Рет қаралды 2,580
The late, great, but always the very pinnacle of timing, pitch and counterpoint with leaps, swoops and three semitone bends to die for with ultimate tone and bravura soloing, prodigiously gifted, Alan Murphy. Meticulously precise fretting, picking, vibrato, taste and feel with perfect pitching through the travel of the bends against the track itself.
Alan was prosecuting his blues roots a generation after Rod Stewart graduated from Long John Baldry’s blues band and Murph duly became a prolific sessioneer with milestone recordings with Mike and the Mechanics, Go West, Scritti Politti, Nick Heywood, and yes, Level 42. I was often arranging passes for Jeff Beck or Alan Holdsworth when they wanted to see Alan live and here Murph is plangently mellifluous as he effortlessly weaves a fusion narrative around Mark King’s allegorical sci-fi vernacular . . .
This Squier small Fender big JV 62 Stratocaster was the first of the FujiGen Gakki production specially selected by Dan Smith for Alan Murphy in January 1982 and various pups from proto noiseless preamp vintage, EMG and Reflex were swapped around and the Murphcaster Alan Murphy signature was proposed as this guitar, now owned by John Hill, former Director of Fender Artist and Brand AR&D, and then on a journey from Kahler and Floyd Rose (seen here) it became more of a Strat Plus which became identified strongly with Jeff Beck at the time and an Eric Clapton model version of the Murphcaster appeared with a V neck, Lace Sensors and a Floyd Rose light trem idea proto