Tristan und Isolde - Peter Hofmann - Hildegard Behrens - Leonard Bernstein - 1981 - Remastered - 4K

[@TEMPUSCollection]

TEMPUS Collection DSD - PCM - CD - MP3 "Beyond All Standards" - Subscribe Now! : kzbin.info ONLINE DIGITAL DISTRIBUTION - Audiophile / Hi-Fi - Buy Now: tempuscollection.com/en/catalogue DSD 64 - 128 - 256 : all orders include two file standards: .dsf and .dff+ CD audio file(s) Bonus PCM 192 kHz 32 bit : all orders include : .wav + CD audio file(s) Bonus CD audio file(s) - 44 kHz 16 bit :all orders - file: standard .wav + MP3 Bonus MP3 Portable file : 320 kbps best MP3 quality ________ Screen Adaptation - Co-Production : MISANTHROPOS - Official Website - www.misanthropos.net Adapted by Maximianno Cobra, from Shakespeare's "Timon of Athens", the film exposes the timeless challenge of social hypocrisy, disillusion and annihilation against the poetics of friendship, love, and beauty. Music Soundtrack - TEMPUS Collection - 2.0 - 5.1 - 7.1 - Dolby Atmos

[@galt82]

What a splendid performance. Bernstein and Peter Hofmann absolutely unforgettable!

[@tabarro1877]

I love it....😍😍😍

[@renzomosetti7532]

Let's forget about very slow tempos, just the Lebentod is enough to give an incredible emotion.

[@h-mh93]

Indeed a perfomance for the ages - Bernstein could create magic - and what a spendid cast!

[@rpallen3129]

Thank goodness for the silence of the audience at the end, letting the final resolution fade. ♥

[@WilliamCharlton-Perkins]

What a thrilling discovery, finding this legendary recording on You Tube. Thank you for putting it out for the world to appreciate afresh. Salute!

[@TEMPUSCollection]

Our Pleasure! Cheers!

[@gianlucamattei264]

Bellissima regia del tristano stupendi costumi d'epoca originali della vecchia antica Germania dei vecchi tempi ❤❤❤❤❤sublime regia ❤❤❤❤

[@NestorSigalesnestor]

Magnifica, brillante, una obra imperecedera. La remasterizacion nos da la posibilidad de disfrutar joyas como esta. Gracias amigos!!!!!!

[@alterschwede9458]

transparente Aufnahme in beeindruckend musikalischer Dichte, danke

[@TEMPUSCollection]

Es ist uns ein Vergnügen. Prost!

[@christopherhill2786]

A great cast and orchestra, and conductor.

[@robbertvanoosterhout7925]

Just beautiful. Thanks

[@kiimmaritz2827]

Beautiful duets..

[@Robert...Schrey]

very good opening bars.

[@fabianfrankenstein7294]

3:10:06 / 3:14:39 / 3:18:10 / 3:23:00 / 3:28:42 [Todesahnung] / 3:36:48 [Sehnsucht nach Isolde] / 3:43:24 [Familiengeschichte] / 3:49:58 [Erinnerung an den Vorfall an der Küste Irlands] 3:56:02 / 4:01:55 / 4:05:43 4:17:08

[@josearcos8589]

Colosal,Lennie.

[@SilfredoSerrano]

Hildegard sounds wonderful here. Sadly, the voice didn't age well. She retained the top to be certain, but the middle became ragged, unfortunately, given that most of her repertoire requires the singer to sing in the middle voice for long stretches.

[@paules3437]

I assume that's Peter Hofmann singing the opening a capella (I know it lists him, but i don't know the opera well enough to be certain. Sounds like him, tho. Magnificent voice, superior musicality. I don't love Wagner, despite taking a course on him in college, but I can appreciate it when sung by someone like Hofmann. I just wish Bernstein played the overture more slowly...

[@rolf2360]

The opening solo (acapella, off-stage) belongs to the "young sailor" and is sung in this performance by Thomas Moser, who in later years sung Tristan himself.

[@a.f.4248]

It si not an overture, it’s a prelude. Moreover, the only a cappella singing in the beginning is by the young sailor, so it can’t be Hoffmann. It’s Thomas Moser.

[@wallenstein72]

No, the opening a capella voice is Thomas Moser, the young sailor (=Stimme eines jungen Seemanns), who himself would become a great Tristan, but 20 years later, at the Vienna State Opera.

[@Digrient]

Bernstein's tempo is exceptionally slow as it is.

[@jabber12345]

Why is Bernstein conducting most the opera like a funeral march? It's so slow that the whole thing kind of lacks any sort of momentum or tension. The end of Act 1 is ruined becuase of this. He also doesn't distinguish the different contrasting sections here enough and the impact just kind of falls flat. Is the famous recording that was released on 5 CDs because he conducted it so slowly?

[@srothbardt]

Ask the critics.

[@alexandrebidaud2964]

A funeral march ... l 😂 You just don't have any knowledge about what you are writing !!! C'est LE FEU qui couve sous LA CENDRE ..., çà oui !!!