 And if someone looks at me I point at myself and do what are you talking about. And start shooting at the same time and pretend its something behind the person. I prefer a 28 mm lens on my digital and 24 mm on my Nikon F3.

[@StreetSnappers]

That all sounds good, Stefano! 24-28mm is a great focal length for street photography - you can get lots of drama and energy :-)

[@stefanol9272]

@@StreetSnappers Hi thank you for your respond. I dont know wy I like more the 28 or 24 mm than a 35 mm. But maybe its less polite and fun to use. I do have a 21 24 and 28 also 35 and a 50 but I mostly use a 24 or 28 for street. But its all about taste and temper 😎😎😎✌️✌️✌️ I really like your channel. And stay safe

[@jon8405]

I appreciate your wisdom, thank you sir!

[@StreetSnappers]

My pleasure - thanks for watching :-)

[@stuartwatson745]

Brian, was that an XF-10 you featured briefly? That’s my daily user / street camera and i rarely see anyone else with one. It lacks a viewfinder, but that’s all. It just feels right.

[@StreetSnappers]

Hi Stuart, yes it was. I love that little camera, which is the nearest I can get to my beloved but dead X70 !

[@jomama1753]

Thank you, enjoyed this.

[@StreetSnappers]

Thanks for the feedback Jo!

[@nickarmour2938]

Excellent advice, thank you for sharing it with us. Very insightful.

[@StreetSnappers]

Thanks for the feedback, Nick - I'm glad it hit the spot :-)

[@nickarmour2938]

@@StreetSnappers it really did. I rarely adjust the exposure setting and tend to tweak the shutter speed instead. I wish I stumbled across your channel sooner. I find you very easy to listen to and the way you explain things is spot on.

[@matkovidosevicswalkabouts6890]

Thank you!👏👍

[@StreetSnappers]

You're welcome, Matko :-)

[@tilerman]

I have a technique and get some great shots. I set my camera to time-lapse to take a picture say every 5 or 10 seconds what ever, walk through a crowd quickly with camera held out in front, and without my finger on the shutter button, let the camera automatically take a picture. If people see the camera in their face without my finger on the shutter, they don't know they've just been snapped. I'm quite confident and just walk straight towards people so they get out of my way. It helps that i'm tall and a bit of a lump and no one ever says a word to me, and i get close! Also have a pretend mobile conversation into your mobile phones mic and hey presto, your invisible. Works for me.

[@nastena_vo1525]

I'm so happy to find your channel! Thank you so much for these great tips!!! I can’t wait to put it into practice.

[@EDK4822]

Hi Brain, another usefull video. You mentoined a wickipedia page containing docu about local laws for making photo's in public. Can you give an URL or did i mis understood you.

[@StreetSnappers]

Hi Erik - thanks for the feedback! This is the Wiki page I use: commons.wikimedia.org/wiki/Commons:Country_specific_consent_requirements

[@rolfen]

There is an approach where a photographer would try to look conspicuous, with a 6x7 camera, with a tripod and have people pose for him. I don't know if it's street photography I guess not, however sometimes you can "hide in plain sight". I have found that if I stand around for long enough, like an awkward weirdo, people start to see right through me, just like when you look at something long enough it kind of etches your retina and you stop seeing it, I call it to hide in plain sight, and it doesn't matter what you do when you get there, i have found my major obstacle to be my own fear of becoming visible by taking a photo. Yes eye contact, I call it "get high on your own supply": instead of "consuming the scene" to produce a photograph, you make eye contact and instead of a photograph you get a social interaction from which maybe you get some amusement and validation, however you have replaced photography with something else. Photography can be lonely Why would we want people to act as if we are not here, when we make eye contact with them? Can't have it both ways.

[@StreetSnappers]

Good points, well made. Thanks for your thoughts.

