Studio One | EASY Parallel Compression

Parallel Compression is useful, quick, and pretty easy to implement! Let me show you how :)
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[@DepressedCapitalist]

The pace, the clarity of concepts and the time you take to explain the gist of the lesson is impeccable. Great great channel. Cheers

[@zoranjasek5714]

Very nice.Slowly speaking.Can understend all.Thank you.I like you lessons

[@dp_recording8718]

Hey Mike I love the new Studio One focused channel. Your presentation style is perfect - not too slow or too fast. Please keep ‘‘em coming

[@randomschittz9461]

Honestly, since I have left analog behind I get the “sound” I want with emulated compressors and then use the mix knob on the tricomp for parallel compression. I get tired of using extra faders and the tricomp is gem that most people overlook. It has become my favorite compressor by far.

[@iboudamba1004]

Mike, I really like how you explain things. Very easy concepts and very pragmatic. I also like how you introduce yourself after explaining what you are about to talk about. Very different. Way to go Mike!

[@jamescave7102]

I clearly understand now, why parallel compression is important. Thank you !

[@meinekleinegartenwelt3110]

Thank you so much Mike. By the Way, you always using great Vocals. She really do have a Country Western Voice, and great recorded, for me as a beginner.

[@colognialist1964]

great. Thank you.. expands my mind.

[@cordcla]

Great job Mike. Really useful, already applied the PC to a few mixes and indeed worked great! Thank you!

[@1119kg]

Tried this. Wow, what a difference! Love that compressor. Easy and sounds good! Thank you..

[@rickdeaguiar-musicreflecti7692]

Wonderful explanation of parallel compression. So helpful. Thank you for this :)

[@aequitas_vlad]

Damn, I was using Studio one for so many years and only now I found that fx/bus can be added next to the channel, omg. Thank you sir!

[@borisdancy9781]

Splitter works too.

[@queengorgeous5334]

this was really helpful

[@Olas5]

Thank you so much sir

[@sgg6927]

Very well explained. Thanks

[@JimmyWebley]

Another brilliant video, explained perfectly. Thanks, a great help.

[@officialWWM]

Sounds awesome on a kick drum!

[@OmegaKaine]

very well explained... thank you

[@PH5954]

another great tuitional video Thanks Mike

[@JCee-xw7rl]

Thank you Sir

[@noname_krsk]

Добрый день! Видно, что вы профессионал своего дела.Приятно смотреть ваши видео,продолжайте дарить людям знания. Спасибо.

[@WeRTheUB]

Thanks Thats very clear explanation..

[@ricardorodriguezvargas6322]

Woooww Genial !! Gracias !!

[@Knowcaptv]

How are you Mike? I'm learning something new everyday thanks to you....Should I mix the vocals first before I add parallel comp?

[@YungSouldier]

Amazing tutorial! I learned so much 😎

[@jasonobrien9651]

Awesome Video. Really learning so much from your channel. Thank you! I have a question for you....maybe its getting into the weeds a bit much: In your previous (and also awesome) video on vocal processing, you indicated that you usually put the parallel compression send after your delay and then reverb sends. I know that it is generally "up to taste", but would you suggest to also send your parallel compression signal to the same delay and reverbs? I suppose I can experiment and see if i like it or not.... just curious about your opinion :)

[@eshortsax]

Another great video/explanation 😊

[@JayTheLane]

So useful 👍🏼

[@chisontran2747]

Quá hay, rất rõ ràng chi tiết

[@bryanstrom812]

Who is the singer? There was an artist named Jeannine Hebb who had a song that goes JUST like this. I can't find the song by Hebb, but it was out over a decade ago. But now I can't find it anywhere.

[@raymondspagnuolo8222]

Really helpful

[@lauris.marcenoks]

Love you brotherman 🏆

[@studioonerevealed]

Thank you :)

[@ELLIOT8209]

​@@studioonerevealedhi, can you please make a video on parallel delay for Studio One users? The attached video does it for Ableton users and I struggle to follow. kzbin.info/www/bejne/pH7WoGB7fth_q9ksi=zPd9UCK66nqMbvJd

[@arnoldxode]

Love this ❤❤❤

[@_ARKOFGOD]

wow.. thank you so much, are there multitrack i could download and work with?

[@jamescave7102]

Hi Mike ! After the Parallel Compression, do I need to do sidechain comp with the vocal Bus on the Mix ?

[@studioonerevealed]

Hi James. So, for anyone reading, sidechain compression is where we use another source to trigger compression on the current material. You COULD use the vocal, to suppress another instrument(s), or even all other instruments. Some people do this, usually very subtly. So, James, it very much depends on the song, and what the vocal is competing against. It's certainly an option, but not a 'must'.

[@cristianguaman_14]

😊😊😊❤❤❤

[@WeRTheUB]

Can we do Parallel compression on just the preset onboard compressor of S1.

[@EyeMusicStudio]

Can we get the song you used in this video?

[@personaleme]

Hi Mike, appreciate the video, subscribed! Quick question if possible. What if I am running vox thru a vox bus? I have majority of my plugins on the bus. Would I route the vox bus to the compressor or the individual tracks before they hit the vox bus?

[@robfxdls]

I’d say it depends on what signal you want to parallel compress. For instance, if you mean that you are sending the dry original vocal to a bus and have FX such as EQ, saturation etc. on that bus, if you send the original dry vocals to the parallel compression bus you will then blend in an unprocessed vocal. Personally I put most of the FX in the vocal track and send that to a parallel compression bus. The FX I “send” my vocal track to are spacial and time based FX such as reverb and delay. Personal preference but it works better for me.

[@personaleme]

@@robfxdls in a nutshell, trying to determine if I should blend the primary vocal with the processed vocal or the primary vocal with the unprocessed vocal. Experimenting with both will probably give me the answer.

[@robfxdls]

@@personaleme Or even sending your processed vocal to the parallel compression bus and blending the two processed channels (this is what I do), though never reverb or delay on these tracks as they are always on separate buses in my mixes.

[@personaleme]

@RobFXDLS exactly, I need to test both methods. Definitely won't be doubling the time based fx etc. Appreciate the response.

[@marsrivers]

Hi. Do you usually use fat channel emulations?

[@judicaelDlx923]

👍

[@oladeleobadimeji8940]

This is one of the best video I have seen on parrelcomp. On KZbin. Thank you

[@studioonerevealed]

My pleasure! Thank YOU for watching :)

[@jasonobrien9651]

agree completely! Thanks for the fantastic video!

[@chisontran2747]

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