The Guitar Rack Godsend! Red Seven - Multi Stereo Line Mixer

[@RichardWatson]

Killing it, man! Every time I've just about managed to convince myself I don't need a vintage 80's effects rack you go and post something like this!

[@firemanmick]

Holy crap! I forgot you were demoing a product then and just got totally into the song - brilliant!

[@neonether]

Damn, this is much more advanced than the ASHLY lx308 8 channel I thought I was being a genius for getting! Thank you for doing these breakdowns!!! I love seeing what guys like you are up to! As far as dry goes, guess it helps to have two linked DBX 160As, one going directly into the mixer for a touch of dry, the other into chorus for splitting. This is one of the reason why I love (80s) racks, there are so many ways to route to emphasize different effects or tone. Even putting something like the stereo chorus through the fx loop of something like the TC2290 can help to mix the right levels into the tone. Just another way to control the delay/chorus balance. Like your setup, from the mixer I go either into the DAW or into the Torpedo studio, which is the only Torpedo with the balanced stereo in.

[@CaptainAhab-im3kd]

I've got one of the fabulous Hughes & Kettner Access preamps (rare!) 100% midi controllable: three preamp channels, an external preamp loop for your Marshall JMP-1, followed by its progammable Graphic EQ, and then three effects loops. In its mono effect loop, put your favorite vibe pedal, in the second loop put a TC-2290, and in the third loop put a stereo reverb unit (I used a Lexicon LXP-1) To control it you need a programmable midi foot-controller. The only thing it lacked was Gilmour's hands and talent !!

[@gelderlandproduction]

Absolutely love your style, phrasing, melodies and sense of tones.

[@Anje52]

Great demo Michael! The opening song sounds really great, stellar playing, relevant examples on possible usage of the unit & cool vibe as usual; that is a very nice illustration a great complement to the user manual. And it's always much fun to see those old classic rack units being used properly!

[@Yupppi]

Yes, Michael and his rack are back! I'm always surprised by how expensive the stereo line mixers are. I asked a local DIY kit shop if they could have a kit for stereo line mixer, and they told they could but it would make no sense, because it would cost the same or more than the units currently available (like Samson SM10) even though they're hardly available to purchase even. To me it was just like a couple of regular components and wire and a chassis, some buffering and amplifying, but apparently they're more convoluted units (haven't opened mine). But having a good, practical line mixer is a bliss. It's like the power supply for the pedalboard. It's one of those very unsexy, relatively expensive purchases that are core in making everything work and sound good despite not really producing anything themselves. The best part about keeping the dry in the mix to the output is that you sound "less" 80's soundtrack (if that's a good thing to you). Like you get all the percussive, rhythmic punch in your playing like riffs, and they don't become mushy. But you still retain all the beautiful effects and atmosphere around. I guess the best example, ironically from the 80's, is Warren DeMartini. You'd be hardpressed to find a player with more tightness and staccato like, very jumpy and percussive playing style with the emphasis hard on the front of the note, yet at the same time he has that lush spx90 juice around the notes. Now, if you have functionality like remote engaging channels and having send/receive and effects loops in the line mixer, that's when you really get going. You always get in trouble with not having enough parallel loops and ways to arrange them in chain or parallel, even worse if you want to engage one unit at a time in the same place of the chain. That's probably the biggest reason people loved moving into digital simulation realms. Like just doing the whole thing inside MPX-1 is so much easier, you just basically announce what kind of chain you want instead of trying to configure it with cables and stereo mixers. And you still might not have the possibilities of a switcher in the analog system. In digital it's just swapping a patch. The thing I like about units like SM10 is the way you can set your rack so that everything sounds great individually, driving maximum clean signal into the mixer, and then control the volume (the mix of the effect) with the channel level knob. Then you got everything so neat and tidy that any change in the mix is done purely from the mixer. And it's also a great way to have decent range in your power amp as well, having its volume opened up and perhaps if it's a 2x mono power amp, you can balance the chains for different cabinets (like I have a 1x12" wgs version of Celestion 65 and 4x12" marshall with g12t-75) and control the master volume from the output of the mixer. From bedroom to gig without any hassle in balancing things out. It was really difficult to find a place that sells this Red Seven, or a price for it in general. Ended up finding one, $1500. So for a man who already has everything.