[@eat-the-rude4156]

i am really hoping to get a x100v soon because the only camera i have is a pretty big dslr and as i am very uncomfortable about making people uncomfortable it is a bit difficult :) i got a few good shots with people mainly being far away or turned away that still manage to tell a story but i’d like to have a smaller camera i can carry around with me wherever i go (doesn’t work too great with the big one ;))

[@StreetSnappers]

It's a great little camera - I use mine for street, for documentary projects and even holidays - it's an all-rounder.

[@dlanorsmada1]

My main street photography camera is a 70 - 300. I find that THE most difficult time to take photos is when there are mothers and small children about. It has got worse lately and I tend to put the camera away when walking in a park. These are the only times I've been challenged although I've usually smoothed it over. My best was a regular open air Open-Mic where people were engrossed in the music.

[@StreetSnappers]

I agree, it's often difficult with mothers & children around - but a long lens can sometimes compound the issue because it can look 'sneaky'.

[@dlanorsmada1]

@@StreetSnappers Yes, that's true, Brian, and I'm a 77-year-old who looks like Santa.:)

[@nickfanzo]

I just walk to them and take the picture. If they have a problem I keep walking 😂

[@harvgreenberg3031]

Superb tips!

[@StreetSnappers]

Thank you, Harv!

[@whysoseriousiamnot9772]

I use a dslr and a prime lens, a big one..

[@StreetSnappers]

If it works for you, why not?!

[@Andydubya]

Really great advice, I usually go out in the evenings because I love night shots for 1 but it builds my confidence too as not so many people about so slowly getting better to be out shooting people. Can't wait to go out fully again after lockdown and keep practicing. I've been practicing shooting from the hip at home to try and gauge the distances etc if I need to grab a good shot but not confident to put it up to my eye in the scene. The video mode idea is a good one.

[@StreetSnappers]

Thanks for the feedback. Best of luck out there! :-)

[@gazl7356]

thanks again for an informative video. I personally liked a detail you have mentioned before "don't make eye contact". I also think the masks have made it easier. I am luky because I don't mind confrontation, though i will tried to avoid it.

[@StreetSnappers]

Thanks for the feedback and good luck with your street photography :-)

[@GutS7u6]

My main camera is a Canon 80D so although not a beast, if I have the kit 18 - 125 zoom on it, it is a bit intimidating pointing it at people. I have recently though, also been playing around with a Lomography action sampler. It is such a small and unobtrusive camera and actually captures four sequential shots on a single frame. It is my initial foray into film photography and I am enjoying the potential results, now that I am getting to grips with remembering that if I buy a 200 film, unlike when shooting digital... I am doing the next 36 shots at ISO200 with a small fixed aperture, focal length and shutter speed.

[@StreetSnappers]

Great idea to try the Lomo! - maybe it'll lead you further down the analogue road. I'm a big advocate of film and love the creative constraints it offers - which in another sense are creative freedom. Good luck with it!

[@GutS7u6]

@@StreetSnappers I do look on ebay regularly, for film cameras. Not a massive budget so still trying to decide on a standard compact type 35mm (a bit cheaper) or what a rangefinder of some kind. The range finder seems to be the tool of choice, but I think that good results should be just as achievable with the former.

[@williambolton5679]

@@GutS7u6 You might consider the Konica Auto S2 with the Hexanon 45mm f1.8 lens. The lens is reputed to be very sharp and the camera can be found quite cheaply. Just be sure to get a good copy. I got one for $52 on eBay with shipping and plan to cannibalize it so that I can use the lens on my Sony a7. kzbin.info/www/bejne/lZDEnXSchMiAqZY

[@jordymaas565]

put a decent 50mm 1.4 on the 80D & head out mid morning, mid/late afternoon. works well.

[@bryangideon5822]

Thanks Brian that was very helpful I will try those techniques when I can get out after lockdown

[@StreetSnappers]

Thanks Bryan - good luck!

