The Grateful Mind (Lose It All the Time)

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Used an old trick for switching up the rhythms here, dogg, where the sequencer’s modulating its own clock source with row 4. Row 3 is reserved for triggering the sequencer’s reset input.
I also employ a little trickery with the Hale See-Saw crossfader to get clear, distinct kicks and snares from the Serge VCFQ. I should document that someday.
But you don’t get a lot of that until like halfway in. Sorry, but I like the suggestion of manky techno and especially the Casio Acid that comes in maybe halfway. And listen to that beat switch nicely into Trio, “Da Da Da” territory. Man, I love working with Serge and Serge-inspired rigs.
As always, thank you to Loudest Warning, Hale Modular, Sound Transform Systems and Random*Source.