[@pedroleal7118]

Hi! I do it with the 'SM10' for years, always loved splitting my signal. One thing I do is had a mic, in frint of the amp and mix it with the effects, best of both worlds.

[@pedroleal7118]

*in front, sorry for my bad English!

[@TheSavage1969]

Word on the street is that their load box "Amp Central" is rather badass as well. It's a resistive/reactive with an IR loader to boot. It even has a stereo FX loop.

[@jamiew.lacroix7055]

i love the fact you always come with something totally cool like this, Keep up the hard work and thank you.

[@gr070491]

Redseven only delivers the finest products. Great video, man!

[@TonePriest]

Bravo, good sir! The intro song was probably the best guitar instrumental I've heard since Blues Saraceno's Hair Pick IMHO.

[@LittleRapGuy]

Wow... It sounds good.

[@stevengoodman3498]

Beautiful opening jam my man! Very tasty licks. 90s movie soundtrack style maybe? Very cool Michael and thanks for this. Stay safe brother and thanks!

[@dallasbrown9376]

Just love your raw and passionate style !!

[@TheWizzard29]

Great demo and explanation, I always enjoy listening to your playing and think your channel is a hidden gem, imo you deserve way more subscribers. What can you say about background noise on the stereo mixer? I thought I heard some hiss around 11:56 when you activated FX1 and turned up the Aux send.

[@BigHairyGuitars]

Thanks. The noise isn’t in the mixer, it’s coming from a few places. I really should put a noise gate in the first slot, since the strat tones get noisy. The old units are a little noisy, the preamp is a little noisy, the compressor is a little noisy, hahah. It’s a balancing act.

[@TheWizzard29]

@@BigHairyGuitars That's what i needed to hear, thanks a lot :D I'm planning to get one of this mixers in the future, they seem really interesting.

[@NikolausBrocke]

What does sound better, 1. Preamp out -> TC IR Loader Pedal -> FX-Rack -> stereo out to analog console or DAW input or 2. Preamp out -> FX-Rack -> stereo out -> 2 x TC IR loader pedals for L/R -> to analog console or DAW input? I don't know how Dan Huff recorded his sounds. Did he feed a miked amp through his fx-rack or did he used his preamps to create his tone and miked the left and right Cab with fx and direct sound?

[@fuckthecoruptcunts]

thats what i want to know

[@Terry_Aki]

Great playing!

[@MitchGift]

I have a Custom Audio/ Bob Bradshaw Switching System by Rocktron for sale if interested. Made in 1991 when John Suhr was there. It's capable of switching between at least 4 pre-amps and changing channels, all midi changes including 4 or 5 effect processors, EQ. BBE, compressors, whatever. In great shape. Truly a legendary unique piece of gear that performed flawlessly.

[@R2R3Lockingnut]

😮 I just went back to the 90s with this ‼️ I knew I made the right decision to never sell my rack gear 🤯 This Rocks! You Rock Mang!!

[@mars6433]

I keep looking at his rack and making funny noises.

[@mars6433]

@3:08 OH DEAR LORD !!

[@mars6433]

Also, really starting to kinda' not like this Michael kid.

[@R2R3Lockingnut]

@@mars6433 The Bradshaw Glorious Thing! 🤤

[@jfo3000]

Still got my rack too! Run it right into the recorder with Furman PQ3 as a cab simulator.