[@praevionurwinadi4137]

Thank Brian for the tips in your video, I'd like to ask if you've ever refused of the subject's photograph and how you responded? Thank before Brian

[@StreetSnappers]

Hi Praevio, not sure I understand your question - could you put it another way please?

[@AlexOuiCestMoi]

Thank you for those tips ! I'm still unconfortable with shooting kids , you have some idea about this ? Also i leave on a very small place, and people are more connected to other people in street, saying hello, etc..

[@gilbertwalker6769]

Thanks for your excellent advice! You've helped a lot of us grow in confidence through your suggestions.

[@StreetSnappers]

Thanks very much, Gilbert - that's nice to know :-)

[@_H_2023]

Shooting from the hip is a must in certain areas of a city. Drug dealers get very nervous about cameras especially if the camera goes to your eye. The best way to work out if an area is safe is to buy a coffee and sit down and watch the surrounding area, if you see drugs being sold in that area or any aggression just walk away, take in as much as possible before you bring out a camera, you'll be surprise at how many people are actually watching you even if its only a fleeting glance. The other thing I would stress is to be aware of where the security cameras are ie buildings and public places this will work in your favour as no one will take your camera in an open public space especially with CCTV sounds over the top, not really you just got to be aware that there are some people out there that are not as nice as the person with the camera.

[@StreetSnappers]

I agree up to a point, especially in bad areas. But if you're shooting from the hip and then get noticed, the danger is people will misconstrue your motives and you'll be in an even worse position. Having been doing this for a very long time, I've found that honesty is best and if you're up-front about what you're doing you'll have fewer problems.

[@aaronsambeyfilm]

Do you exclusively use your X100V for street photography or will you experiment with other formats or focal lengths?

[@StreetSnappers]

Hi Aaron, I use it 75% of the time. Sometimes I use the X-Pro2 or 3 with a slightly longer lens and sometimes the XF10 with its 18mm lens. Sometimes it's good to mix things up a bit! But it do find the 23mm (35mm) lens is the 'sweet spot'.

[@aaronsambeyfilm]

@@StreetSnappers I can appreciate that. Most of my street photos are done on a 20mm APS-C camera.

[@StreetSnappers]

@@aaronsambeyfilm That's a great focal length - I think I would be happy doing everything with that!

[@DJFoucher]

Thanks for sharing these tips. I’ve done one Street Photography outing and it does seem that it needs getting used to. Appreciate the steps and will apply them to my next go around. Do you recommend using a prime lens such as 35mm or 85mm?

[@lorenschwiderski]

My two cents says, it's all good. I have used an Olympus 45mm, which is equivalent of a 90mm in full frame, and it worked well for some shots. It is true that it can be a tad tight. If using a prime and wanting to get the most shots, I say 50mm in full frame terms, is most likely to take in enough and offer some hope should you see something across the street to take a quick snap of. Not a great idea to stand in the roadway in a city. I now have a full frame Canon and will be using a 50mm, though I may consider the 24-105mm zoom, as it is not a huge lens. You may consider taking your zoom out and use it at various ranges, and see what works for you -- then apply it to prime lens. There is lots of talk about zooming with your legs -- yea, lots of talk about it, but the reality is you can only backup or go forward to the limits of where you are and when the shot is needed to be taken -- nothing wrong in using a zoom. The 35mm in full frame, is said to be perfect, but you may find that it depends on how many times you decide to shoot at say 50 ft away. Sure you can crop, but there are limits to that. I have uses 24mm and 28mm, which is great for those time you need the whole scene, such as a wide building, while being up close. Distortions can occur, so do keep the camera level and trim off the sides in processing as needed -- sharpness? A 35mm has less distortion, and I feel most confident with the 50mm for shots of people without distortion, while taking in the tighter shot. But like I said before, all ranges work, so if you so desire to mix it up in your portfolio, use tight, medium and wide. - Loren my pics are on lorenschwiderski smugmug.

