The !!!! Beat (TV Program) Vol 5 # Show 19 (1966)

The !!!! Beat (TV Program) Vol 5 # Show 19 (1966)
Year 1966
1. Intro By Hoss Allen, including The Beat Theme
2. Freddie King - Papa's Got A Brand New Bag
3. Lou Rawls - Going To Chicago
4. Lou Rawls - How Long, How Long Blues
5. The Beat Boys - I'll Remember April
6. Mitty Collier - I Had A Talk With My Man
7. Joe Simon - My Adorable One
8. Lattimore Brown - Little Bag Of Tricks
9. Z.Z Hill - Happiness Is All I Need
10 . Johnny Jones - Lucky Lou
11. Freddie King - Sen-Sa-Shun

[@joscofe]

MITTY COLLIER... so so good

[@tonyrussi7777]

Lord have mercy so glad I grew up in the 60's with the GREATEST musical talents.

[@debtpeon]

I have to hand it to Hoss Allen for providing a great venue for these acts and having this for posterity.

[@sgmares]

I Had A Talk With My Man...ooh I love that jam! This show was another exceptional show! I can't believe I'm just catching it in March of 2020! Better late than never!

[@michaelobrien8219]

I Had A Talk - what a beautiful song performed with pure soul - wow!!

[@urwayhome4050]

This show is a treasure trove!

[@v.a.993]

Agreed!

[@alexforest1]

Without a doubt this is gem…and placed in the musical archives.

[@chriskroll4166]

I can't believe that wicked tone that Freddie King is getting out of his guitar. Makes me want to cry. And Mr Brown is playing that guitar like nobody's business. Two of the finest guitar players that ever lived without a doubt. And everybody else on the show is top notch also. Man they do not make music like this anymore. 🙋

[@stevenstainbrook1064]

You said it man. Freddie really brings something out of that guitar. It really gets into your soul. He's my favourite King.

[@andrewpippa5590]

With two of the hardest working go-go dancers from the 60s 😆

[@flashcat945]

Lou Rawls - How Long, How Long Blues = NICE!!! Not only is his voice fantastic, the way he sustains a note is perfect!

[@flomurdock]

That's kinda funny, because my reaction was the opposite. Why is someone like Lou Rawls taking up time here when I want to hear Mitty Collier, Joe Simon and the others?

[@talesfromtinpanalley-thedo6198]

Nothing short of Phenomenal

[@kennyguitarallen5662]

Freddie king excellent guitarist

[@ren-shen]

I can't stop smiling when I watch this wonderful entertainment.

[@alexforest1]

This was such another groove.

[@mikevallen999]

Mitty Collier begins at the 10:40 minute mark.....very special performance ❤❤🙏🙏✨️✨️♥️♥️.

[@mikevallen999]

Joe Simon starts at the 14:20 minute mark 🎉🎉🎉🎉❤❤🙏🙏🙏✨️✨️♥️♥️R.I.P JOE SIMON.

[@allanfranklin9615]

While us white kids were watching the Monkees,I could have been watching this. Non stop music, dancing, entertaining, no BS emcee. Glad I found these shows.

[@jody8526937]

You can watch both.

[@outtathyme5679]

Lou was pure class

[@user-bq5lr6dq6b]

THIS IS THE MY TIME! LOVE YOU! ❤️🌹✨👑

[@billkarmetsky4003]

True story. A guitar player friend of mine used to go to all these clubs and jams in and around Nashville and Knoxville and one day Clarence "Gatemouth" Brown comes in and, according to my friend, the first words out of mouth was, "Alright, now. Who's gots the reefers?"

[@billkarmetsky4003]

Wow! Rawls was looking mighty svelte in those days! I was in a very highly arrange Blood, Sweat and Tears style horn band when there were such things and on on Miami Beach when big hotels had the biggest acts of the day rolling through. We either backed some or sat in the wings and absorbed. Rawls came through and he was not quite as svelte as he was in this show but I'm talking 1972-3 and he was huge. The best act as I recall was O.C. Smith. Holy mackerel! What an utterly polished dressed to the nines 100% GREAT male soul singers! I mean, we were witness to greatness. He was straight where Rawls and others like Dick Jensen who had an awesome soul act were all stoned on reefer and booze but not enough to interfere with their performances. These guys brought it 100% of the time. That was what was required of working musicians -- we had to bring it or would be replaced by someone who could. That work was an absolute grind and I smoked enough dope to fill up a dozen Willie Nelson buses. Haha!