[@allanpierce9700]

U have captured the perfect sound

[@bigdavedave9865]

I know you don’t always want all the schmoo, but I have to say the schmoo sounds SO GOOD! 😎

[@greg4272]

Hi Michael, Thank you for the heads up! This is really useful, and you're right, this Red7 is unparalleled! I wonder though if there is any real life practical advantage of the Red7, opposed to a switcher and a line mixer? Can you please explain? I have a switcher and a line mixer. All effects that go series before or after the guitar are switched by the switcher. (Rocktron Patchamte) The output of the switcher goes into the line mixer, that has 2x FX sends (don't need more FX units in practice, though I have more). The effects are added parallel via aux sends, and "turned on and off" by a zero volume program on them. They are always on, but those programs don't give out sound. I just use those programs then to "turn off" the FX I don't need. My mixer has two separate stereo outputs with their own volume control, so I can mix for the stage and for the front of the house separate volumes. Is there anything I miss out with this setup? Can you do something important with the Red7 whir can not be done with my current setup? I am willing to learn and improve, hence the question :) Thank you, Greg.

[@BigHairyGuitars]

If you have a working rack setup, and are happy with it, then you're good to go!

[@jayboy6895]

Incredible Michael. Your playing gets better and better maestro. Outstanding tones. Brilliant and totally inspirational 🔥 🔥 🔥 😎 🤘

[@BigHairyGuitars]

Thanks so much for saying! :)

[@richwalter5322]

Michael, can you share the wiring diagram for your rack using the Red Seven?

[@judu2b]

Congrats Luca! Great demonstration Michael.

[@shorerocks]

It rocks!

[@S-Theo]

0:41what is the model of EVH Wolfgang ?

[@sinisterj73]

Thanks again for what you do and for sharing it with us. Every time I hear you play through this amazing gear I can only think. This is the sound. The THU stuff is great and I have only got your stuff because to me it is the best of the lot. Now I can get those IR's too.

[@bobjoe7508]

Nice to see you got a pcm42! This whole rig sounds amazing. I do wish that this unit wasn't $1000+, but it's as big of a market these days, and I can see how having midi, mixing, splitting, etc can drive up the price.

[@officialpoa3171]

*WAIT! **#TIMEPOINT** **11:57**, when you turned that mix knob on loop 1, I heard crackle!! Plus I notice that those knobs have a wiggle to them when you turned them. Is that unit actually put together well?*

[@BigHairyGuitars]

I can't hear ANY crackle there. No crackle, but there is a little wiggle to the knobs.

[@mickeycoffeepockets]

This is pretty slick. I have about a dozen rack preamps and another bunch of rack effects processors that I want to be able to leave cabled up and ready at all times to have instant access to whatever sounds I may need and still haven’t gotten the switching element sorted quite right. I’m using two voodoo labs gcx units and a ground control and have been trying some line mixers, but I just can’t seem to kill feedback and ground noise. This unit looks promising but it doesn’t have quite the I/O I need. Thanks for bringing this to my attention though!

[@roscius6204]

Ground noise, I feel your pain. I'm about to refit all my rack gear isolated from the rails.🙄

[@neonether]

If you're in a house/apt with shit electricity like mine, it can definitely be a pain. If you haven't isolated it from gear, I recommend a power conditioner to plug everything into. This way you're connected to only 1 power main outlet to reduce loops. From there, I would connect and run 1 effect unit at a time nice and wet with lots of gain from your preamp to detect if there is 1 offender. Hopefully some of those rack units have ground lift to help troubleshoot. Good luck!

[@rockinchippy]

This looks awesome! Totally need one

[@anthonyrom3110]

Thanks - can you use a foot controller/switcher with this unit (for live), I'm guessing you can.....which would you recommend? Awesome playing.....as always.

[@josephestes7076]

We need this for a pedalboard.

[@roscius6204]

I've been using a Morningstar ML10X to achieve pretty much this, has more routing options but is more convoluted to tweak and the FX balance is achieved more with the FX units dry though's. This looks like a great option. Midi presets? Midi CC control?

