Thaat System in Hindustani Classical Music

[@kabiraltaf]

Thank you. Very helpful method of explaining the thaat system. Going to use this with my students.

[@SuedInder]

As a carnatic musician this helped me understand hindustani thaats easily. Thanks.

[@hedgehogtiara410]

Why did this start from Kalyan, instead of Bilawal?

[@somashekardindagurunaranap4384]

Very great tip sir,it is easy to remember. 🙏🙏

[@amrutakrishna4444]

Very nice sir👌👌👏

[@lazybun_india5134]

... thanks it helps a lot to understand the various modes in guitar .... the picture chart is very useful

[@atuld]

Excellent work! You have made this is easy to understand for a lot of novices.

[@turpakaiakram5598]

Thank you for doing this in English 🙏🙏🙏 this was very helpful!

[@Learnenglishwithssg]

You made the concept very easy to understand. Great work !

[@shravyaiyer3290]

What a beautiful explanation 👍

[@kuldipsingh5]

Great Service for others/ - Thank you!

[@ashishchakraborty6984]

Excellant presentation

[@shripkanth]

Thanks for sharing this very effective approach.

[@svnrm2004]

Sir, excellent method presented. धन्यवाद 🙏🙏🙏🙏

[@rajujwala8774]

Very easy to understand.. thank you so much..

[@What-the-meow-meow]

Thank you for the presentation, and wonderful singing. I noticed a few of the Western scales overlap with some of the Indian thaats. Namely: Minor scale to, 2nd from right. Double Hamonic minor scale, far right. Major scale, Bilawal Lydian mode of any major scale, Kalyan Some of the scales further left sith the raised fourth scale degree sound nice.

[@shiladas3267]

Great job ,,,thanks a lot sir,,,,,

[@manoharsoulay6850]

Excellent Omkar. A very useful effort. This reminds me of the music programme SANGEETH SARITHA, being aired by AIR, VV Bharathi, Mumbai, SINCE MORE THAN 40 Years. A humble suggestion. While concluding, please sing a relevant song, even it is for 45 seconds. Pranam Manohat Soulay

[@OmkarnathHavaldar]

Thank you so much for your kind words and encouragement Sir. Will incorporate your suggestions in the next production. Pranams Sir.

[@dspdurgadasa]

Great sir ...❤❤❤

[@ritwikbhattacharyya1905]

Beautiful class

[@veenasathe467]

मस्त.साधी,सोपी, सुटसुटीत पध्दत.

[@sand1d]

Thank you very much 🙏

[@RagaMusicStudio]

Waah Ji, Bahut badhiya, in proper system

[@syedaliakram]

excellent sir

[@kiranvysya]

You are a GEM❤ I am a visual learner and this just gives so much clarity ❤

[@PanosOsbourne]

Thank you for sharing the beauty of your music globally

[@narasimhamurthygraichurpra450]

EXCELLANT APPROACH.... HELPED ME A LOT. 🌹🌹🌹🙏🙏🙏🙏

[@satyanarayanaks9972]

Very good 🙏

[@karunan2173]

Amazing Omkar ji. Thanks for sharing 🙏

[@yukthaholla3360]

Thank you very very very very very much....

[@punarvasu1000]

Very systematic and follow able method. 👌thank you

[@ShubhaKulkarni]

Thank you Omkar ji🙏

[@OmkarnathHavaldar]

Thank you so much 🙏

[@sunilpatil64]

Great

[@subhashegde]

Very beautiful way of explaining the Thaat Paddadi.. Simple to visualize the reproduce.. Thank you so much..

[@shravyabaasri9182]

Excellent presentation, sir. Thank you!

[@kingfisher1926]

Love this. Thanks for making it - very clear and logical

[@SiddharthGadgay]

Thanks

[@munirkash]

very nice sir

[@sumanjain8060]

Thank you so much Gave me much clarity

[@krishnavadanshuklashukla452]

easy to understand

[@mamtapatil3680]

Excellent way of presenting Thaats

[@OmkarnathHavaldar]

Thank you so much 🙏

[@arvinderjulka7481]

Very helpful

[@videodarshan]

Excellent thanks🙏🙏

[@rameshjayanivas]

Very nice. Thank you for sharing very important paddati. Youngsters should be very happy to learn from your guidance. All the best.

[@OmkarnathHavaldar]

Thank you Sir

[@Saanvivanam]

Simplified and easy to understand 🙏

[@iampallavikatti]

This visualisation is really very helpful.

[@OmkarnathHavaldar]

Thank you so much 🙏

[@gourishanker8085]

very helpful sir :)

[@dr.kavithaprakash173]

Thank you sir. Very nice explanation and simplified manner.

[@OmkarnathHavaldar]

Thank you Sir

[@munirkash]

kindly update some more lessons

[@sheetalrparab]

Very useful for every music student. I like your music performances, also I would love to watch such educational videos. Thank you 🙏 ❤️

[@OmkarnathHavaldar]

Thank you so much 🙏

[@sushmasanghi]

Very nice sir🙏

[@OmkarnathHavaldar]

Thank you 🙏

[@vanithakini9711]

👌👌🙏

[@sanduranoop]

Thank you for this anna 🙏

[@OmkarnathHavaldar]

Thank you so much 🙏

[@singvirii5909]

waaao 👏👏

[@rajashekharaiahbm8678]

Sir .... brundavani Sarang is kafi taat .....but y not kamaj

[@sarasukumar1274]

Namaskara, Please ET hege use madabeku Please thilis kodi

[@tsintraff]

Ekbaar kalyan thaat ko practice krne ke baad Bilabal thaat hi nahi aata galee se 😢😢😢

[@shirish1000in]

Excellent demonstration and very easy to understand and follow ! Thank You .. One question .. why is that none of the thats which have tivra madhyam ( essentially off shoots of Kalyan ) do not have komal nishad ? Is it something to do with sa pa / sa ma sangati ?

[@OmkarnathHavaldar]

Namaskara Sir, In Hindustani Classical music, we don't have Ragas with Teevra Ma and Komal Ni, which is one of principles of the Raags. There are a few exceptions to this rule, like Raga Saraswati and Madhukauns to name a few. Hence in the 10 Thaats which are popular, Teevra Ma and Komal Ni is not included.

[@shirish1000in]

@@OmkarnathHavaldar thank you .. do you also take online classes ?

[@OmkarnathHavaldar]

@@shirish1000in Yes Sir, I do.

[@shirish1000in]

@@OmkarnathHavaldar Thanks .. how would it be possible to connect with you ? Do you have a web site ?