[@user-bq5lr6dq6b]

LOVE YOU ALL LOVELIES WONDERFUL ROCK MANS AND ROCK GIRLS, AND ROCKABILLY! YYYEEESSS! ❤️❤️❤️❤️❤️❤️❤️❤️❤️❤️❤️🌹🌹🌹🌹🌹🌹🌹🌹🌹🌹🌹✨✨✨✨✨✨✨✨✨✨✨👑

[@user-bq5lr6dq6b]

Love you all Lovelies! ❤️👑🌹🌹🌹

[@jeffjnewmantube]

Thank you Rachel!

[@claudiomorales561]

Excelente, música maravillosa, voces privilegiadas, instrumentación magnífica, cuando los afroamericanos hacían de verdad música.🍷🎸🎷👍✌️👏👏👏👏

[@waltbruenner1410]

Lou Rawls such an amazing singer

[@Natethagr88]

Freddie

[@TheShabazzProduction]

Great music from our beautiful looking brown skin soulful people.

[@standaman1963]

Freddie King did his thang on James Brown's "Papa's Got A Brand New Bag".

[@berndpape407]

Die Tanzmädchen sind wunderbar, könnte stundenlang zuschauen . . .

[@johnnieguitar5724]

Thanks for posting all these Beat videos Rachel! Amazing artists! :)

[@user-bq5lr6dq6b]

❤️❤️❤️❤️👑👑👑👑🌹🌹🌹🌹🌹🌹🌹🌹🌹🌹🌹

[@ivanwashington3186]

a significant fraction of the time it appeared they were playing along to a backing track, and in one case a phonograph record complete with surface noise! those things aside, this is a cool and COLOR VIDEOTAPED [NOT a kine!] document of an era.

[@pieroangelo2]

yessss..z.z. hill!!!!

[@ajsmith5295]

New rules how long was a voice man and also what a suit my favourite colour I love that suit

[@richardtharris]

Billy Cox (Jimi Hendrix), on bass.

[@rondmc44]

Looks like Freddie King has his version of B.B. King's Lucille!

[@GarwinWayne]

@16:27 If they ever do a biopic on Joe Simon the actor Aldis Hodge will be perfect

[@EricCirca6566]

23:31 Sen-Sa-Shun

[@johnbarron2269]

It was nice how Lou Rawls held that note from 8:01 to 8:18.- Beautiful Lou. It sounded better because it was "semi-falsetto."

[@EricCirca6566]

24:32 this lick

[@user-yf1xs7cr7e]

５４年前の映像だよ・・いいですね～、アメリカが一番いい時だよ。

[@sulevisydanmaa9981]

FREDDIE IS B R U T A L . . .

[@MIKECNW]

Anyone know why this show was short lived?

[@thamnosma]

Doesn't really answer the question but lots of info here. www.dallasobserver.com/news/for-26-episodes-in-1966-wfaa-played-host-to-the-funkiest-most-soulful-tv-show-in-america-7145517

[@ronwilliams717]

Because it was black and it was 1966.

[@thamnosma]

Uh, yeah I guess Soul Train didn't make it either

[@ronwilliams717]

Different time. Dr King had been Killed by then and then and they were a little more caring about black america by the early 70's. That was your difference. People hadn't seen to many blacks on TV in 1966 but by 1970 the whole game had changed, black faces were becoming the face of Americas fabric and more blacks TV shows would be seen in the coming years. Nobody wanted to sponsor black TV shows at that time also. If you don't have sponsors you have no TV show!

[@thamnosma]

Maybe the difference was production value and orientation toward youth, not jazz and blues. This show was essentially "local" and that's exactly how Soul Train started... " The origins of Soul Train can be traced to 1965 when WCIU-TV, an upstart UHF station in Chicago, began airing two youth-oriented dance programs: Kiddie-a-Go-Go and Red Hot and Blues. These programs-specifically the latter, which featured a predominantly African-American group of in-studio dancers-would set the stage for what was to come to the station several years later. Don Cornelius, a news reader and backup disc jockey at Chicago radio station WVON, was hired by WCIU in 1967 as a news and sports reporter. Cornelius also was promoting and emceeing a touring series of concerts featuring local talent (sometimes called "record hops") at Chicago-area high schools, calling his traveling caravan of shows "The Soul Train". WCIU-TV took notice of Cornelius's outside work and in 1970, allowed him the opportunity to bring his road show to television."

[@ignorecorporatenews]

This is GREAT. Rap sucks.

[@EricCirca]

23:33 Sen-Sa-Shun