[@Gonzo2707]

Two things: #1 PLEA SE for the effin love of God turn that intro piece into a full song & release it. #2 Michael‘s rack wants a 1210 and a 2290. #3 I‘m garbage at counting #4 Assume you‘ve used a decidedly ancient & increasingly frail Rane SM 26 as your rack line mixer for ages - does the Red 7 hold up sonically? I.e in not colouring your sound _at all_? I have been looking for a backup / replacement for my Ranes for 7? 10? years and haven‘t found a (payable) rack mixer that isn‘t either thinning/fizzying or darkening/dulling the sound. Thx mate & keep up the great work - much appreciated.

[@Phantasm70]

I have both the CAE dual in line mixer AND the half space version....do you like this better than both of those Mike? Another issue with all the blend pots is added impedance/potential losses due to all the pots. Just a thought...cool vid as always!!

[@BigHairyGuitars]

The CAE sound great too. No doubt. There's just some simplified implementation that the Red7 has that I really like, with so many routing options avail. But if the CAE stuff is working, or works in the setup you're trying to build. 100% great stuff! I mean... Bob is the master.

[@asgerms]

That's some damn fine playing there!

[@BigMateo24]

I think I might have to check out these power amp IR's you made and run my rack into it. That sounds extremely cool.

[@svenheineken8958]

Hi Michael, great playing, great production, great piece of gear! Glad your back with all thing rack! I have a similar system and I figured that you can tame some of the noise by putting the IR after the preamp and using the XLR outs on my Cab-M+ to the XLR in on the dbx. Speaking of noise, I‘d live to see a video about your aporoach to noise treatment. Keep up the good work! This is hands down the best YT channel!

[@neonether]

You could, but then you are coloring everything else down the chain instead of letting the chain color the tone and adding an IR that compliments your goal. For example, you want to modulate the hot guitar tone from the amp, not the darkened signal from the cab. Landau actually even used an EQ after the compressor to brighten things up before the chorus for this reason. All the wet fx muddies it up already.

[@jrlee243]

Dude, I know this not the point of your video, but I love the dbx160. I sadly sold all four of mine. Your rack just reminded me how dumb I was. Other than that great video brother.

[@neonether]

I feel your pain, the price of them has gone way up like a lot of stuff from this era. I had 3 and sold 1, then the bypass button on my 2nd one broke and I'm so pissed! I'm keeping a close eye on the market...

[@LucaMilierimusic]

OMG, awesome rig and tones! And playing too of course! 🤘🤘🤘

[@EVEROSFP1]

If you could make a video for the Publison Infernal machine....

[@henrymcardle]

Incredible device. It is pricey, though. Until I win the lotto, I'll just keep turning knobs on the Rane SM-26's.

[@reanimator9]

hmm tasty... some Dan Huff vibes

[@SimonHosford]

Aweeosme video brother! Great unit! It’s the perfect solution for me not having to drag around a mixing desk on top of my rack! (Which is what I’ve been doing for my Van Halen shows Down Under. Love your work brother 🤟🤟

[@steveg219]

Great playing and sounds at the top!

[@JRP3music]

I dig this mixer, been waiting for this to happen. Very cool.

[@konrad_k_guitar_channel]

Hi Michael, great video! But why is the dbx compressor put AFTER the preamp and not before? Was it the way to go back in the 80's? Tnx

[@neonether]

The compressor was after the preamp on 80s session racks. One reason so you can slam the sound from the preamp without losing dynamics from technique, e.g. fingerpicking. Downside is you might lose a bit of tone if you over-compress, which is why Landau used EQs after the dbx.

[@TDenander]

@michaelnielsen haha cool, that's my old picture of Luke's and Landau's racks at The Baked Potato...one of many magic and LOUD evenings there :D

[@BigHairyGuitars]

WOW! Awesome! I added your photo credit in the Description. That photo is legendary! THANKS!

