sunday live Riyaz session with guruji sanjay dewale raag yaman 27 march 2022

Yaman (also known as alyaan, Iman, Aiman,'Eman', 'Kalyani' in Carnatic classical music) is a heptatonic (Sampurna) Indian classical raga of Kalyan Thaat.
Its signature phrase (Pakar) is ni-Re-Ga-/Re-Ga/ni-Re-Sa/Pa-Ma#-Ga-Re/ni-Re-Sa' (Ma is teevra).
Tonal movements of the notes mostly reflect zigzag motion with gap of one or several notes usually that prefer reverse order very often like DNS' mDN GmD RGm N,GR or MDNS' GmDN RGmD N,RGm D,N,GR etc . Ideally yaman should not use PR combination but can use P~R showing colour of m or G while gliding from P to R, for PR is one of the specific identification of raag kalyaan.Description
Yaman emerged from the parent musical scale of Kalyan. Considered to be one of the most fundamental and basic ragas in Hindustani tradition, it is thus often one of the first ragas taught to students.
Mechanics
Yaman's Jati is a Sampurna raga (ideally, yaman is audav sampoorna raag because of the structure- N,RGmDNR'S' NDPmGRS) and in some cases Shadav; the ascending Aaroha scale and the descending style of the avroha includes all seven notes in the octave (When it is audav, the Aroha goes like N,RGmDNS', where the fifth note is omitted; Pa but the Avaroha is the same complete octave). All the scale notes (called swaras) in the raga are Shuddha, the exception being Teevra Madhyam or prati madhyamam (sharp fourth). The notes of the raga are considered analogous to the western Lydian mode, which was the predominant scale used in classical antiquity, before being usurped by those of the pre-Modern era.
None of the three great treatises of music, accept the existence of tivra ma,
Not to be mistaken, Raag Yaman is slightly different from Raag Yaman Kalyan. Both have almost the same base, but they are sung differently. The Aroha and Avaroha of Yaman Kalyan goes like this: SRGmPDNS' S'NDPm GMGRN, RS[clarification needed]
Vadi and samavadi
Vadi is ga, Samvadi is ni.
Pakad or chalan
It is wrong to say that Kalyan has no specific phrases or particular features, many musicians avoid Sa and Pa in ascend or treat them very weakly in Yaman. One often applies N0 R G M+ D N S' in ascent and S' N D M+ G R S in descend[1]).
Sa is avoided in beginning the ascend such as N0 R G M+ P D N S'
ni-Re-Ga-/Re-Ga/ni-Re-Sa/Pa-Ma#-Ga-Re/ni-Re-Sa' (Ma is teevra)
Organization and relationships
There is some discussion whether Yaman and Kalyan really just are different names for the same raga, or that these are actually 2 ragas. Joep Bor says "Kalyan (today usually referred to as Yaman)",[2] Kaufmann[3] says that Yaman and Kalyan are just different names, but insists that rāga Yaman-Kalyan is different as natural Ma is occasionally inserted between two Ga, like Ga Ma Ga Re Sa, while in all other instances tivra Ma (Ma+ is used as in Kalyan). S. Bagchee[4] agrees with Kaufmann. As Bor, Kaufmann and Bagchee are not practising, professional and traditional musicians and artistes with training from qualified musicians for several hundred (+practising) hours and knowing a few dozens of bandishes/ compositions of north Indian Hindustani classical music in raag yaman, thus their opinions and observations needs to be accepted with a pinch of salt. A sensible analysis of large data of the raag, honesty and truthful introspection lead any sane musicians to think, that the name of the raags Yaman and Kalyan are different so their tonal movements shall be different for Kalyan is more akin to shuddha Kalyan not Yaman in any case. The influence of Kalyani of Carnatic and almost blind following of Pt. Bhatkhande as well as unquestionable trust and faith to guru (music teachers) caused this confusion. People erratically believe that if natural Ma is occasionally added in a concluding figure leading to Sa, the raga is known as Yaman-Kalyan.[2] Practically, yaman has a raganga very much different from Kalyan raganga resembling colours of Shuddha Kalyan. The use of shuddha ma must be restricted as a Vivadi swara (limited use) or grace note for Yaman Kalyan otherwise there is a chance of it becoming Yamani, Yamani Bilawal, Jaimini Kalyan. Moreover, neither of Kalyan or Yaman has Shuddha Ma in its main body thus use of shuddha Ma does not create Yaman Kalyan. Ideally there is no raga at all in Indian music that is recognized as any type of Kalyan because of shuddha Ma, thus raga Yaman Kalyan becomes a misnomer or pure lie because of Shuddha Ma in the tonal structure of raga Yaman.
Kalyan is mixed with several ragas that has either of Kalyan ang or Yaman ang:

[@dewanganIndra]

Guru ji koti koti pranam 🙏🙏🙏🙏🙏🙏🙏🙏

[@harinisandeeparjunagi1973]

Anantaanant pranaam Guruji

[@bheemsain8665]

गुरूजी को चरणं वदना आप सुर लय ईश्वर की पूजा करते आप की कृपा से हम भी संगीत की गंगा जी मे हमभी स्नान कर लेते हैआपको कोटी कोटी प्रणाम

[@dewanganIndra]

❤🙏🙏🙏

[@pravin3260]

Pranaam gurujii

[@seetahariharan4089]

Too good..nobody teaches like this...ppl like me cannot attend classes....can't thank you enough sir for your generosity Very immersive class

[@thskendjeo134]

🙏🙏🙏🙏🙏🙏🙏

[@aman68854]

❤🌸

[@sankha-ch]

🙏

[@itszeeshanmusic]

Wow amazing it made my day

[@sanjivnipalkhe6057]

साक्षात् दंडवत गुरूजी आहा हा राग यमन के स्वर विस्तार में जिस तरह आरोह में पंचम का लंघन किया है अद्भुत है।आप राग की बारीकियाँ समझाते समझाते जिस तरह राग को सजाते है ठीक ऐसे ही अपने मधुर संवाद से हमारे जीवन को भी अति सहजता से आप एक नई दिशा प्रदान करने का महत् कार्य कर रहे हैं।आप जैसे व्यक्तित्व फलों से लदे वृक्ष हुआ करते हैं आपके हर रविवारीय सत्र से आत्मा को बहुत-बहुत शान्ति मिलती है गुरूजी। बहुत-बहुत शुभेचछा🌹👏👏👏👏👏👏👏👏👏💜💜💜💜💜💜💜💜💜🕊🕊🕊🕊🕊🕊🕊🕊🕊🦚🦚🦚🦚🦚🦚🦚🦚🦚🌹

[@darshanpatel1486]

Thank you Guruji..repeatadily I do riyaaz with this lesson. Adbhut..and so much wonderful. Pranam again and again.

[@bheemsain8665]

🌹🌹🌹🌹guruji ko Dandwath parnam 🌷🌷🌷🌷💥💥🙏🏼🙏🏼

[@shobhapawar7286]

अप्रतिम too good 👍

[@swarsanskar]

Every Sunday morning 8 o'clock live Riyaz session with guruji Sanjay dewale.

[@keshavgeet]

❤

[@keshavgeet]

क्या बात है ! अति सुंदर ❤धन्यवाद 🙏🙏🙏🙏🙏🙏🙏

[@shyamal-gargi6324]

शत् शत् नमन...🙏

[@PurshottamKhasbage]

Guruji namskar

[@surajgaur9920]

Pranaam guru ji

[@krishnabhattacharya5454]

Pronam Gurudev 🎉

[@savitapurandare9159]

Soooo beautiful

[@suryakantartist8905]

namskar guruji from karnataka

[@renugargmusic]

Aap guruji bemisaal hain ji lajawab hain ji nayab heera hain ji shanti aur sneh ki Murat hain ji 25 saal seekha sangeet per 67ki age mein tript ho gyee jee ab dubara se aapsey seekhna chahti hu jii dhanyawad ji

[@krishnakeerty1475]

Sangeet seekhne keliye is se achhaa koi maarg naheen hai.. bahut dhanywaad 🙏🙏🙏💐💐💐

[@shobhapawar7286]

Very Very Very good work 👏 guruji🙏

[@swarsanskar]

Every Sunday morning 8 o'clock live Riyaz session with guruji Sanjay dewale.