[@StreetSnappers]

I would recommend using a 35mm (in full-frame terms) most of the time - but sometimes use something longer like 85mm (like Saul Leiter did). But for most street photography, 35mm is the perfect place to be.

[@link12301]

Hi Brian, how do you go about camera power management? Do you turn auto power off to off and carry several batteries?

[@StreetSnappers]

Hi Razvan, good question! Yes, that's exactly what I do. I don't like the autosave mode because you can easily miss a picture so I carry 3-4 batteries on an average day out :-)

[@alihall4208]

It's all about body language, if you look like you're confident and meant to be there as a photographer, people will just accept it. In my early 20s I looked very jumpy and skittish when I first got a camera. But eventually I phased out of that behaviour. I just simply kept a camera on me and did so in a 'matter of fact' manner.

[@felm.974]

This was awesome and helpful, thank you! The only thing I have to say is that I'm not sure if I would like to switch to a smaller camera like Fuji one even though I have thought about it, I'm Nikon shooter with a Z5ii and for me to get a smaller camera, I would have to switch to a Z5 and I'm not sure if that one is going to give me the same image quality that I look for in my images, but I'll think about it as I hate getting attention when people see me pointing my camera so maybe something smaller makes sense. Also, I understand the point of the big cities but people in NYC are so paranoid that they immediately notice you and your camera and it is scary because they mean mug you and then you can see the anger in people's faces when you go home and review your images which is uncomfortable, so perhaps I'm more of a architectural or abstract photographer.. maybe, I'll see, but I do appreciate your tips, thank you very much.

[@StreetSnappers]

The camera choice is a difficult one and we all get wedded to our favourite systems. But I do think the size / subtlety things is a strong consideration. Best of luck out there!

[@materialistmaterialist4604]

Could you please give the link of that Wikipedia page you mentioned in this video

[@StreetSnappers]

Sure - this is the page I usually refer to: commons.wikimedia.org/wiki/Commons:Country_specific_consent_requirements

[@materialistmaterialist4604]

@@StreetSnappers thank u 💚💚💚

[@MrLittlmike22]

hi there great content - you mentioned a wiki page taht lists different countries - woudl youmind privinding a link pelase? many thanks

[@StreetSnappers]

Hi - this is the one I use although there may be more comprehensive versions out there: commons.wikimedia.org/wiki/Commons:Country_specific_consent_requirements

[@MrLittlmike22]

thats amazing thank you@@StreetSnappers

[@StreetSnappers]

@@MrLittlmike22 my pleasure!

[@caulacau2318]

Hi Brian Do you know what is the legal situation when shooting in the London Underground or tube stations? Thanks - Caula

[@StreetSnappers]

Hi Caula. It's usually fine and allowed (I do it a lot) - but they don't like you to stay in the same place for more than about 15 minutes and you can't use a flash or tripod. Sometimes you'll get a TFL employee who objects, but most are okay with it.

[@caulacau2318]

@@StreetSnappers Thanks Brian!

[@Tom_YouTube_stole_my_handle]

TFL themselves are very cautious about photography which identifies individuals and they will apply that policy to you if you come to their attention. The underground system is not a public place and so there is an expectation of privacy. Be careful, expect to be challenged or at least glared at, and keep moving. Don't look like what the public imagines a press photographer would look like.

[@StreetSnappers]

@@Tom_KZbin_stole_my_handle Yes, good advice. I've always been fine on TFL property but I look very 'non-photographer' and I don't linger. A lot depends on the TFL person who challenges you - some are fine, others more difficult.

[@Joel4JC]

What’s the wiki site you mentioned?

[@zakariyeawnur2558]

I’m from a lawless place and the people are suspicious because of too many NGOs that make money from them and they suspect even the locals are taking pictures because of money. So street photography is not possible in many parts of the developing world.