[@TDenander]

@@BigHairyGuitars oh thanks!! I was just very happy to see it in your cool video :) I've seen that picture make some rounds globally over the years haha That night was epic because Steve Stevens, Rick Nielsen, Robin Zander, Will Lee and more also played...it was crazy loud :D

[@fabiol.9161]

Cristoforo Colombo discover America again.. Thanks red seven..

[@christopherJSmokeandMirrors]

Thanks for the video! Very nice setup!

[@PeteSklaroffGuitarist]

80s guitar tones are back with a vengeance!....great video! :-)

[@funkyfoe12]

Nice Tone-age brother!

[@Sindodrums]

Hey I don't know if you will see this but what desk do you have? I've been looking for one with integrated rack mounts and I like the way yours is set up.

[@BigHairyGuitars]

Hi. It’s called Output Platform desk. 👍

[@Sindodrums]

@@BigHairyGuitarsthanks!

[@armandodiaz3485]

Hey Michael I may have missed a vid or two…is this your home studio??? Tc!

[@Hairyloft]

Great track and vid

[@stevenaustin4591]

Damn Dude! That intro track sounds like something Vai would write! Sweet! ;)

[@Guttalaser]

Sir... you PLAY f***ng good Man!

[@UnixStudios]

Killer vid. Hey man can u dissect the solo on Slaughter’s The Wild Life??? I think there’s some filter w harmonizer going on idk

[@aquilarossa5191]

Sounds legit. I am using a Silver Jubilee 2525H, or a nice Plexi build. I am running it into a Freyette PS-2A and a Two Notes Pete Thorn Greenback IR. I use a Belle Epoch Deluxe in the loop for echo and the Sunset Sound plugin for reverbs. I had been thinking about how to add outboard effects to my little Audient interface. Something like this might work I do not get results like you though. You IR tones sound quite real. No matter the IR, mine sound like the engineer put a condom over the SM57 and hung a Covid mask in front of the speaker cone. I must not know what I am doing, rather than it being a case of me needing to spend even more money to get a tone I like.* *That had been my plan A for 25 years or more, but it never seems to work and I still think the tones I got jamming just using pedals and amps in the 80s were better --- e.g., I got on a Randy Rhoads mission trying to learn all his parts and recreate his tones. I got a Sandoval style V made by the guy who made some for Zakk, the Randy pedals and a Marshall 1959RR that blew up in short order. Then I noticed some guy on KZbin get much closer using some kind of Blackstar amp -- his playing may have been better too -- grrr lol. That's when I learned same gear does not always mean same tone. I learned that lesson the very expensive way I may not have fully learned, because I find myself looking at OC81D Tone Bender MKII copies on Reverb thinking it will give me Jimmy Page tone -- who I just found out is my cousin in law when my Dad passed away a few months ago, i.e., my first cousin in Australia who i have never met married Jimmy's cousin, so now I share close blood relatives with Jimmy Page, but I am not cheeky/rude enough to try to make use of my cousin to meet him (I have thought about it though -- who wouldn't).

[@neonether]

Sounds like you just need to do some research on how to set up the chain and you should achieve results. If you're adding fx after the IR, you're never going to get this kind of tone...

[@carlroberge7535]

Amazing 80’s tones! 👍🤘🙌😍

[@michaelcurnutt]

GREAT sounds! I have a dumb question please forgive my ignorance, what is you interface into your DAW?

[@BigHairyGuitars]

RME FIREFACE UCX II

[@michaelcurnutt]

@@BigHairyGuitars Thank you for the quick response. I enjoy your videos and learn a lot, they have helped in scoping some of my purchases. As someone that played the club circuit before racks, DAWs but recorded to tape I am learning a lot about equitment used on the tracks I like from your channel. The DAW interface must be as important to the sound reproduction as the rest of the signal chain. Are you using any other processing outboard equipment?

[@michaelcurnutt]

I watched the video again and got my answer.