[@NarendraGupta-of5nr]

Jai shree Krishna

[@padamkantsaxena6469]

Excellent way of teaching traditional Classical music though through modern technology. Very rich in content.

[@renugargmusic]

Apky jaisa koi nhi jee guruji ki jai ho

[@yogteacherdilipmotkar8801]

Sir i improved my marathi bhagan abhag singing by sunday raagas riyas so i am very very thanks 🙏🙏🙏🙏 guriji

[@akashgaanola]

beautiful

[@Smita-Shinde]

प्रणाम गुरुजी 🙏💐🙏

[@VitthalSutar-wo8qz]

Guruji you are a suarlly great ticher thNks

[@bheemsain8665]

गुरूजी को प्रणाम

[@bheemsain8665]

Guruji ko parnam

[@AK-oq9rb]

Aapka bahot bahot aabhar ❤️❤️❤️:::aapke vedeo mere lie hamsab ke lie wardan hhh🙏🙏🙏

[@renushah7729]

Koti koti vandan Siri

[@renushah7729]

40 38 per apnea touch kardiya

[@ashwinjoshi3948]

प्रणाम गुरुजी सभी स्वर प्रेमियों की और से🙏🏼🙏🏼🙏🏼🙏🏼🙏🏼🌼🌼

[@nandchaudhari4419]

नमस्कार गुरुजी.. गुडी पाडवा की आपको शुभकामनाये 🌹🙏🏻🌹

[@jatinderbhardwaj1706]

Very nice ji from 🇺🇸

[@thskendjeo134]

Kya baat hai guruji....🙏🙏🙏🙏

[@swarsanskar]

धन्यवाद जी,हर रविवार सुबह आठ बजे लाइव रियाज़ सत्र में आपका स्वागत है .

[@darshanpatel1486]

Very much Thankful to you Guruji

[@falgunishah5192]

Thank you so much Guruji sadar praam

[@rkfamily7471]

Pranam Guruji 🙏

[@DJ-gb6db]

Listening to this at transit stop after long flight from US to India. Feeling completely fresh. Dhanyavad Guruji 🙏

[@swarsanskar]

धन्यवाद,हर रविवार सुबह 8 बजे स्वर संस्कार फेसबुक पेज और स्वर संस्कार यूट्यूब चैनल पर रियाज़ सत्र में आप सादर आमंत्रित हैं.

[@DJ-gb6db]

@@swarsanskar Guruji Please share your phone number. I will be going back on April 19th. I will like to talk to you before I leave 🙏

[@debjanidas5466]

Pranam Guruji

[@shripriyanamavali3300]

Sashtang namskar guruji

[@gauravattrey]

very very useful guru ji mesmerizing practice

[@santasajan378]

Pranayama Guruji mein Mauritius se aap ok follow karti houn.I improved a lots

[@ashokshaligramsonawaneshir4308]

प्रणाम गुरुजी.🙏 जीवनदर्शक मुल्योका उचित संदर्भ देकर आपने यमन रागका स्वरविस्तार काफी रोचक बना दिया। आपका तहेदिलसे शुक्रिया और सादर नमन.🙏

[@swarsanskar]

जय हो ...

[@swarsanskar]

हर रविवार सुबह आठ बजे लाइव रियाज़ सत्र में आपका स्वागत है ...

[@vijayasawant57]

स्वर का अभ्यास का मतलब आज समज आ रहा है🙏 प्रणाम गुरुजी💐 आज भी यह व्हिडिया प्रॅक्टीस कर रही हूँ . 🙏

[@swarsanskar]

नमस्ते जी, करते रहें रोज रियाज़.

[@vijayasawant57]

प्रणाम गुरुजी🙏💐 आज यह व्हिडियो प्रेक्टीस करती हूँ🙏

[@sushmamalhotra1776]

🙏🙏

[@thskendjeo134]

Aapki koshish bahut damdaar hai....bahut dur jayegi....anant tak ...