[@pennymercer4158]

You all need to come to St. John's Newfoundland and go Downtown on a Weekend...people will come up to you and ask you to take a picture, when you oblige they call over their buddies for a group photo while being all pumped up at getting a "professional" photos hahaha ....really though, if you are scared and a photographer vacation in Newfoundland (Landscape and Wildlife Photographers will go ga ga for this place too).

[@gstefanos2792]

The more relaxed you are in the field the more invisible you become. Alas this is not an easy task because nowadays people suspect everyone and everything. A guy with a camera is looked upon as a criminal of sorts.

[@briantomcik]

A couple of summers ago I was shooting street by a local pier, and came across about a dozen boys, probably ages 7-12 hanging out at the pier too. I thought they were a great subject, but since they were smoking weed, they obviously didn't want to get caught, so I tried to be stealthy about my shots. One of the older ones saw me trying to get a shot, then got "mad" and started saying it was rude to take pictures of people without their permission, and then that it was against the law. I ended up in somewhat of an argument with a couple of them and told them go get the police then. After that I didn't try to photo them anymore. One of them must have gotten his dad to come over to talk to me, but since I was 6'-5" and 280 lbs at the time, he came over and was glancing over at me a couple times, but didn't say anything. I just stayed there shooting other people, and then moved on to another pier where I got some wonderful street portraits. That interaction sort of bothered me to be honest, and after that I said I wasn't going to try to shoot pics of kids anymore, even though it's legal to do so, to avoid any future confrontation. Then last winter I was shooting street by sitting in my car parked along side of a road in town. I'd have my camera up and ready, and as someone would walk by, they'd look into the car and I'd shoot a photo. One young man got slightly annoyed saying I can't take pictures of people, and I was like yes I can in public. He then took a photo of me with his cell phone, and I smiled and gave him the shaka sign too. Then he wanted my phone number, so I gave him the URL of my website and my phone number's on that. He never called. I'm not afraid to get into an argument with anyone, but it is unpleasant to have people pissed at you for taking pictures in a public place, and then getting into arguments.

[@StreetSnappers]

Sorry to hear of your bad experiences. Maybe I’ve been lucky and haven’t had that many. But I hope it doesn’t put you off street photography.

[@captaindebug]

A some point you will be confronted in streetphotography by someone who is unhappy with you taking their photo. It won't happen often, fortunately, but in terms of confidence you should be ready for it. I mentally rehearse how I will approach this situation: how to act, what to say, what to do. No matter how rude or verbally aggressive someone is, stay cheerful, stay calm, and don't respond to it.

[@StreetSnappers]

Good points, Roger, and I'll be looking at the whole issue of 'confrontation' in a future video :-)

[@googleprinz]

That's for me the most interesting point of all: You will always feel uncomfortable if you don't know what to answer to s.o. who's not happy with you taking pictures of him. If you don't have it absolutely clear for yourself, how will you convey your good intentions to the object of your shooting? This is the first and the most important step of all. All blending techniques come after and may or maybe not be necessary. Look at what Peter Turnley does - he shows love and respect to everyone, and see what he gets back. He does not need to hide not even when taking pictures of people grieving or homeless or in uncomfortable situations. It's what you show and convey what your intentions are, I believe

[@jacobbriggs6125]

The temptation to edit this video and make it about actually “street shootings” is really hard

[@kostyafedot551]

It is nice to see you talking about this subject. No swearing words, special effects, banners and so on. Which is way too common on street photography gurus videos of these days. Panning trick is great! I translated from English two articles by ex Winograd students (under authors permission). Biggest photobook I have is his. He used very many techniques. And no matter how you dress and how small camera you have.. it is not just noticeable. I have people coming close from nowhere and asking why I'm taking pictures. One day I went down by the old dam. Was taking pictures of it from the distance. At some point rocks started to fall down close to me. It was some couple at the top by the dam and in the bushes. I couldn't see them, but they observed me taking pictures and decided I was taking theirs :) .