[@BigHairyGuitars]

@@michaelcurnutt The interface is important. These days the quality of most interfaces is SO good though. A $100 Focusrite or Motu interface will be very good. $1500 RME or Apogee, or UA will be amazing. Anything above that is mastering level, and will be hard to hear the difference to most people in most listening environments. I have a bunch of really nice outboard hardware, but for this track, I used don't think I used much. Maybe a touch of Bricasti Reverb, maybe a touch of mastering EQ. But... I pretty minimal.

[@michaelcurnutt]

I have watched this several times, seriously considering ordering it even with the 60 day wait but have a question, how are you switching channels on your X88R?

[@BigHairyGuitars]

The red seven can switch 2 things. Works perfectly for the Bogner fish. I need 3 switches for the X88, so now I use an Voodoo Labs Control Switcher

[@michaelcurnutt]

@@BigHairyGuitars Thank you.

[@freneticGTR]

extra 'SHMOO' sounds really good...;)

[@geertmaertens7372]

Looks like a very interesting unit. Tx for the review! Radial's JX44 v2 looks similar - how would this one stand out vs the Radial?

[@Andyanddiana467]

The Radial is more of a guitar wireless and amp selector.

[@BigHairyGuitars]

The Radial is great. Like Andy said the Radial is more about switching multiple guitars into multiple amps. The MSLM is about controlling switching and blending FX. The could actually work well together in a complex live rig

[@scottpeters4401]

I have a set of Rockman modules,Sustainor,Chorus,Echo,that I want to blend in stereo with my amp…Rockman left and right,then my amp panned dead center…..Will this box do that?

[@brevink01]

Glorious setup!! When playing in mono, do you need parallel fx (or line mixer) at all?

[@BigHairyGuitars]

Yes. Mono or Stereo would be the same. The Parallel and Line Mixer stuff is to insure that your core tone stays intact, and doesn't' have to pass through a cheap (or expensive) digital conversion

[@brevink01]

@@BigHairyGuitars thanks, so different then a blend/mix knob on , for example, a UA golden reverberator into a fx loop

[@BigHairyGuitars]

@@brevink01 An FX loop in an amp is essentially a serial loop. So you'd just control the blend with the UA "mix" knob. If you're happy with that sound, and it's not negatively effecting your tone, it's good to go. I'm generally happy with pedals in a loop. The rack stuff is more complicated and typically the older units have digital conversion that's not up to snuff.

[@brevink01]

@@BigHairyGuitars Thanks so much! that rack stuff is awesome !

[@joeywilder9708]

Damn sounds awesome!

[@guitartonetopia]

Aaaand ordered

[@LuizPiresGuitar]

Great vid Michael! Do you reckon there's anything out there that would do that job on a pedalboard friendly format?

[@BigHairyGuitars]

Yeah. the GigRig stuff has complex routing options available.

[@fairmonttech-nmedia]

I use the GigRig Wetter Box on one board and a dpFX Pedals Dual Loop Stereo Parallel Blender on another, parallel loops for effects w/ the dry signal intact are just the best sound & feel, very similar to Michaels awesome demo

[@BigHairyGuitars]

@@fairmonttech-nmedia 100%. That's the pedal equivalent of a huge rack!

[@neonether]

@@fairmonttech-nmedia Thank you for this piece of advice!! I have built a 'rack' pedal board and was fretting this last step!

[@techniqueswithtodd]

Yup. Power Amps are sorta pointless in this type of setup. Once you have powered studio monitors, you don't really need physical power amps in the rack. You honestly don't need the rack either now that you are using the TONE X and can make profiles of all of your preamps and fx :) You can load them up whenever you like. I do still have my fave preamps in my rack as well though. :)

[@neonether]

Nothing can replace the sound of these racks. There's too much magic built in. When you play it it's just not the same.

[@lukather1]

Great product WAAAAYYY TO EXPENSIVE !!!- €999 ! WTF !

[@wakjob961]

Dang. That was a killer piece man. Just need a Dytronics CS-5 to round out that rack ;-)

[@neonether]

That's what I was thinking...I'm still punching myself for selling my Fulltone TERC....

