The Film Movement Against Film Scoring

Film scoring is usually assumed to be one of a filmmaker's strongest tools, so what happens when a film movement like Dogme 95 bans film scoring?
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Dogme 95, Dogma 95, Dogme, Dogma, Film Analysis, Film Music, Film Scoring, Danish Film, Avant Garde Film, Music Theory, Music Analysis, Video Essay, Albert Genower, Experimental Film, 90s Movies, Movie Analysis, 90s Movie Analysis, Danish Movies, Cinema, Cinema Analysis, Film Scoring Analysis
Founded in 1995 by Danish filmmakers Thomas Vinterberg and Lars von Trier, the Dogme/Dogma 95 movement was an avant-garde film movement that was based upon the Dogme 95 manifesto, which stipulated, amongst other things like filming with a handheld camera, that music could not be produced apart from the images. How, therefore, did music manifest itself in these films? What creative ways did directors utilise to get music into their films? How does the lack of music impact the finished products? Why ban music in the first place? These questions are all tackled in this video.
Against Film Scoring
The Film Movement Against Film Scoring
Dogme 95 Analysis
How Dogme 95 Uses Music
The Films Without Music