Thanks so much for this lesson..this is exactly what l have been looking for: various ways to build chords, chords extension and inversions...please can you do more tutorials on this...l will be very grateful.
@TetoArusu4 жыл бұрын
One of the chords I’ve long wanted to see a tutorial of, thank you!
@edwardv4546 Жыл бұрын
struggling to play some of this on guitar but I really appreciate you for sharing! thank you.
@jstdun2 жыл бұрын
Appreciate this. Had several lightbulb moments 💡
@nerginsali436311 ай бұрын
Thank you, I was looking for this for a long time and I didn't know the names of these chords.
@jamesholton6766 Жыл бұрын
Like myself searching for understanding in interpretation 😉❤
@Boogers321504 жыл бұрын
I’m not sure about this lesson... ...sounds kind of sus.
@justsaybobby3 жыл бұрын
Lol.
@bazenastevski25763 жыл бұрын
Pedagogy at its finest, bravo
@PianoNotion4 жыл бұрын
Good tutorial ! I like the video. Have a great day guys!
@danielkrome6640 Жыл бұрын
Awesome.
@Dan_s_Channel4 жыл бұрын
Thanks for the professional and easy to follow explanations.
@meh90452 жыл бұрын
Great explaination, thank you!
@francescoperi78104 жыл бұрын
Pure gold right there!!
@devontegordon66064 жыл бұрын
Thank you for this lesson 🙏
@dimitripalombo62143 жыл бұрын
Amazing lesson! Super helpful
@elizabethamier26583 жыл бұрын
Why is C #9#5 notated with an E-flat and A-flat (respectively). Why not notate using D# and G#?
@zlm20014 жыл бұрын
Why do I occasionally see sharp 5 notated in music when it could also be seen as a flat 13? Simplicity/convenience sake?
@tomassso2114 жыл бұрын
Super! Thank You
@clank20913 жыл бұрын
when the cords is sus:
@funkystrunk92283 жыл бұрын
great lesson, thanks a lot! :)
@WhitneyJohnson3 жыл бұрын
That was really helpful! Thank you!
@nilangaga4 жыл бұрын
Thank you
@vgm_composer3 жыл бұрын
2:43 deep in the hundred acre wood.... 🎵
@christianwerning55824 жыл бұрын
Thank you for the great Tutorial! One question: what does you make speak of the "4sus" and not of the 11, especially when combined with 9 and 13. Often the 9, 11 and 13 are called Extensions, but here the 11 becomes "4sus". Sorry, maybe stupid question, I am a beginner...
@landoncbradford4 жыл бұрын
the 11th and 4th degree are the same note in different octaves
@maloneycraig4 жыл бұрын
It is INSTEAD OF the 3rd when you say "sus." Cmaj7#11 adds the F# in addition to keeping the E. G7sus removes the B and replaces it with C (which makes it more like Fmaj7 or Aminor7 with a G in the bass like he explains in the clip)
@christianwerning55824 жыл бұрын
@@maloneycraig Thank you for your explanation! I get it now.
@Ilovetosingem2 жыл бұрын
Hello there. These chords sound so wonderful and explained so. Just to show that I'm trying to pay attention could you please address my following points. When you play the Fmaj7 you add the G the 9th and the next time you add the D the 6th and then the G again the 9th! When you play the F6/9 you include the A the 3rd, some people don't! Are there two ways of playing this chord? I just noticed that the Fmaj13 doesn't follow the notes you are playing, in the stave! The A on the piano is a G in the stave. That Bb7 b9, I read something like this and it was called a False Relation. Is that what it is? Thanks for your knowledge. Keep safe you and yours.
@Russlld4 жыл бұрын
4:56
@compatacuchi64794 жыл бұрын
I loved your video! Thank you for sharing.
@inkkles3 жыл бұрын
very confusing my head where you have c13 chords but are missing the 11 and/or other notes
@enriquethetrombonist19013 жыл бұрын
So essentially they are a fancy way of re writing pre dominant chords such as IV chords?
@funkybob77722 жыл бұрын
What could be better than a 2-5-1 resolving lushly?
@akg.69 Жыл бұрын
While playing C7, why did you skip G note?
@alp90204 жыл бұрын
👍
@nickwilson34992 жыл бұрын
I'm so immature lol I laugh every time he says sus
@Hexspa4 жыл бұрын
Great. Maybe someone can help me: Gmaj - Db7(b5) - Cmaj - Dm11/F - B7 - Em What is the function of Dm11/F? I understand that it’s a Vm/b3 (five minor first inversion) but the fact that the root is F makes me think it’s a 6/9 tritone sub of the V7/VI (secondary dominant of six). Do 6/9 tritone subs exist? I know this isn’t directly related to sus chords but it seemed like someone with piano experience might know. Thanks.
@douettheophane63444 жыл бұрын
I would say it coule be seen as the V (6/9) of Bb (wich is the III of G minor)
@Hexspa4 жыл бұрын
@@douettheophane6344 Thanks for commenting. That's true but the next chord is B7. Have you ever heard of a 6/9 tritone sub? I just don't understand what a Vm first inversion is doing there. The only reason to put the F in the bass is to make a tritone. Cheers.
@pnintetr3 жыл бұрын
I guess it is a Neapolitan sixth for E (harmonic) minor. Dm11/F is just a different style of FM13, so the problem is reduced to analyzing F - B7 - Em, or in general bII - V7 - i. bII.M7 in place of ii.ø7 in the minor 2-5-1 progression is a typical Neapolitan sixth technique.
@Hexspa3 жыл бұрын
@@pnintetr Ok thanks! I figured it was a variation of an N6 to E but didn't know that this was a normal substitution for a minor ii-V7. Usually we see the tritone after the regular dominant, right? This time it's before. Cheers.
@pnintetr3 жыл бұрын
@@Hexspa To be frank, I don't know what you exactly mean by 6/9 tritone substitution. Do you really mean by using a major 6/9 chord as a tritone substitute of a certain chord? At least, I was already knowing an analogy F7 : B7 (Shares A, Eb) = FM7 : B11 (Shares A, E). I'm not sure whether this is what you've also sought, though.
@Kojii.4 жыл бұрын
teach us how to play the intro sample to this video 😫