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#bass #analysis #transcription #basshistory #q #paulthompson
Today I unpack the brilliant style of Chuck Rainey's bass playing using one of his masterful recording with Quincy Jones from 1973, "Summer In the City" (A&M Records). I'll break down the various techniques he's using (including "patting") and how the music was conceived under Q. A brilliant bass line that shows us everything that made Chuck Rainey (Aretha Franklin, Steely Dan, Donald Byrd, the Crusaders, King Curtis, etc.) one of the most recorded bassists in history.
00:00 Intro
01:43 'A' Section ("patting")
03:08 'B' Section (process)
04:34 'C' Section (the lick)
05:31 Transition to 'A' (nuance)
05:50 Outro
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