The Cinema Camera That Dominates The Movie Industry

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Күн бұрын

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@eruannster 2 ай бұрын

We sometimes joke that if you drop an Arri Alexa on the ground, it dents the ground and not the camera because they are such robust workhorses. (Clearly this is done in jest, don't intentionally throw your expensive cameras on the ground.)

@bigrobotnewstoday1436 2 ай бұрын

I heard RED cameras break down a lot. Don't know about the newest models but I heard some of the older ones had issues.

@eruannster 2 ай бұрын

@@bigrobotnewstoday1436 Depends. Some early ones were finicky and required reboots. Nowadays they are pretty okay. I do prefer Arri's interface (buttons!) over REDs more touchscreen-based UI though, since it's way easier to operate an Arri camera when you're, say, shooting in the snow and wearing gloves.

@bigrobotnewstoday1436 2 ай бұрын

@@eruannster I know they sell winter gloves that have those rubber tips that will work on touch screens. I just forgot what they are called. But yeah Arri is better with real buttons. I hate taking off my gloves to make a phone call. Old cellphones had real buttons now I miss those old phones. LOL

@mauroleguizamon1460 Ай бұрын

Glad to see a film from my country in one of your videos. Saludos🇦🇷

@verebellus 2 ай бұрын

i think the new blackmagic ursa cine line will start to creep into the market now, with its pretty great dynamic range and large format

@AllThingsFilm1 2 ай бұрын

I agree. I think many people underestimate Blackmagic cameras. The BRAW format itself, while not "officially" raw, still provides you with 12-bit footage with the flexibility of raw. Plus, BRAW files are about 1/3 the size of ProRes files. Which means it plays back smoother in post. Speeding up editing and post production by quite a bit. And for myself, I think the BRAW image is quite "cinematic" coming straight out of camera.

@shivakumarannigowda9983 Ай бұрын

Woooow. Superb. More thanks to all teams of you.

@ItsLucid 2 ай бұрын

7:47 that math doesn’t math…

@alexwithers4409 Ай бұрын

At some point he mentioned to bear in mind that some productions utilised both Super 35 AND Large Format cameras. That might be what's going on here?

@aquajetz1 2 ай бұрын

Finally an updated one also look into lenses

@nikhilpatel7587 2 ай бұрын

Always thought the idea of larger sensors was kind of nonsensical. Good lenses come in smaller formats, cheaper, and sensors today dont even need the full format to be in 4k or 2k.

@Cinegavo 2 ай бұрын

agree but that's one of the creative choices as dp/ director. a spectacle, large sensor gives a totally different look that something smaller, beyond just more light

@LanaaAmor 2 ай бұрын

@@Cinegavo that's not true. Sensor size has nothing to do with look. Look completely depends on the sensor quality and lens quality. My phone's camera performs better than the Alexa despite being hundreds of times smaller

@Cinegavo 2 ай бұрын

@@LanaaAmor well maybe not 'totally' change it like I said. But it will change the field of view and the aspect ratio ... which is 'totally' a big part of any look. Plus with the higher res a lot of these 'LF' cameras are qualified to play iMax or even be shot alongside imax. That's definitely a huge part of the look, and the decision that the DP and director come together to do. Also, I would like to know what phone you have.

@Cinegavo 2 ай бұрын

@@LanaaAmor and I know you didn't say this, but the look doesn't come from the camera and lens choice alone. It comes from almost everything in a movie except sound lol. Lighting, pd, h&mu, the grade, etc all contribute to the look even though those creative decisions may be made above the line. Sensor size is a creative choice in this mumbo jumbo of decisions that make up a movies 'look'.... if budget allows ofc

@jugger2333 2 ай бұрын

@@LanaaAmor the fuck are u talking about

@paperstacksfilms Ай бұрын

Further proof that super 35 is the more popular sensor over the others. And shooting super 35 forces you to be better and more intentional with you lighting

@Turdfluencer 2 ай бұрын

It's the Alexa Mini. Just saved you 11 minutes. Nothing new here.

@marcl2213 2 ай бұрын

Your butt is saving my butt! 😁

@Bigcookfilms 2 ай бұрын

First thought that I had

@ericlindenau 2 ай бұрын

Thanks 🙏🏼😂

@lachlanchester8142 2 ай бұрын

Well you’re no fun

@vstream1890 2 ай бұрын

Thanks.

@alinkbetweengames4328 2 ай бұрын

I think it's interesting that we have camera data on so many more Oscar nominees from 2022 than every other year.

@keylanph 2 ай бұрын

I don’t know of many people who would choose super 35 over large format if price was no object. I think it has much more to do with cost and availability of glass rather than a preference for the super 35 look.

@AllThingsFilm1 2 ай бұрын

As a visual effects artist, I can tell you that larger sensors are good for visual effects. Hollywood films tend to release the superhero and other visual effects heavy films over what is released by independent filmmakers. So, there's that.

@dukebozikowski3801 2 ай бұрын

So arri over red for VFX? What if the red is properly exposed to not have a lot of shadow noise?

@nickxc 2 ай бұрын

Why is large format better? Genuinely curious. I assumed it came down more to resolution and but depth.

@dukebozikowski3801 Ай бұрын

@@nickxc Signal to noise. More signal, less noise generally (depends on sensor tech). Also you can use longer lenses to get the same depth of field and longer lenses are easier to be made technically perfect (less fringing, sharper, etc).

@nshea3286 2 ай бұрын

The choice of film in the Oscars, has more to do with older Directors getting nominated.... and their choice as film over digital.. Nolan, Tarantino, Scorsese, PTA all use film. The Alexa mini use has fallen off greatly in 2024. Most are using the Alexa 35 or LF instead.

@honzagomela5800 2 ай бұрын

Plenty of young directors are choosing film as well. I feel like the LF has been the most popular camera for a while now. 35 is likely going to take over or at least share the spotlight.

@redflagfilmsofficial Ай бұрын

Indeed

@CringePanda Ай бұрын

Disappointed not to see my Sony F55.

@simonlegosson7082 2 ай бұрын

Is it the Alexa mini?

@TewaAya 2 ай бұрын

Red will be renamed under nikon or will have a unified lens selection soon. Not sure when their restructuring starts after being bought out.

@reasons2win Ай бұрын

How do you feel about blackmagic 12k?

@dp_zee 2 ай бұрын

Personally... I prefer the venice

@haithammhanna 2 ай бұрын

Can you do a cinematography Style on Drew Daniels?

@spooky_leftist 2 ай бұрын

I've never understood the 4K standard from Netflix. The ALEV3 sensor has 2160 vertical resolution, with anamorphic lenses you can stretch that out to the equivalent of a 5K image at scope. You'll still be downresing it for presentation.

@al_muftah94 Ай бұрын

What’s your take on the new Arri Enso ?

@jackross7830 2 ай бұрын

Love you In Depth Cine but what is this thumbnail? 65% = camera

@rezaVfx 2 ай бұрын

Thay used Venice in Perfect days anyway 😅

@andersistbesser 2 ай бұрын

I am so proud the best cinema camera is a german camera. The first 35mm camera was a german leica also. We are foto and film people.☺️

@swashyhimself Ай бұрын

Film is superior - Chris Nolan

@Frank-ro5bp 2 ай бұрын

But the Mini isn't often used as the primary camera unless it's a crazy low budget. It's just easier to use off sticks and cuts well with the other Arri cameras so every shoot has one hanging around.