[@MesaGuitarGuy]

also, killer demo song!

[@MiguelMorenoGP]

Damn it man, you had to start using a Wolfgang that I've been dreaming about in your videos didn't you?

[@chad6326]

Yo!!!! When did you aquire the plexi??? I still attain to this day that NOTHING sounds better than a Marshall Plexi as your starting foundation, color as needed. Just my opinion

[@3rdPlaya0709]

Do you like the Fixx?

[@cristianpena44]

Hey Michael, which wolfgang is it, special or standard?

[@BigHairyGuitars]

Hi. It's a Special Sassafras.

[@karlsalocks]

A lot of people GAS over the H3000s, BUT, I seriously would love all three of those PCMs there.

[@karlsalocks]

And it's not either or lol

[@BillVerdon]

Please post your Spotify Chanel here! If you don't have one...MAKE ONE!

[@andrewbettis4247]

I have no volume on this video for some reason I'll double check my settings..

[@fairmonttech-nmedia]

Great video. I run a saturnworks splitter after my preamp into my rack effects which go into a behringer stereo mixer with the dry signal, total cost $150. Not as awesome as the MSLM but it still sounds glorious!

[@scarem84604]

Your best video ever! Thanks for sharing, Michael!!

[@Twobarpsi]

Lexicon 🤘🤘🤘

[@mentoneman]

atta boy🤠

[@madadami81]

Epic SHMOO

[@JSTN_C]

What headphones are those?

[@BigHairyGuitars]

They're Audeze LCD-X. Phenomenal headphones. Stupidly big and heavy though.

[@alexandrvetelkin5196]

Camera focus gone crazy )))

[@crsantin]

In 2023 it’s called a Helix rack for me. Does everything you have here and more. Sounds great with my tube amps too.

[@neonether]

To each their own.

[@jasonstone1046]

Sweet baby jesus, a tad bit spendy..

[@PooNinja]

This thing looks awesome 👏🏽 Red seven is really hitting it out of the park with this.

[@officialpoa3171]

*Actually there is the SWITCHBLADE AUDIO SWITCHER, which does much more and far more flexibility.*

[@soraland4831]

Big Hairy Head-Phones.... 😉

[@BigHairyGuitars]

Stupidly massive!

[@soraland4831]

@@BigHairyGuitars depends how the sound...

[@b.scottfarthingsworth]

1500, ...wow.

[@BigHairyGuitars]

Yeah, but if we wait a decade, Behringer will make one for $150.

[@b.scottfarthingsworth]

@@BigHairyGuitars 😆 true, and someone will ape this before then with improvements, maybe for less. I use the Behringer line mixer and the RJM RG-16, which do the same thing [95%] as this, but has more loops with function switching. It's aight

[@sheatanner9935]

Toto meets Def Leppard as played by a mellow Eddie Van Nielsen. 😊

[@chad6326]

💯

[@SRV4me]

Preach! My thoughts exactly, with maybe some Dann Huff thrown in🤘🏻Love the Shabat, brother. Love my Shabat

[@NikolausBrocke]

Very nice song and true 90ies sounds. I know the red seven already. For rack lovers (like me) I would like to buy this more sooner than later. It's so well thought out. Btw. do you have a new studio?

[@fixpedalboards1969]

Hey Handsome! Hope you’re well… I have 4 Syn-2’s in my home studio with the idea of being able access all my modules with minimum effort. However having them in my regular Switchcraft patch bay is really confusing and no easier than just switching between them the old fashioned way…would this work for that?

[@TheLordcasio]

Flock Audio or Sound Sculpture Switchblade? I mean c'mon...so many other better options. Or if you're just trying to get parallel effects mixing, you have the RJM or the Ground Control mixer...or just any sh*tty little mixer.

[@rubenhernandez4522]

Of course this only sounds good is because of the equipment 😜