"The Forest/Keyes" - E.T. the Extra-Terrestrial (Score Reduction & Analysis)

[@Quotenwagnerianer]

To me E.T. remains the pinnacle of Williams work. It is his opus magnum. A work of such sublime perfection that he never reached again. It totally makes the movie. Even more than his Star Wars scores.

[@MrPo-b2g]

Reba's cut for finger and blood ET's growing finger for Reba's cut and heal

[@dannyboi8027]

4:29 chills

[@Krissel095]

This is the best channel on KZbin ever! Love your videos

[@MrPo-b2g]

ET's heart growing

[@MrPo-b2g]

0:31

[@MaxTooney]

These score reductions/analyses are fascinating and much appreciated! Keep 'em coming.

[@Mrapg32]

I can't add anything else other than to agree with everyone else - incredible job. Thank you.

[@ComposerConductor]

At 2:12, listen to the first two notes. Isn't this the EXACT interval for the start of E.T.'s theme?!

[@jeduardolopezo]

I just discovered your channel... You´ve just got a subscriber for life... keep the videos coming! :)

[@prokopow]

This is wonderful stuff! Thank you so much for putting the time in and making these great videos!!

[@MrPo-b2g]

You're welcome

[@joeythomas2724]

I have such a crush on your videos! Thanks for doing these!

[@MrPo-b2g]

ET's cut

[@alfiedixon3810]

great job

[@marcel_schweder-composer]

Your Videos are AMAZING! Thank you and keep going!

[@MrPo-b2g]

Anytime

[@daniellonguein2910]

Super...many thanks

[@felixburghelea]

I really apreciate your work.Thanks for doing it! Would it be posible to do some cues from Home Alone 1 & 2?

[@Daruqe]

I still hold that E.T. is Williams's magnum opus.

[@Quotenwagnerianer]

It is. Not even Star Wars can compete with the way it is integrated into the movie.

[@bordeauxcolor]

I think it is Jurassic Park

[@pge-o1n]

@@bordeauxcolor Hell nah, compared to E.T.??

[@bordeauxcolor]

@@pge-o1n yes

[@pge-o1n]

@@bordeauxcolor okay fair enough 😭

[@williamrosar8187]

Wonderful, indeed. I can still remember my delight watching this scene for the first time on the big screen and loving the scoring of it. Some of this musical language Williams already forged in the 1960s for LOST IN SPACE and VOYAGE TO THE BOTTOM OF THE SEA but here it strikes me that there is a decided Russian influence, but it is hard to pinpoint, a kind of synthesis of melodic, harmonic, and textural elements deriving from Rimsky-Korsakov, Tchaikovsky, Prokofiev, Rachmaninoff, and maybe even some Gliere and Liadov. The general sensibility qua film music, though, is somewhere between Herrmann and Friedhofer IMHO.

[@LouieTaylorMusic]

Where do you get the scores from?

[@euriggwilym1029]

is there a fourth video?

[@sign543]

So, does John Williams actually sit down and write out every musical note on a score like this? I don’t understand how anyone can do that! It’s people like John Williams, who do things that seem impossible, that I understand their wealth and fame. I don’t even know how he does what he does. I wonder if he wakes up in the morning and thinks, “You know that music that everyone on the planet knows from about three dozen films? I wrote that.” 😂

[@Malignus68]

John Williams did his own orchestrations many years ago, but generally doesn't anymore because he's so busy. For a long time, his orchestrator was Herbert Spencer. Here's a video about how they worked together: kzbin.info/www/bejne/nXbKaGmqhKqgoKM

[@samuellabrecque880]

@@Malignus68 still, the sketches he gives his orchestrator(s) are so complete and precise that he conducts from them and not from the full score. So he basically does the orchestration and the orchestrators just specify which of the horns plays this and that note of the horn chord on the sketch.

[@MrPo-b2g]

1:31

[@MrPo-b2g]

2:21

[@MrPo-b2g]

3:11