[@swarsanskar]

आप जेसे संगीत प्रेमियों का साथ और स्नेह बना रहे, कोशिश जारी है .

[@thskendjeo134]

Thanks

[@thskendjeo134]

🙏Guruji bhavishya me aapko payment agar karna ho to kya yahi tarika sahi hai ya fir isme Google apna hissa leta hai?

[@sargampandya3153]

No words to thank you enough sir! 🙏 what a wonderful musical experience... totally immersive....can we request you to come up with more Raags sir ?

[@swarsanskar]

हर रविवार सुबह 8 बजे हम स्वर संस्कार यूट्यूब चैनल पर लाइव रियाज़ सत्र में स्वर और राग को और करीब से जानने की कोशिश पिछले दो सालों से कर रहें हैं, आपका स्वागत है हर रविवार सुबह 8 बजे..

[@sargampandya3153]

Thank you sir, very kind of you to reply ....It would be my pleasure to be their in your virtual class. I really enjoyed your class & style of teaching.

[@sushmamalhotra1776]

Pl continue series of yaman as long as last series of jaunpuri, nat bhairav etc

[@swarsanskar]

करते हैं आगे,अभी बागेश्री को समझते हैं अगले दिनों में.

[@PATILVISHNU7689]

Very Good Guruji. You are teaching raga gayaki in notes and akar form. After Yaman I request you to start with bhoop how to put up notes slowly and steadily. I will pick up. Vishnu Patil Alibaug

[@shripriyanamavali3300]

Pranam guruji.. Thank you so much for this riyaz video. If possible can you make this video on G# scale please guruji it's my humble request

[@ritamishra7858]

Pranam Guruji 🙏🏻 Tanapura ka sounds kam ho sake to acha hoga Notes clearly sunai ho ta nahin 🙏🏻🙏🏻🙏🏻

[@swarsanskar]

Every Sunday morning 8 o'clock live Riyaz session with guruji Sanjay dewale.

[@ritamishra7858]

@@swarsanskar 🙏🏻🙏🏻🙏🏻

[@seetahariharan4089]

..majhya sarkhe anek adtil je kuthe kuthe thode thode Sangeet shikle adtil pan pariksha padhat madhe...he ase riyaj koni shikvat kiwa karun ghet nahit..koto koti pranam Guruji

[@laxmanprasadmeena6283]

Laxman meena

[@yourschannel1449]

Guru ji raag pilu ke bare mein bataiye na plzz. Vo kisi ne nai btaya saiyan bolo tanik bade gulam ali ji ki thumri

[@yogteacherdilipmotkar8801]

Guruji hame kitna sangeet me duba dete hai dhanyawad

[@rakeshgaur373]

guru ji prnaam क्या ग रे नी dh नी रेग रे भी हो सकता है।

[@swarsanskar]

हां जी..

[@rakeshgaur373]

थैंक यू सर

[@rakeshgaur373]

ऑडियो वाइस कम आ रही है गुरु जी

[@subhroroychoudhury9609]

Download option please.

[@rakeshgaur373]

आवाज कम आ रही है गुरुजी

[@wellcomeentertainersunilku2111]

aap ki awaaz thodi Kam hai

[@madhuravelankar9071]

"सानीधप पधनीसा" हा बीजमंत्र घेतला तर, पधनीसा असा यमन मधे आपण घेत नाही ना सर ? आपण प वरून ध वर जात नाही ना सर ? मधनीसा असं आपण वर जातो ना ?

[@swarsanskar]

चार स्वर अभ्यासात सांनिधप पधनिसां चालेल.

[@singerasimali7483]

Guru ji Kya WhatsApp number mil sakta h?🙏

[@rajashekarnijaguli3005]

🙏🙏🙏🙏🙏🙏🙏🙏

[@madhurikhadatkar1924]

🙏🙏🙏

[@subhroroychoudhury9609]

🙏

[@rakeshgaur373]

आवाज कम आ रही है गुरुजी