[@StreetSnappers]

Many thanks for your comment :-)

[@belleyboy]

The X Factor in all this is, of course, the unpredictability of people. I have pointed my camera at some people and had them smile and not seem to mind. Other times I have snapped a shot and been met with anger and insistence that I delete it. It has not caused me to stop altogether but I certainly gauge the demeaner of people before I raise the camera to my eye.

[@StreetSnappers]

Yes, I agree, it's a good idea to get a sense of someone's demeanour first - our sixth sense is usually right.

[@TXTundra-ex8bw]

I was on a public beach in Hawaii taking pictures with my camera Lexus showed up and started shooting a commercial for one of their car they told me I cannot take pictures of them or the car, do they have that right when they are in a public parking lot on the beach?? I would appreciate any comments from attorneys who are familiar with this scenario thank you in advance

[@StreetSnappers]

They have absolutely no right to stop you.

[@TXTundra-ex8bw]

@@StreetSnappers Lexus was very rude about it even threatened to take my camera and break it I was astonished by how unprofessional they were absolutely changed my perception of the company thank you for the reply it means a lot coming from a professional shooter with lots of experience

[@ChristineWilsonPhotography]

I recently ad a guy come up to me in the street and called me a pervert , and he went of down the street continuing to yell at me , ive never had anyone be so aggressive, im an older female and I was on my own , a bit shaken but undeterred I keep shooting , then again I was taking photos if an old petrol pump on the street outside a garage and again an older male started shouting at me from across the street , so two recent episodes in all my years of shooting since the 90's but still undeterred. I think people these days are just so suspicious of people with cameras

[@StreetSnappers]

It does happen from time to time but thankfully it's quite rare. I think you were just unlucky to have two bad episodes close to each other. I hope you won't let it put you off completely!

[@ChristineWilsonPhotography]

@@StreetSnappers hell no it won't stop me i know it rare :)

[@canturgan]

Street photography requires that you're streetwise and have developed a sense of you're surroundings and other people's personal space. It's about people, not locations.

[@StreetSnappers]

Yes, absolutely :-)

[@fphedman]

I feel like there is a great discrepancy between photography and publishing laws, especially after GDPR entered our lifes...

[@StreetSnappers]

GDPR doesn't really touch street photography, fortunately.

[@PortofinoArts]

🤩🤩🤩

[@StreetSnappers]

Thanks!

[@AR-vf7vg]

Absolutely excellent. Except perhaps, why "exactly" is "shooting from the waist-level is rather a bad habit" wile it is acceptable to practice until "you'll eventually get good at it". Does one have to understand that it will always remain inferior to practiced "normal-shooting" results (surly it's not about habits, but results) ? In my opinion a photograph is either good or bad -for instance will be be framed, or not. Will not be half-framed. "Good but probably better would have been better if it had been photographed at eye-level" - is kind of false, impossible prediction. I do understand that every-body is well advised to steer a car with ones hands rather than with our feet - so even if some will eventually get quite good at it. But photographic expression is creation, which should not be intimidated by considerations of what is easier or harder, or what has more merits, nor what is more profitable. None of these lead inherently to "better", in matters of art. Kind of paths to "intuition of the unpredictable perfect" cannot be trickst or confused with "shoulds". Ok I get it, probably it's just meant as an information to "beginners"; "don't believe street photography can only be good (authentic etc.) if made from the hip". All in all I find this particular "clip" reeeeally generous, fine communication. (Perhaps it would be nice to discuss "in details" the various "points" of reactions that the reading of informations on the mentioned Wiikipedia page can provoke..)

[@StreetSnappers]

Thanks for the feedback - great comment! I don't like shooting from the hip because all your pictures will have that same 'low down' perspective, which can get a bit boring after a while. And yes, my comment was aimed more at people new to street photography - I was trying to encourage them to be open about what they do, rather than hiding. Best wishes, Brian :-)

[@timmellis5038]

09:59 Anybody would have a fear of that spider!